Tag Archives: Mira Grant

Newsflesh: Worst Case Zombies, Best Case Survival

Feedback, by Mira Grant

While reading Feedback, it occurred to me that Mira Grant’s Newsflesh series features the worst-case scenario of zombie design, and yet humanity survives with civilization mostly intact. That’s impressively optimistic.

I mean, look at the parameters of how zombies work in this setting:

Everyone who dies becomes a zombie, regardless of whether they’ve ever been near a zombie. This is fairly common, but there are settings where you can keep zombies out with a quarantine. Not this one.

Direct contact with a zombie is extremely contagious. Bites and scratches, sure, but imagine a zombie with late-stage Ebola. (A modified Marburg is one of the component viruses). Zombie drool landing on an open wound can convert you. The blood spatter from the zombie you’re shooting can get in your eye and convert you. The body of the zombie you just killed, lying on the ground motionless, is still a high-level biohazard that can convert you.

Anyone who goes out in the field must go through decontamination. Showers include a standard bleach cycle and won’t let you out until it’s done. Outbreak sites have to be hosed down with bleach, burned, or simply condemned.

Any blood that’s been outside the body long enough will trigger conversion on exposure, even if the person isn’t a zombie. Even your own blood.

Sometimes people spontaneously convert. It’s not common, but it’s been known to happen.

The newly-infected can be as fast as a normal person before their body starts decaying. (Yep, fast zombies and slow zombies in the same ‘verse.)

Any large mammal can become a zombie. Dogs. Raccoons. Horses. Bears. Cows. Red meat is now a biohazard.

Mobs of zombies can plan ambushes. Enough zombies together exhibit just enough rudimentary intelligence to set a trap. Even across species.

There’s a really scary twist in the virus’ transmissibility late in the second novel that I won’t spoil.

The only factor that isn’t maxed-out is their indestructibility. A zombie in the middle of the desert or at the bottom of the ocean will eventually starve.

Eventually.

And yet humanity survives the Rising and is able to rebuild civilization in many — not all, but many — parts of the world.

That’s…well, that’s kind of inspiring.

Do Not Taunt the Octopus

Do Not Taunt the OctopusMira Grant has been writing yearly novellas set in the world of her Newsflesh trilogy. A generation after the zombie apocalypse, humanity has survived, adapted, and rebuilt civilization. While the trilogy focuses an a core group of characters, journalism, social media and American politics, the novellas have opened up more of the world.

“Countdown” reveals the early stages of the Rising, including a look at what two messed-up background characters were like before everything went to hell. “The Last Stand of the California Browncoats” looks at what would happen if an actual zombie plague wiped out Comic-Con. “How Green This Land, How Blue This Sea” jumps across the world to Australia, where the people take a very different approach toward managing the zombie virus. “The Day the Dead Came to Show and Tell” explores the implications of life with zombies on the school system, and it’s really freaking disturbing. The newest one refers back to it (not in any detail — it goes out of its way to not describe what actually happened), and it hit me again. That story sticks with you.

“Please Do Not Taunt the Octopus” is the latest, and picks up the tale of Dr. Abbey, who runs an underground virology research lab where they’re trying to cure the zombie virus without the politics constraining mainstream organizations like the CDC (which has its own issues), as they deal with industrial espionage, hackers, and some…surprise visitors. She grudgingly accepts the label of “mad scientist,” though she insists that while she is angry, she’s not crazy.

It’s a surprisingly upbeat story considering the setting, as is “How Green This Land…”

One interesting observation: It’s now 2015. In the Newsflesh world, the Rising took place in 2014. We’ve now branched into alternate universe territory, but there are references to historic events and pop culture that happened after the first novel came out in 2010.

Another observation: I followed this up by finally reading Unlocked, a novella detailing the background of John Scalzi’s novel Lock-In. It’s an interesting parallel, in that both Newsflesh and Lock-In pick up a generation after a devastating virus has swept the globe, killing and transforming people — in one case taking over the bodies as the mind dies, in the other leaving the mind intact but cut off from the body — and the technological, social and political changes made to deal with the new normal.

Comic-Con 2012: Back With a Vengeance

LEGO Comic-ConComic-Con International was a lot more fun and a lot less overwhelming than usual this year.

Maybe it’s because we skipped the busiest day to go the San Diego Zoo. Maybe it’s because we picked our battles on what we tried to do. Maybe it’s because last year we crammed the whole experience into a single day, and having three days felt like a luxury in comparison. Or the fact that the logistics of getting to and from the con were so ridiculously complicated (more about that later) that they made the convention seem relaxing.

Batgirl (Cassandra Cain)Whatever the reason, the floor did seem a bit less crowded this year. Both of us remarked on the fact that we never felt trapped as we usually feel on the busiest days.

(Skip to the photos if that’s what you want.)

Thursday was the day I spent mostly on the floor, exploring. I hit the usual haunts: DC Comics, Sideshow Collectibles, Studio Foglio. DC was really plugging their upcoming fighting game, Injustice: Gods Among Us.

LOTR FigurinesSideshow seems to be displaying more figurines (and a wider variety) every year. Their Lord of the Rings figurines are absolutely incredible. Though I’m not sure what the target audience is for the life-sized Han Solo in Carbonite or Boba Fett. I can’t see putting one of those in my living room. They also had a very cheesecaky Poison Ivy statue. I overheard someone saying they couldn’t see themselves buying it because it would be like having that lamp in A Christmas Story. At another booth I discovered that you actually can buy that lamp.

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Just One Day at San Diego Comic-Con 2011

Darth Joker cosplay at Comic-Con 2011This year, we approached Comic-Con International a bit differently than usual. For the last seven years we’ve been staying in town for all four days. With the baby, we decided to do Comic-Con 2011 in just one day. So we left him with relatives and took the train down to San Diego for the day. We arrived in town about 9:00, walked down to the convention center, and had our badges just after the floor opened at 9:30.

(Full photo set on Flickr, Flash-related coverage on Speed Force.)

Jack Skellington Puppet/Costume at Comic-Con 2011Planning a trip to Comic-Con is always about trade-offs. It’s so big that you can’t see everything, and there are so many events going on that you can’t attend them all. With four days, there’s some wiggle room. With just one, it seemed like I was constantly thinking about those choices.

One of the first choices I made: No news panels. I could get that the next day online (and did). I wanted to focus only on what was unique to the con: exhibits, meeting people, the art show, etc. Basically, I wanted to experience as much of San Diego Comic Con as I could in one day.

Katie decided to pick two things and build her day around them: visiting The Field, an Irish pub our friend Sean introduced us to a few years ago, and seeing the new Thundercats screening. Continue reading