Babylon 5: The Scripts of J. Michael Straczynski
Hard to believe, but J. Michael Straczynski’s Babylon 5 Script Books are almost done. Volume 13 of 14 just shipped (my copy arrived today by UPS), and it’s time to talk about the bonus volume 15, only available to people who’ve bought a complete set.

This is the book that has alternate versions of several episodes, the series writer’s bible…and a complete outline of the original arc with Sinclair all the way through. The site has a description of the contents [archive.org], but how to get it is a bit out of date. Vol.13 shipped with a notice that they’ve changed the procedure.

Instead of waiting until you receive all 14 volumes, then filling out a proof of purchase form, you need to fill out a form before ordering #14, and they’ll ship #14 and #15 together. The form collects your name, address, and the order numbers for the other 14 books. If you ordered them all through the same CafePress account, it’s easy: Log onto CafePress, look at your order history, and then copy and paste the numbers into the form.

Admittedly, “easy” depends entirely on how much other stuff you’ve made through CafePress. Unfortunately they only list order numbers on the history page, so you have to click through each number to see what was actually ordered. This makes it a perfect job for middle-clicking the links on Firefox (open in background tab): I just went down the list, clicking away, and then I had each order in a tab. Click, copy, click, paste. Repeat.

This just showed up in my email from Babylon 5 Scripts:

J. Michael Straczynski with campaign sign: Londo/ G’Kar ’08: How much worse could it be?

From JMS’s Cafe Press store (the same site through which he’s selling his script books with commentary):

With the coming 2008 elections, there aren’t a lot of candidates we can agree upon. So as a public service, we are now providing a slate of candidates that will bring the country together in common cause and preserve many of this nations’ finest electoral traditions.

Slates available include Londo/G’Kar, G’Kar/Londo, and Zathras/Zathras (trained in crisis management!)

I remember having an unofficial Sheridan/Ivanova ’96 (or possibly Sheridan/Delenn) bumper sticker, but I’m fairly certain it was a homemade “Elect The Brain” (as in Pinky and the…) sticker that I actually put on my car that year.

Now if only they’d used the correct punctuation on the ’08 instead of trusting smart quotes. (That should be an apostrophe, not a left single quote.)

Babylon 5: The Lost Tales Cover ArtLast night we watched Babylon 5: The Lost Tales volume 1, Voices in the Dark. The direct-to-DVD movie is the first new Babylon 5 since the Legend of the Rangers TV movie/pilot 5 years ago, and the first to focus on characters from the original series since A Call to Arms set up Crusade back in 1999.

The movie has two distinct segments, the first focusing on Lochley, now a Colonel and still in charge of the space station, and the second focusing on Sheridan and the techno-mage Galen. Both segments take place during 2271, placing it 9 years after the main story, during what would have been the 5th season of Crusade if the series had lasted.

The result is mixed. Continue reading

Yeah sure, Heroes X-Men blah blah blah, but wait, there’s more. I’m getting a distinct vibe from the latest episode that has less to do with mutants than with good TV. This makes me very happy, all the more because I didn’t pick up on it until the third-to-last ep of the season. Of course, that could be just a lack of recent J. Michael Straczynski in my life.

Warning: the remainder of this post contains spoilers for Heroes through episode 1.21 “The Hard Part.” Also, if you haven’t seen Babylon 5 and Memento, or at least have some working knowledge of the two, you probably won’t be able to make head or tail of it. (God knows I can’t, and I wrote the darn thing.) The more background, the better. Continue reading

(Lost)Here’s a surprise: Lost has been renewed for a three-season deal… but each season is only 16 episodes long. The writers are glad that they have an endpoint, because now they know how long they have to tell the rest of the story they have in mind. (Call me credulous, but I’m inclined to believe that they do have at least some of their plans worked out ahead of time.)

Though I have to say, I hope they’ve checked their contract for loopholes. Farscape thought they had a two-season deal, so they took their characters and story to some really dark places in Season 4, figuring they had another year to dig them out. Instead they got canceled, and it took a fan campaign and the sale of the Jim Henson company to get even a four-hour miniseries to wrap things up.

As for the structure, this is actually probably better than two 24-episode seasons. It makes it easier to show an entire season through without interruptions. This season’s schedule, with just 6 episodes at the beginning followed by months of reruns, was terrible. Of course, once they came back from hiatus, it was much better than the sporadic episodes they showed in Season 2.

Arc vs. Scheduling

This brings up a problem with trying to run a TV series with an arc to it: Scheduling can seriously mess it up.

Babylon 5 suffered from PTEN’s decision to hold the last four episodes of each season until fall, followed immediately by the following season. It undermined the season-ending cliffhangers, and broke the narrative in the middle. Eventually they started anticipating it: JMS would write a mini-cliffhanger five episodes before the end of the season, and in one case even wrote a recap into the script for episode 19.

Veronica Mars and Heroes have done a good job this year of breaking the season into mini-arcs that match the schedule. Veronica Mars had a 9-part mystery, followed by a 6-part mystery, followed by a series of one-shots at the end of the season, and each arc was shown without interruption.

Heroes told the initial “Save the Cheerleader, Save the World” storyline, followed it up with some backstory, and finished the first run with a teaser for the main arc for the rest of the season. (Heroeswiki breaks it down further, by tagline.) The second arc deepened the plot, and brought everything to a high point: the revelation of Linderman’s and Bennett’s agendas, plus cliffhangers in Hiro’s and Peter’s journeys. Now we’re in the home stretch. As the tagline says, “It’s time to save the world.”

That seems to be the way to go: If you don’t have the clout to change the schedule (like 24), find some way to work within it. Plowing straight through without regard to when the episodes are going to be shown, like Lost did with Season 2, is just going to frustrate your audience.

(Thanks to aeryncrichton for the news!)