Missed the opening act, but here in plenty of time for @TheRealToriAmos #

Greek Theater, turned out to be a great concert!

Not that I actually need a netbook. I’d only really end up using it for conventions that I’d want to post live (which would probably boil down to Comic-Con International), and I have the ability to do that using either my G1 or the laptop.

Long-time readers (all five of you ) may remember that last year I agonized over upgrading my phone to something with real web capability until they announced wifi, and I just lugged the laptop around. Which worked fine, but it was heavy, especially the day I was also carrying around Comic Book Tattoo.

Of course, now I can use the G1 to post to my blog, or Twitter, or Facebook, or (almost) anywhere else even without wifi.

Except…

• Typing on that tiny keyboard is slow. Not as slow as the onscreen keyboard, but still a lot slower than typing on a full-sized keyboard. Then again, netbook keyboards are also smaller than standard, so it might not be much of an improvement.
• There’s no easy way to transfer photos from another camera. I can only think of two ways other than using a computer as an intermediary: use a Micro-SD card with adapter in the camera, or get a card reader that will clone data from an SD to a Micro-SD.

The camera issue shouldn’t bother me. Chances are I’d just end up doing what I did for WonderCon this year: post the occasional phone pic to Twitter and then upload the good photos to Flickr each evening. Just like I’d mostly be writing brief posts from the convention and detailed posts at the hotel.

But then I remember the post I made on the Tori Amos signing last year. After the signing I was so hyped that I found a table, set up the laptop, banged out a blog post, hooked up the camera and added a couple of photos…and the post ended up getting linked on a major Tori fansite, producing a traffic spike so big that not only is the following day still this blog’s busiest day ever, but that post, even though traffic fell off over time, is the 8th most-viewed post on the site over the past year.

Still, the promise of another 15 minutes of blogfame isn’t enough to justify several hundred bucks. (Though the < $200 models that pop up on Woot from time to time have been tempting.) So I’m making an effort to practice typing with the G1, both the physical and on-screen keyboards. I’ve got Twidroid and I Tweet for posting to two Twitter accounts. I’ve got wpToGo to simplify blogging. I’ve got a plugin that will automatically liveblog using Twitter, which I still need to test.

It’s just a matter of making full use of the tools I have, rather than running after the latest cool toy.

Update: I posted this last night, but somehow it ended up backdated to the day I started it on May 20. I think wpToGo must have set a publishing date when I posted the draft. Yes, I started this post on my phone.

• DVDs: Angel Seasons 1-5 (individual season boxed sets)
• CDs: Tori Amos “A Piano” boxed set (massive 5-disc archive of hits, rarities, alternate mixes, etc.)
• T-Shirt: Star Trek (XL) from the new J.J. Abrams movie. Handed out at San Diego Comic-Con in 2007, still has the original 12-25-08 release date on the back. It’s never been worn.

Here’s the link to all the auctions. Most of them run through Sunday, May 24.

Movies: Coraline

YouTube also has the trailer in HD.

I discovered Sandman late, borrowing the trades from one of my (younger) brother’s friends around 1998 or so, then immediately tracking down my own copies. I lucked out and got a complete set on eBay for something like $70. Since then I’ve devoured most of Neil Gaiman’s work, be it in comics, prose, or movie form. The original novel of Coraline was very good, and it’s been adapted by the director of The Nightmare Before Christmas, which is among my favorite movies…and what I’ve seen of the film suggests that they get it. It’s hard to believe it’s only two weeks away!

Other movies: Oddly enough, I’m only mildly interested in Terminator: Salvation, Transformers 2: Can’t Remember the Subtitle, Harry Potter and the Half-Blood Prince (the films have been steadily deteriorating after peaking with #3, IMHO), Star Trek, and Watchmen. I’ll probably see all of them, but none of them have me nearly as excited.

