Tag Archives: Star Wars

Star Wars: The Force Awakens (Finally. It should have gone to bed earlier.)

So, we’ve got a title for Star Wars VII.


Pun not intended, but it is now.

Star Wars has a long history of cheesy titles, starting with, well, “STAR WARS.” But this one just doesn’t give you any sense of what the movie is going to be about.

I: The Phantom Menace – Some sort of hidden threat, but then we also knew it would be about young Darth Vader. Safe bet that the menace is the Emperor getting started.
II: Attack of the ClonesExactly what it says on the tin.
III: Revenge of the Sith – Ditto.
IV: A New Hope – Kind of vague, but by the time this title was tacked on, everyone on the planet had already seen the movie when it was just called “Star Wars,” which told you right off the bat it would be about wars in space.
V: The Empire Strikes Back – Exactly what it says on the tin.
VI: Return of the Jedi – Well, symbolically anyway, but we knew they’d at least have to resolve the Han cliffhanger and set up Luke as a Jedi Knight.

The Force Awakens? That could be about anything.

Maybe that’s the point. JJ Abrams likes his secrets. So does George Lucas, for that matter. And let’s face it: This is the first live-action Star Wars movie in ten years, and it reunites the original cast on screen for the first time in thirty. Nobody really cares what it’s called: it could be “Star Wars VII: The Search for More Money” and those of us who grew up on the original trilogy would still go out and see it opening weekend.

Just not at a midnight showing. We’re getting too old for that sort of thing.

On a side note: I find it interesting that ten years ago, Lucasfilm announced the Epsiode III title at Comic-Con and had T-shirts ready on the floor. This year, Disney announced the title on Twitter.

After the Crunch: Rubble and…Ewoks?

Since I work near the Century/Aviation intersection where Metro is planning to build a light rail station, I’ve been watching the demolition of the old bridge with some interest. The northern rise is pretty much obliterated now. The southern section is down to a single wall.


Here’s what it looked like three weeks ago, for comparison.


Let’s take another look at that graffiti at the top of the wall:


Not only do we have “Endor,” and “Death” (spelled funny) in a lettering style reminiscent of the Indiana Jones logo…I swear someone wrote “Ewok” off to the right. Or at least “EW[head]K,” which amounts to the same thing.

How The Hobbit Will (and Won’t) be Like the Star Wars Prequels

Posters for The Hobbit: An Unexpected Journey and Star Wars Episode I: The Phantom Menace

As the release date approaches for the first movie in The Hobbit triogy, I find myself comparing the circumstances to the Star Wars prequels. Why? In both cases you have…

  • A visionary director returning to…
  • A high-profile trilogy set in a fantastical world…
  • After years away…
  • To tell a prequel set a generation earlier…
  • Including significant events that set up the other story (Vader’s turn to the dark side and the rise of the Empire, Bilbo finding the One Ring and the Necromancer of Mirkwood).
  • Some cast are returning as younger versions of the same characters (Palpatine, C-3PO, Gandalf, Elrond)
  • Other characters have been recast (Obi-Wan, Bilbo).

But of course, Star Wars isn’t Lord of the Rings, and Peter Jackson isn’t George Lucas. Let’s look at four big differences.

1. Time

The Phantom Menace came out 22 years after Star Wars: A New Hope and 14 years after Return of the Jedi. An entire generation of children grew up with the original trilogy and were adults by the time the prequels started. And with 14 years of no Star Wars films, the prequels had to justify the wait.

With Lord of the Rings, it’s only been 10 years since Fellowship of the Ring, and 8 since Return of the King. We’ve spent half the time away from Middle Earth as we did from that galaxy far, far away. Children have become teenagers, and teenagers have become adults, but there isn’t quite the same level of “My childhood is back!” nostalgia that could make or break the films for a large section of the audience.

2. Directorial Experience

According to IMDB, George Lucas stopped directing after the first Star Wars film in 1977. He kept writing and producing, of course, but he hadn’t directed a film in two decades when he picked up The Phantom Menace

Peter Jackson may have slowed down a bit, but between wrapping up the extended edition of Return of the King in 2004 and picking up The Hobbit in 2010, he’s directed King Kong and The Lovely Bones.

3. Source Material

This is a big one. The Star Wars saga was an original story by George Lucas. When he wrote Episodes I-III, he was free to do anything he wanted as long as it didn’t contradict Episodes IV-VI. The Hobbit films are based on Tolkien’s novel, the appendices from Lord of the Rings, and his published notes. The core of the story is a lot more well-established.

4. Executive Meddling Potential

Zillionaire George Lucas wrote, directed and produced the Star Wars prequels, financing them himself. Nobody was in a position to tell him no. On one hand, this is good, because there weren’t any suits with more money than talent to tell him to add an extra car chase here, or add a love triangle there, and does Revenge of the Sith *really* need to be PG-13, can’t we dial down the violence a bit? On the other hand, it also meant no one could say, “George, don’t you think Jar-Jar is a little over the top?” or “This fireplace scene just isn’t working.”

Peter Jackson lucked out with the Lord of the Rings trilogy in being able to mostly do his own thing. But the legal battles and rights-wrangling that have caused The Hobbit to take so long to reach the screen indicate that the studios might be trying to exert their influence to “protect” their investment (which usually seems to involve killing the goose that lays the golden eggs). Certainly the decision to stretch the story out to three movies sounds like the studio trying to multiply their ticket sales, though I can also see Jackson and Weta deciding that this is their last chance to explore Middle Earth, so they might as well make the most of it.

Well, it’s just one week until The Hobbit: An Unexpected Journey opens and we all get to see how it turned out. One thing that’s definitely changed for me: Unlike Episode I, there’s not a chance that I’ll be standing in line for hours to see a midnight (or 2AM) showing. I can wait until Saturday afternoon.