I was beginning to think we’d have to wait for the DVDs just to be able to see the last two episodes…except there was no sign of a season 2 DVD release, either.

The wait is over: as of the first of the month, Better Off Ted Season 2 is available online at Netflix Instant, Amazon Video on Demand, and iTunes. The whole season, including those last two episodes!

We watched them both tonight. They were great: just as funny, quirky, absurd (in every sense of the word) and uncomfortable as ever.

I’m really going to miss this show. Really, I’ve been missing it since February, but there was always that thought that, somewhere in a network vault there were two more new episodes to see, if ABC would ever let them out.

For now, they’re streaming online. Here’s hoping for an eventual DVD or Blu-Ray release — some form of semi-permanent library. Because I don’t trust ABC to keep the show available long-term.

*Technically they didn’t officially cancel it until May, but production was shut down and they hadn’t shown an episode since February. It was pretty clear they weren’t going to bring it back.

FlashForward is two episodes away from its season — now series — finale. I’ll miss it a little, but I think I’ll miss what it could have been a lot more than I’ll miss what it actually was. The book was fascinating, and the pilot episode was absolutely fantastic, but since then it’s just been a study in missteps and missed opportunity, week after week. It was canceled yesterday. At least they built the first season around a one-year main arc, rather than relying on future seasons happening.

Heroes I won’t miss at all, actually. I loved season one, and even liked most of season two, flawed as it was…but I gave up on it during season three. The “Villains” arc was just plain annoying. I gave each of the following arcs a shot, but “Fugitives” is the kind of story that always bugs me, and “Redemption” just didn’t grab me at all. It was canceled today.

Better off Ted, though…that one I’ll miss. This one followed the Pushing Daisies path so precisely it’s bizarre: A short first season with Too Good to Last stamped all over it, then a surprise renewal, then cancellation halfway through season two…with several episodes left unshown. Maybe now that it’s officially toast, ABC will put the unaired episodes up at 3AM on a Sunday or something…again, like they did with Pushing Daisies. Or maybe we’ll just have to wait for the DVD. (There’d better be a DVD.)

Oh, well. Just like with Pushing Daisies, it’s a season more than I thought we’d see.

Next year: At least Castle will be back, and Leverage starts season three next month. I haven’t been paying much attention to new shows, but I’ve been keeping half an eye on No Ordinary Family, sort of a Fantastic Four/Incredibles type show about a family that gains super-powers, mostly because the mom is a speedster. (She’s also Darla from Buffy the Vampire Slayer and Angel.) It was picked up by ABC yesterday. I suspect this means that if the show actually proves to be good, it’ll get two short seasons with the last three episodes left unaired for five months.

Anyway, I’m selling some Farscape DVDs on eBay. The auctions end Sunday, November 29.

The first time I remember seeing something like this was with (appropriately enough) Murder She Wrote, with a paperback mystery novel credited to Jessica Fletcher. In that case, though, the show had been on for years and was a television staple. DC Comics got into it in 1997 with The Life Story of the Flash, credited to Iris (West) Allen, which had previously been referenced in the comic books.

More recently, Lost had an in-universe book published in the real world: Bad Twin was billed as the final novel by one of the passengers on Oceanic 815 who didn’t make it through the first episode. I actually read that one. It was interesting enough, though it had little to do with the show beyond the presence of the Widmores.

…for obvious reasons.

Adaptation

It’s been interesting to look at both where the TV series diverges from the book — the setting, the time scale, recordings, and in most cases the cast — and where it tracks — the concept, the impact of the worldwide blackout on people now, the way different people approach their foreknowledge, a main character investigating his own murder, and the way the viewpoint organization just pulls together to take point on investigating the incident.

And every once in a while, a specific conversation is adapted. Demetri’s “You’re going to be murdered” phone call from Hong Kong and Theo’s phone call from South Africa are very similar. And there’s a discussion on the likelihood of an event hitting exactly on the hour that was practically lifted for episode two.

I doubt the TV show will tackle the question of whether the universe exists without observers (sort of “If a tree falls and no one is there to hear it, does it make any sound?” taken to the extreme) or the long-term implications of life extension. And somehow I doubt the Large Hadron Collider and search for the Higgs boson are involved (though I noticed the TV show’s Lloyd Simcoe works at Stanford, which does have their own particle accelerator).

It’ll be interesting to see where they go with this.