Comics, books, music, etc. after the cut:

Comics: Scott Pilgrim, Ignition City, and Fallen Angel

First up is the fifth volume of the Scott Pilgrim series, Scott Pilgrim vs. the Universe, coming in just a few weeks. This series is just plain fun: mindless action with a video-game sensibility, something of a coming-of-age story, and a huge dose of absurdism.

I’ve only read a fraction of Warren Ellis’ work, but I’ve subscribed to his “Bad Signal” email list for years, and he’s been talking about the ideas that became Ignition City for a long time. Basically, take all the old space hero archetypes (Flash Gordon, Buck Rogers, etc.) and look at what happens when the future passes them by. I think someone described it as Flash Gordon meets Deadwood. I tend to like Ellis best when he’s doing science fiction, so this is a must read. Coming in April.

And finally: the relaunch of Peter David and J.K. Woodward’s Fallen Angel in July, with a crossover with Angel’s Illyria.

There’s also Flash: Rebirth, which I’m looking forward to with a mix of excitement and dread. On one hand: Geoff Johns returns to the Flash and writes all of them, with Ethan Van Sciver on art. On the other: the more I learn about it, the more I get the feeling that the subtitle should be “Barry Allen is teh gratest Flash EVAR.” If that’s it, then no, thanks, I’m not interested. *sigh*

So, yeah, DC seems to be doing its best to push me away from anything they publish that doesn’t have “Vertigo” on the cover. I’m hearing rumors of a Welcome to Tranquility miniseries, but then that’s Wildstorm, so still not much DC-branded appeal. And the one Marvel series I read, The Twelve, is on hiatus (and it’s a mini anyway). Not going to be much coming out from the Big Two.

TV: Battlestar Galactica, Lost, Flash Forward

Of the TV shows returning for the spring season, I’d say Battlestar Galactica is the one that has me most intrigued. They’ve managed to throw new wrinkles into the Human/Cylon conflict and make viewers question basic assumptions about the show in the lead-up to the series conclusion. Next up is Lost, which has successfully moved past the Gilligan’s Island/Voyager problem of getting them off the island.

I’m also watching Heroes and Terminator: the Sarah Connor Chronicles, though neither of them has me champing at the bit for new episodes just yet. (Actually, I’m more interested in SCC than the new Terminator movie, which is kind of odd to realize.) What I’d really like to see is the last few episodes of Pushing Daisies. I’m still torn between bitterness at the show’s cancellation and knowing that at least it got to go out while it was still good, rather than after deteriorating.

As for future shows, the one that I’m most interested in seeing is Flash Forward, based on the novel by Robert J. Sawyer, in development for next fall. I’m also curious about Dollhouse, which starts in February, mostly because of Joss Whedon’s involvement. And I’ll certainly check out the BSG spinoff, Caprica.

Books

Not a whole lot, actually. There’s Robert J. Sawyer’s new book, “Wake,” (part 1 of a trilogy) coming in April, but I haven’t decided whether to buy his stuff in hardcover or stick with paperback. And the final book of Robert Jordan’s Wheel of Time epic, A Memory of Light (being finished by Brandon Sanderson) may be coming out by the end of the year, or it may not.

Other than that…I haven’t heard anything about Greg Keyes’ plans now that Kingdoms of Thorn and Bone is done. I don’t think Neil Gaiman’s got any new novels planned for this year, though I’ve only caught about half of his blog posts over the past few months. Naomi Novik might have a new Temeraire book by the end of the year, maybe.

Music

Tori Amos, Vertical Horizon, and Butterfly Boucher all have albums coming out, though I haven’t heard anything beyond “spring/summer 2009″ on any of them. Tori Amos has basically never slowed down, except for a break between record companies, and it’s only been a year and a half since her last album, American Doll Posse (which was very good). Vertical Horizon has been out of the picture for a few years, though their stuff still gets played. (I heard “When You Cry” at the mall yesterday when I went to lunch.)

