Now that Valjean has rescued little Cosette from the Thénardiers, the story moves to Paris! But not to the greatest neighborhood. Victor Hugo describes it in such loving details as:
“An interesting and picturesque feature of buildings of this kind is the enormous size of the spiders that infest them.”
“It is possible to conceive of something even more terrible than a hell of suffering, and that is a hell of boredom. If such a hell exists, that stretch of the Boulevard de l’Hôpital might have been the road leading to it.”
It’s to this cheerful spot that Valjean brings Cosette. It’s still better than the Thénardiers’ inn, though.
Becoming Cosette’s surrogate father is as major a turning point for Valjean’s soul as the incident with the bishop. This doesn’t come through in the stage musical at all, but they made it central in the movie, and Victor Hugo flat-out compares the two epiphanies in the novel: The bishop taught him virtue, while Cosette taught him the meaning of love. Hugo even ponders whether Valjean’s no-good-deed-goes-unpunished experience would have sent him back into bitterness if he hadn’t met her.
If I may digress for a moment (and since I’m writing about Les Misérables, it would only be fitting), I finally listened to the movie soundtrack on its own last night, two months after seeing the film…and I’ve finally placed what “Suddenly” reminds me of: “Someone Else’s Story” from Chess. No wonder it felt like it didn’t fit in this score: it reminds me of a different show!.
Valjean brings his money to Paris sewn into the lining of his coat. I wonder if they used serial numbers in those days.
He hasn’t quite learned how to keep a low profile yet. He becomes known for being generous to the local beggars, and one night one of the regulars doesn’t quite look right when he hands him some money.
Then Javert rents a flat in the same tenement. Uh-oh…
Exit, Pursued by Javert
Before the chase through the nighttime Paris streets, Hugo apologizes for not knowing how much of the area he’s about to describe is still around. Before that apology, he apologizes for mentioning himself. These days it would just be an author’s note, not part of the text.
Streetlights haven’t been lit because of the full moon. That’s not something I would have considered, but if the lights have to be lit by hand, it makes sense that you’d take advantage of efficiencies like that.
Trapped in a dead end, Valjean takes the only escape route he can: up. But he can’t free-climb with Cosette.
Cosette finally starts breaking down over the flight. He tells her she must be quiet, because Mme Thénardier is following them. This works, but only because it scares her even more — after they reach safety, he has to assure her that she’s gone.
An empty garden, a ruined building, sounds of pursuit, midnight hymns, a body with a rope around its neck…and an incredible coincidence, as the gardener (who happens to be awake at midnight) is the man Valjean saved from the runaway cart.
The viewpoint returns to Javert and Valjean’s arrest months before. He actually forgot about him — a job well done, but it’s been done and over with — until reading the news of his death. Then he read about a little girl being “abducted” in Montfermeil, whose mother Fantine had died in a hospital earlier that year, and started to wonder.
By the time Javert shows up to interview the Thénardiers, they’ve realized they don’t want police looking too closely at them, and changed their tune: she left with her grandfather, and Thénardier had simply wanted to keep her around a few more days.
“Javert went back to Paris. ‘Valjean is dead,’ he said to himself, ‘and I’m an ass.'” Well, you’re half-right.
He keeps seeing odd reports, though, and tries to put together enough evidence to make an arrest. He even poses as one of the beggars, hoping his suspect will show up and give him a good look at his face (establishing Javert as a master of disguise). His lack of certainty, coupled with police PR problems at the time, give Valjean enough time to flee. Once he flushes Valjean into a dead end, though, he decides to toy with his prey, which gives him just enough time to escape.
Someone landed on one of these articles this week by searching for “How to read Les Misérables.” I did a search myself, and found WikiHow’s article by that title. “Things you’ll need: Willpower. A copy of Les Misérables” – So true!
Bad reception at the place I had lunch on Wednesday kept me from tweeting my comments, so I had to write them offline. This is probably better, since I don’t have to clutter up my Twitter feed with my notes, and I can still tweet highlights if I want to. I’m going to stick with that plan going forward.
Also, like last week, my commentary ended up being a lot longer than I wanted, so I’ve split it into two articles. The second one will go up in a few days.
Pages covered: 385-424. Continue on to Part 11: the convent.