Surprising no-one, WonderCon will be online-only again this year. Last year’s event was canceled just as we all started to realize that Covid-19 was spreading in California. And while the winter surge in cases is finally slowing down, the coronavirus is still more prevalent out there now than it was last March.

They’re still hoping to do San Diego in July, but even with multiple vaccines, there are still too many variables (vaccine distribution, mutation speed, mask and distancing practice, etc.) to know whether it’ll be possible to hold a convention by then. I guess we’ll see.

Well, other people will see. Much as I miss going to comic cons, SDCC feels unsafely crowded in normal years. Even in the best-case scenario, my anxiety would go through the roof.

Besides, I’ve already read The Last Stand of the California Browncoats.

No Fair(e)

Anyway, the local Renaissance Faire canceled this season again, too. On one hand, it’s all outdoors, which helps a lot — and you know the Faire folk would be serious about safety — but on the other hand, it’s still a big gathering, and April isn’t that far off.

I could maaaaybe see doing a smaller convention in fall, if things improve by then. Long Beach Comic-Con’s and LA Comic Con still show their September dates. For now. (I was worried about LBCC for a bit since their website was offline when I checked a few days ago, but it’s back now.) But again, way too many variables in the war between public health and the virus to predict whether it’ll even be possible for them to hold it. Though I’m pretty sure LBCC will be more responsible than LA Comic-Con.

Of course, even if someone can hold a convention safely by then…would it actually be fun? Or would it be a day of white-knuckled agoraphobia as we plunge into a crowd after a year and a half of semi-isolation?

Maybe we’re probably better off not trying to hit a convention until next spring anyway. We’ll need time first to re-acclimate to being around people!

Next year’s WonderCon tickets are available now, and SDCC goes on sale next week. I noticed something interesting about the WonderCon price, because ten years ago, I compared a lot of convention prices.

How do they stack up a decade later?

  • WonderCon 2018 costs the same as Comic-Con 2008 did: $75. (WonderCon in 2008 was $30 in advance, or $40 onsite.)
  • Comic-Con International has gone waaaay up. They don’t sell full-weekend badges anymore, but if you’re super-lucky you could theoretically buy one-day badges for all 4 1/2 days in 2018 (if you’re really lucky), in which case you’d be spending $45+$63×3+$42 = $276!
  • Wizard World shows in general have gone from $45 in 2008 to $80 for 2018.
  • Flagship Wizard World Chicago has gone from $50 in 2008 to $95 in 2018.

There are some other conventions that need to be on this list today, but weren’t on the 2008 list. Some of them are new, like C2E2. Emerald City and New York Comic Con were around, but hadn’t gotten big enough for me to include on a list that was mostly California conventions plus the big names – which at the time were SDCC and Chicago.

  • C2E2 2018 costs $76.
  • I can’t find the prices for New York Comic Con.
  • Emerald City Comicon 2018 costs $120 for the full event.
  • Long Beach Comic Con started out around the same price as a Wizard World show in 2009, and is currently $60, so a little cheaper than a Wizard World show.
  • Stan Lee’s LA Comic Con launched with super-cheap tickets at something like $11/day to get people to show up (before Stan Lee’s name was attached to it), but by 2016 it was in line with other shows at $35/day. (I can’t find any prices on their website anymore, so I don’t know the full weekend price.)

So over all: comic convention prices have roughly doubled over the last 10 years, except for SDCC, which shows what happens when the demand for tickets goes up and the supply stays static. They can’t add more badges, so raising the prices encourages people to buy tickets for fewer days, freeing up space for other people on those other days. It sucks for those of us who want to buy tickets, but it’s textbook Adam Smith.

But wait! I looked at other fan conventions at the time as well!

  1. GenCon 2017 cost $90 for pre-reg/$120 standard, up from $60/$75 in 2008
  2. DragonCon 2018 cost $105, up from $90 in 2008
  3. WorldCon 2018 (San Jose) has only gone up to $210, compared to $200 for Denver in 2008
  4. WesterCon 2018 (Denver) is $60, same as in 2008!
  5. Loscon 2018 is $35, again, same as in 2008

These have climbed a lot less. GenCon jumped 1.5x instead of 2x, and the more traditional sci-fi/fantasy cons have only increased a little bit, if at all.

It reminds me of a discussion at Chicon 7, the last WorldCon I attended in 2012, about the changing face of fandom. Fan culture has exploded in my lifetime, but traditional sci-fi/fantasy con attendance has stayed static. Fans are interacting online, or going to anime/comic conventions instead. And that lines up very neatly with the prices of the comic conventions vs. the more traditional cons.

In any case, it’s worth noting: WorldCon is now cheaper than SDCC. And you get to vote for the Hugos!

Google Photos has been sending me its usual “Rediscover this day!” collages from Comic-Con 2013. On Tuesday it sent me a collage built from July 18, and on Thursday it sent me a collage built from July 20, marking Thursday and Saturday of the event.

Wait, what about Friday?

Well, here’s the interesting thing: Friday was the day I spent the afternoon in the emergency room.