You’ve probably never heard of Butterfly Boucher, but Katie and I caught one of her songs on Indie 103.1 when it first launched. Then she opened for two different concert tours that we saw over the next year (IIRC, Barenaked Ladies and…Sarah McLachlan?), and we picked up her debut album, Flutterby. She’s been playing a lot of music, but this will be her second album. (A few weeks ago she posted a note about how she was finally free of her record contract, which meant she could finally release the album she finished two years ago.)

Cross-posted at Speed Force

Watching Helvetica:

• Nice quote: “You have to breathe, so you have to use Helvetica.” #
• Interesting theme: journey of Helvetica from idealist design to boring routine. Kind of like how vanilla went from an exotic flavor to a synonym for plain. #

One of the things that Tori emphasized was that she’d wanted the artists to have complete freedom, because she’d been on too many projects where someone stepped in and said something like, “Did you think about the demographic?” Rantz Hoseley expanded on that, pointing out that many of the artists kept asking him (or, more precisely, Tori, through him) whether they could do things like do a story without word balloons. They were accustomed to that kind of limitation working on other projects. Ted McKeever mentioned a Superman story he turned in that got rejected because he drew the wrong number of belt loops. And Rantz took great pleasure in telling them to go for it, whatever it was.

At one point, Tori mentioned that when she read the stories, she didn’t hear the songs they were based on in her head — she heard new music, which she’s now working on. She and several of the artists talked about the cyclical nature of inspiration, with different kinds of arts all inspiring each other.

I was in the 5th row, off to the side, which was great — but I also had managed to get a slot for the signing this afternoon. I had to skip a bunch of stuff I would have liked to attend — Pushing Daisies, “Quick Draw,” Battlestar Galactica — but you know, I’m going to see those shows when they come back from hiatus. Who knows when I’ll get another chance to meet Tori Amos?

Update: I’ve posted more photos from the panel.

Between the end of the panel and the start of the signing, I wandered a bit, grabbed lunch, went back to Todd Nauck’s table to pick up the Impulse sketch (he was doing a sketch of Secret, and mentioned that he’d started Young Justice as a huge Impulse fan, then started to really like the other characters, and ended up with Wonder Girl as his favorite because he got to show so much character growth over the course of his time on the book.) I caught up with Katie in the line for Pushing Daisies — she got into both the Heroes and Lost panels — and then headed over to the line for the Tori Amos signing around 1:30.

This was the first time I’d been to one of the big autograph signings in the Sails pavilion. They do everything in multistage lines. For about half the first stage I just pulled out the book and read the first few stories. (I must track down a copy of “Here in my Head.”) Then I got to talking with the woman behind me, who had somehow managed a last-minute trip and gotten into just about everything she wanted to do. (Though she disappeared between stages, so I suspect she didn’t know she needed to get her badge signed to get into the signing, and thought she just needed to buy a copy of the book.) During the second stage, I ended up mostly talking with a man in front of me who had been in the comics industry during the late 1990s and left. He said this con, and the book, had inspired him to try to get back into comics.

I got up to the front of the line around 4:10. I’d been trying to think of what to say during my 30 seconds, and promptly forgot all of it. I don’t think I’ve ever been quite reduced to the level of a babbling fanboy as I was when I got to shake Tori Amos’ hand — twice — and try to say something about how I’d loved her music since college, and got this T-shirt at the first concert of hers I went to, and so on, and she just kept looking at me like she was expecting me to continue, and ohmigodi’mtalkingtotoriamos. I remember she asked me if I was local, and I said something about the LA/OC area, and I wanted to mention catching her show at the Grove last December but said something incoherent instead, and that’s honestly the only thing I can remember that she said to me, even though I know there were several more sentences.

Not my book, but the same page that she signed in mine.

I walked away from the signing thinking, “I’m done. I could leave this convention right now and go home, and I’d be perfectly happy.”

Update: I’ve posted more photos from the signing.

