I learned three nice things about the Kindle movie tie-in edition of Les Misérables today:
- It’s only $3.
- It’s the same translation (Norman Denny, 1976) that I’ve been reading from a big stack of paper.
- Page numbers match the print edition I’ve been reading, at least where I’ve spot-checked.
This will be great for times that I don’t want to lug around the brick, or that I’m out and about and want to work on my next article, or that I planned on reading something else and changed my mind.
I’ve occasionally looked at the Isabel F. Hapgood translation (1887) on Project Gutenberg, just to check against something closer to contemporary. It’s very different. It is written in 19th century English, after all, and both writing style and language have changed significantly since then.
There are several other modern translations available. When I started this re-read, I considered looking up either the Fahnestock & MacAfee (1987) or Julie Rose (2009) translations. What I found online suggested that the former sacrificed readability in favor of accuracy to Victor Hugo’s text, and the latter tried so hard to be modern that it set up a cognitive dissonance between the setting and language. (This will become less important over time.) I suspect the Fahnestock & MacAfee translation is the one I looked through in a bookstore back in high school, comparing chapters I had recently read and wondering why they made the choices they did.
In the end, rather than look for a new edition, I reached for the old Penguin Classics copy that has been sitting on a succession of bookshelves since my teen years. I haven’t regretted it. Maybe when I come back to the book again a few years down the line I’ll check out another translation. But when I do, I’ll probably just read it instead of commenting on it. Update: Five years later, I came back to the book and read the 2013 Christine Donougher translation. Here are my first impressions.