Tag Archives: Power Girl

Crisis Lead-ins: The Verdict

Well, all four miniseries leading into Infinite Crisis are out. I’ve also read The Return of Donna Troy and the JSA Classified arc settling Power Girl’s origin.

Verdict:

  • Villains United: Fun adventure book with bad guys. Last-issue revelation was interesting. Cheshire is genuinely insane—I can believe this is the woman who nuked a small country just to prove she wasn’t bluffing.
  • Day of Vengeance: 3-issue story stretched out to 6. Some nice character moments, but overall have to wonder what the point was.
  • OMAC Project: Suspension of disbelief hung by neck until dead. And the worst part? The most important thing to happen in the series didn’t actually happen in the series.
  • Rann/Thanagar War: Total mish-mash. Even knowing who most of the alien races were didn’t help me keep up with what side anyone was on. Someone remarked that this was like a 12-issue epic condensed (badly) into 6 issues, and that sounds about right.
  • Donna Troy: I wanted to like this book. I really did. Donna Troy, George Perez/Phil Jimenez art, a direct sequel to a classic Titans story, and they all-but ignored John Byrne’s Dark Angel retcon-fest. But all the characterizations seemed off from the first page on. Even the art didn’t grab me. (The coloring didn’t help.) And while it’s interesting to take the idea that all her origins are true, the ending—particularly how Donna dealt with the Titans of Myth—really disturbed me. (While we’re at it, Donna doesn’t need her own moon for a headquarters.)
  • Power Girl: Believe it or not, I didn’t read it for the cheesecake. Like Day of Vengeance there were some great character moments (PG and Jimmy Olsen sitting on top of the Daily Planet building while Jimmy ate lunch and tried not to stare, for instance). But I had a hard time believing this was the same Power Girl I’d read in Justice League Europe during the 1990s. (Yes, JLE was populated by caricatures of the leads—anyone who read that book and Flash should know that—but it became more serious near the end of the run.) And again, I thought that the story could have been told in half the space—even keeping the character moments. And even though I’d guessed PG’s true origin early on—or perhaps because of it—the finale felt like a let-down instead of a “Hell, yeah!” Maybe if they’d let her say “So that’s who I am!” instead of slinking back to her apartment as confused as ever, only to run into a “To be continued…” sign, it might have felt less like an Infinite Crisis setup piece and more like an origin story.

Verdict: One hit, two sorta OK, three turkeys.

On a related note, Warren Ellis’ arc on JLA Classified, which started strongly, is rapidly going downhill. The plot’s holding up, but the dialogue has gone from “Clever!” to “Okaaaay…” to “You have got to be kidding me.” J’onn’s rant last month about how we insist on calling his home planet “Mars” was one of those moments. (You know, I don’t normally refer to Japan as “Nihon,” or the capital of Russia as “Moskva,” but that doesn’t mean I’m calling them by the wrong name.) And I think Wally used the words “speed force” more times in 5 pages than he has in the last 5 years of his own book.