Katie got up 2 hours before I did to make sure she got a spot in the Heroes line. She succeeded, and managed to get into the hall before I even made it to the convention center. Of course, that was in part because I wanted to grab cash, coffee, and a sandwich to hang onto for lunch before I got in. I think I stood in line for at least 10 minutes waiting for an ATM at a branch in the Gaslamp district. There were two machines, one of which was broken, and the two — just two — people ahead of me were both making deposits. And the machine was slow.

As for coffee, I figured I’d go to a Starbucks just because it was closer — but once I got to the nearest one, I realized I wasn’t far from an It’s a Grind. So I walked the two blocks, and passed another Starbucks on the way. So I grabbed coffee and something to eat, then spent at least 20 minutes at Subway. Then I had to wait for the trolleys so I could cross the tracks…

By the time I got to the convention center, they were letting the Hall H line in. It was running all through the park area at the end of the center, zig-zagging around, and reportedly went all the way to Seaport Village. Which doesn’t make sense, because IIRC Seaport Village is at the other end of the center, so maybe they were talking about the line for badge pickups?

I waited near the front, figuring I’d hand Katie her water bottle and crochet hooks on the way in, but then I asked one of the “Elite” staff when the line started moving — and it had been almost an hour earlier.

So I went back to Artist’s Alley to pick up that sketch from Todd Nauck. He was off doing a signing at the DC booth. So I went to the reservation desk to set up for dinner. Which took a while, since I went through the main floor, which was a very cattle-drive-like experience. At least my shoulders are starting to get used to the backpack again, though I’m starting to feel like I’m in that third-day convention haze. (Plus I had only a scone and coffee, instead of a full breakfast, which might have something to do with it.)

There are a lot more people in costumes here today. As expected, there are lots of Jokers this year — so many, in fact, that I’ve stopped paying attention to them except for the really good ones and the creative ones. I’ve seen at least two Nurse Jokers over the last few days, possibly three.

I’m waiting for the Tori Amos/Comic Book Tattoo panel now. I figured the line would be long, so I showed up about 45 minutes early, but it turned out they were letting people walk right into the Ralph Bakshi panel, so I wandered in, watched the end of it, then moved to a better seat at the break. The room’s packed, and there are about 10 minutes left before the panel. But I’m only 5 rows back, and a little off to the side, which is better seating than I’ve had at any of her concerts.

Arrived around 9:00 AM, about a half hour before the doors opened. I wanted to go straight for the Image booth for the tickets to the Tori Amos signing; Katie wanted to go straight for the Sci-Fi booth for the Big Frakkin Bags — and the lines to get in started at either end of the convention center. So each of us picked a different line, and waited for the doors to open.

Just after 9:30 a huge cheer went up from the front of the line over by A and B. They opened the doors all the way along, so I went in the first one that opened, and made a beeline for the Image booth… where I stood in line for an hour, talking with the people in front of me and behind me in line.

The missing books turned out to be on a truck that jackknifed on the freeway, if I heard correctly on a truck stuck in a massive traffic jam on the freeway. They’re hoping to get them in tomorrow or Saturday, in time for the signing itself. For now, they’re selling prints and offering the book for the price difference, at least for people who arrived in time for the signing “tickets.” I managed to get the 46th slot this morning, out of 75: I’m in for the signing!

After that I went back to Colleen Doran’s table to get Orbiter and A Distant Soil signed, and kicked myself for not bringing The Book of Lost Souls. JMS was standing there talking with her. I waited until he left and said something to that effect, and she said he’d probably be back at some point. But I got the two books signed, and she sketched a space shuttle on the inside cover flap for Orbiter. (Then I noticed a small stack of the Lost Souls trade, and realized I probably could’ve bought a copy right there and had both of them sign it. Ah, well!)