Prediction

Entirely separate from the TV show, it’s also been interesting to look at the book’s predictions for the present day. Most of it takes place in 2009, but it was published 10 years ago. I list a few items — like getting the Pope’s name right, but missing the explosion of cell phones — in my review of the book from when I read it last year.

Then there’s the suggestion made that one could prove the future can be changed by demolishing some major landmark that many people saw in their visions, but “I don’t suppose the National Park Service is going to let us do that.” In my head, I imagined a deadpan voice saying, “You can’t blow up a national monument.” Hmm, I doubt the cause of the blackouts in the TV show will be robots from space.

Last night, while watching “The Order 23 Job” on our MacBook, we got to the final commercial break — and TNT popped up an error saying that the content required Windows to play. The episode played fine. Previous commercials played fine. But this one? The DRM wasn’t compatible with the player on the Mac.

Yeah. The DRM for the commercial wasn’t compatible.

It wouldn’t have been so bad if TNT approached it the way Hulu does when a commercial fails to play, which is to blank the screen for the duration of the ad (typically 30 seconds) and admonish you for not watching the commercials. Unfortunately, the episode didn’t pick up again.

As near as I can tell, the player was set up to continue the episode when the ad finished, and didn’t account for the possibility that the ad might not play. To make matters worse, the scene selection thumbnails don’t work right in Safari, so we couldn’t jump straight to the final act.

Because neither of us wanted to spend a lot of time troubleshooting, we just went into another room and brought up the Windows box to finish the episode. I suspect the scene selection would have worked in Firefox on the Mac, but haven’t tested it yet. I did go back later to see where I could report the problem to TNT, but the wording in their FAQ suggests to me that they’ll just ignore any reports of Mac problems.

I don’t mind watching reasonable ads to get a free service, but if the ad breaks, it shouldn’t take the actual service down with it. You don’t kick people out of a movie theater because the previews didn’t play, and you don’t send them home part way through an event because one of the sponsors’ banners fell down.

• Hard disks should not sound like buzz saws. #
• Slashdot article “FOSS Sexism Claims Met With Ire & Denial”…gets met with ire & denial. *headdesk* #
• Listening to lightsaber sounds from across the office. I think my coworker w/ the new Android phone found an app for that. #
• Vertical Horizon‘s Burning the Days is growing on me, but I think Vienna Teng‘s Inland Territory is my favorite new album this year #MusicMonday #
• TNT, its nice that your video streams are Mac-compatible, but when your ads require Windows, don’t prevent me from finishing the episode! # (I’ve gone into this in more detail.)

Most shows would take two hours to do all that, or pick and choose to cram it into one. (They even found time for a car chase.)

One of the things that really impressed me was that, just using one episode’s worth of characters, they showed the beginnings of so many totally different ways of looking at humanity’s glimpse of the future, whether through hope, fear, or simply confusion. From what they said at Comic-Con, one of the ideas is to be able to expand this to theoretically anyone in the world.

The extended preview of upcoming episodes (a flash forward to Flashforward!) seemed to be making a great effort to say that yes, they’ll be answering questions, and no, you won’t have to wait 3 years to find out what the heck is going on (unlike that other show with Sonya Walger, Dominic Monaghan, and Oceanic Airlines).

There were a couple of moments that I thought were forced, though the only one that really stands out was the immediate juxtaposition of the “we’re being punished” and “this is a gift” reactions.

Adaptation

They did a good job of taking the source material, Robert J. Sawyer’s novel Flashforward (I’m getting really confused as to whether the TV series has a space in the title or not, but the book definitely doesn’t), and making something that’s recognizably the same idea, but telling a new story with it. It has the benefit of all the thought he put into it:

• What are all the consequences of everyone blacking out for two minutes?
• If everyone experiences his or her own future at the same instant, what about people who are asleep at that time?
• How do you determine whether people are seeing different possible futures or the same future?
• How do you determine whether the future can be changed? (It’s a common enough storytelling trope, but how would you scientifically prove it?)

And so on. But they can tell a larger story, with more characters…and still surprise people who read the book. I don’t know whether they plan on using a similar explanation for what caused the event, or whether the TV version will come down on the side of “The future is not set” or “You can’t fight fate” (though I expect it will be the former, for storytelling reasons). And there was a moment a few minutes before the end that just came out of nowhere and left me thinking, “Wait, what???”

The book is definitely worth reading, especially if you like science fiction of the “what would happen if…?” variety, and it looks like it probably won’t spoil much.