I’d like to think someone programmed the algorithm to skip photos tagged for hospitals. Imagine if it was my wife’s photo collection, and I hadn’t made it — “Rediscover this day” would have been rather cruel in that case.

The more likely explanation is that I don’t have very many photos from that day for it to pick from, at least not on the account. On my computer I have 19 photos from my phone, 19 from my camera, and 5 from Katie’s phone. Of those, I picked 21 for my Flickr album. In Google Photos, I only have six from that day, all from my phone — and they don’t include the ER wristband shot.

My best guess is that I cleared most of them from my phone sometime before I started using the cloud backup feature… but I can’t figure out why I would have kept the photos that are there, and not some of the photos that aren’t.

Here are the photos that are on there:

It’s an odd collection, isn’t it? The three individual frames from the GoT protester collage are in there, so maybe the collage app saved extra copies of the sources, and Photos found the folder. I can see deliberately keeping the view of the blimp from the convention floor (literally the floor), but if I’d done that, I don’t know why I wouldn’t have saved the wristband shot as well. And why save the Duplo Enterprise, but not the photos of my son playing at the LEGO booth?

Phone cameras and cloud storage are supposed to augment our memory. But sometimes the context is just missing.

It’s been getting more and more difficult each year to get tickets (not to mention hotel rooms) for Comic-Con International, and each of the last few years I’ve been wondering if this one might be the year I’d be shut out. The current system is a lottery: Everyone who wants tickets signs into a “waiting room” website before the sale starts, and the system randomly selects batches of people to let into the ticketing system, slowly enough that it won’t crash under the load, until all the tickets are sold out.

It took about an hour to sell out on Saturday.

Despite teaming up — you can buy tickets for yourself and up to two other people, so you can make arrangements among a group of three that whoever gets in first will buy tickets for the others — we watched as first Preview Night, then Saturday, then Friday, then Thursday, and finally Sunday each sold out. The official SDCC Twitter account was more timely with that information than the waiting room, which refreshed its message every 2 minutes, but insisted that Thursday was “very low” for at least one refresh after they reported the sellout on Twitter.

It’s going to be the first year since 1990 that I haven’t been to San Diego for Comic-Con.

Oddly, I’m only mildly disappointed.

  1. I was half-expecting it.
  2. WonderCon and Long Beach Comic-Con are both great conventions in the area (WonderCon 2014 & LBCC 2014 writeups) that are a lot easier to get into (and less crazy to attend). The kiddo might enjoy Comikaze — he’ll be almost five by then. (Wow!)
  3. I’ve been lucky the last few years, so I guess now it’s someone else’s turn.
  4. If we really want that SDCC experience, there’s the possibility of taking the train down to San Diego on Saturday to look at the stuff outside that doesn’t require a ticket. The kiddo will like the train ride too, I suspect.

Then again, the last two times I’ve gone to San Diego, I’ve gotten a first-hand look at the inside of an emergency room. Maybe it’s just as well that I don’t try for three in a row.

SDCC Crowd with TVs

Social media has drastically changed the online aspect of Comic-Con. So much is up instantly that you can follow the event live without setting foot in San Diego. But for those of us who are on-site, there’s a trade-off between being part of the conversation and part of the convention.

Because we can post in real time, people want to follow in real time too, and lose interest quickly afterward. No matter how interesting I think my follow-up articles might be, none of them are read anywhere near as much as the half-assed pieces that go up during or right after the con. Even interest in photos drops off steeply as soon as the event is done:

Flickr SDCC traffic graph

But it takes time to write and edit, to curate, crop and adjust, and (dare I say it) to promote — and if it’s not your job, it comes at the expense of other things you could do at the con.

There’s Far Too Much To Take In Here

I’ve been posting my con experiences and photos for over a decade now. At first I’d just post when I had time. Once I had a smartphone, Twitter, and a second blog at Speed Force, I was live-tweeting and live-blogging everything.

Then in 2011, my wife and I left our then-infant son with relatives and spent a single day immersed in the pop culture madness. It gave us a new perspective:

  • Comic-Con is gigantic.
  • Your time at Comic-Con is limited.
  • Make the most of it!

I changed the way I approached the convention. No more liveblogging; other people are doing that for their job. No presentations that will just be online by the end of the day anyway. No three-hour lines. I wanted the experience I could only get by being there.

I also cut my social media activity to a minimum:

  • Instagram when I had a minute or two of downtime, set to auto-share pictures out to Facebook, Tumblr, etc.
  • Twitter rarely, again when I had a little downtime. No more stopping in the hall to post a comment. This year I didn’t even check for conversations (which, it turns out, I should have).

Sure, I’m a little disappointed that my SDCC 2014 writeup hasn’t been read by very many people, but it’s partly to help me remember this year’s con when I look back at it later. Our photo album at least got some attention. But you know what? If I’d taken the time to write about it during the con, whether live or nightly, I wouldn’t have had as much to write about, and I wouldn’t have enjoyed it as much. I think that’s a good trade-off.

P.S. Apologies for the clickbait headline. It seemed appropriate for the subject matter.