After that I wandered over to the small press area, and found myself in the webcomics neighborhood. I picked up Girl Genius vol.7, got it signed by both Phil and Kaja Foglio, and got Kaja to sign volumes 1 and 2. (They keep coming out right before Comic-Con, so I’ve ended up getting all of them signed… by Phil Foglio. This was the first time I caught them both at the booth while I actually had the books!) While I was paying for the book, Randy Milholland of Something Positive came over and handed the Foglios a copy of the Super Stupor comic book, then left. I’ll have to locate his booth at some point today.

After that it was up to Sails so I could drop some flyers for Speed Force off at the freebie table, where I caught up with Katie again. We wandered a bit, made reservations for dinner, then I headed back to the hotel (such a novel idea!) to drop stuff off. And decided to blog.

General sense: about the same level of crowd as last night. More costumes. Saw lots of Dark Knight-style Jokers, not all of them in purple suits — including one woman dressed as a Nurse Joker. As I waited to cross the street from the convention center, someone actually asked me if I was selling my ticket. 3 hours into a 4-day show? I don’t think so!

Now to grab some food and head back to the con!

Colleen Doran reports that Tori Amos will be signing the book on Saturday. Tickets for the signing — just 200 of them — will be given to people who purchase the book at the con (limited each day, so that they don’t all go on Wednesday).

She’ll also be on a panel on Saturday from 11:30–12:30. Here’s hoping DC doesn’t schedule a “What’s really happening with the Flash” panel at the same time, ’cause if they do, I’m skipping the Flash news. Someone’ll post it online. (Oh, wait…)

I am so looking forward to this…

Well, that last one is close, but it’s actually Comic Book Tattoo, the upcoming ~500-page anthology of comic book stories inspired by Tori Amos’ music announced last December, and Comic Book Resources has a huge article about the project, including art.

(as last time, via Colleen Doran)

We went to Tori’s concert on Saturday at the Grove of Anaheim. The standing-room show was good, though there were some snafus getting to it, made worse by the fact that they opened the doors about 45 minutes late. So late, in fact, that they gave up on security checks and just started letting people in. By the time it started moving, the line snaked all the way along the side of the theater and down at least one side of the (rather spacious) parking lot.

Her current album, American Doll Posse, is based around a fictional quintet of singer/songwriters, each based on a different facet of her personality, and she performed as three different personas: Pip, Santa (no relation), and Tori. Which should have been more fun, but there was just a bit too much self-parody in the performance.

She brought a band again, which I think helps keep her from the slow-everything-down tendency she showed on the Originial Sinsuality tour (Katie calls it “elf disease,” after the way the elves of Lothlorien speak in the Lord of the Rings movies). Except for an endless vamp at the end of “Waitress,” this concert moved much more than the last two we’d seen.

It was good to hear stuff from Choirgirl Hotel again. It’s been notably missing from the last few concerts we’ve been to. And there was a surprising amount of stuff from her first two albums as well. (Full set list at Undented.)

I’ve seen Tori in concert 6 times: Once in 1999 at Irvine Meadows, when she toured on a double bill with Alanis Morissette, twice on the Scarlet’s Walk tour from 2002-2003 (Universal Amphitheater & the Pond), twice on the Original Sinsuality tour in 2005 (Royce Hall & the Greek), and this show at the Grove. My favorite was the Scarlet’s Walk tour. I reviewed the Universal show during the first few months of this blog, though I don’t seem to have written anything about the one at the Pond.

Update: The Beat has more on the comic project, including a title, Comic Book Tattoo and additional contributors.

We got tickets for this one because it was a new tour, and we figured there was a chance it would be a different type of concert. Eventually it became clear from her newsletter that it was going to be the same type of show—just her, a piano, two organs and a synthesizer—but hey, we liked the last one, and we already had the tickets!

As it turned out, it was the same type of show, but a very different selection of songs. I tried to write down everything I remembered her playing last night, and compared it to the list from the last concert, and there are only 5 songs in common, all from the new album!

Some of the interesting bits: Leading into “Carbon,” she added a verse about this crazy redhead driving around the same streets as you, and flicking you off, and yes, that was me. She covered “Nights in White Satin” and a Pearl Jam song I didn’t recognize (Edit: “Black”), and mixed “God” with a Kate Bush song (Edit: “Running Up that Hill” a.k.a. “A Deal with God”).

Her performance of “Winter” was a great example of how to professionally deal with mistakes. In theater, particularly music theater, we’re taught that if you make a mistake, you act as if you meant it, because the whole thing is to present the story. You don’t want to break the fourth wall. But with a concert, you don’t have to worry about the fourth wall—some singers especially want to make a connection to the audience. In that case, it’s often better to acknowledge the mistake, then pick up the performance again. Well, she got one line into the second verse, and suddenly stared at the audience and gasped, “Oh my God!” She kept playing the piano, though, and started ad-libbing about forgetting lines, and joked that she sometimes feels like she’s in winter herself, then went back to the beginning and played the whole song through.

So, in the style of the last review…

The Good:

• More good “quiet Tori.”
• Good acoustics again. The Greek is one of the few venues I’ve been to where singers’ voices aren’t distorted by the sound system.
• Several ad-libs and covers that you won’t hear anywhere else.
• Two of my three favorite Tori songs: “A Sorta Fairytale” and “Winter.”
• Great backdrop of hills, trees and fog, with a nearly-full moon slowly rising above the amphitheater.
• Not all of my shivering was from the cold.

The Bad:

• Still don’t like the Hammond organ. At least she only used it on a couple of songs.
• Her tendency to slow… some… songs… way… down… on this tour got on my nerves this time.
• For some reason her variable accent bothered me more than usual, or maybe it was more pronounced last night.
• It was colder than we expected. We had jackets, but could have used heavier ones.
• Still no “1,000 Oceans.”

The last time I heard “1,000 Oceans” in concert was in 1999. For some reason I hadn’t actually picked up To Venus and Back yet, or hadn’t had a chance to listen to it, and the song just hit both of us.

We actually have a recording of the last concert we went to. It was one of two that were recorded and released as official “bootlegs” through the Tori Amos Bootleg Boutique. The newsletter that announced them said that they plan to release more. I hope this one is on the list!

Well, the “Original Sinsuality” tour provided some clues going in: It was a short tour, the venues—in this case UCLA’s Royce Hall—were comparatively small (which is why the show sold out in 10 minutes), and it was named after a “quiet Tori” song. She dispensed with the band entirely. It was just Tori Amos, a grand piano, two kinds of organs and another keyboard I couldn’t quite identify. We heard songs you never hear in concert (“Yes Anastasia,” “Doughnut Song”) or wouldn’t expect to (“Toast”), even when she takes a break from the band and does a piano set.

So, onto a review:

The Good:

• Lots of just Tori and a piano.
• Unexpected songs, including two neither of us recognized.
• Good acoustics. Any distortions were due to Tori’s own linguistic quirks, not the sound system.
• Unusual covers of “Living on a Prayer” and “All Through the Night.”

The Bad:

• Five minutes into ticket sales, “best available” turned out to be way off on the side of the U-shaped balcony, at an angle where we had to look around a pillar of speakers to see her most of the time.
• Not a big fan of the Hammond organ.
• Stuck next to some massive person who kept texting people on her(?) cell phone.
• Nothing at all from Choirgirl Hotel through Scarlet’s Walk—I was kind of hoping to hear “1,000 Oceans” once the tone was clear.

I still haven’t warmed up to The Beekeeper as much as I have to Scarlet’s Walk, which is now my favorite Tori album (followed by her debut, Little Earthquakes). But it’s an album worth listening to, and I would have hated to have missed that concert.

(This has been sitting in my drafts since the day after the concert. Time to publish it while it’s still somewhat topical.)