…for obvious reasons.

Adaptation

It’s been interesting to look at both where the TV series diverges from the book — the setting, the time scale, recordings, and in most cases the cast — and where it tracks — the concept, the impact of the worldwide blackout on people now, the way different people approach their foreknowledge, a main character investigating his own murder, and the way the viewpoint organization just pulls together to take point on investigating the incident.

And every once in a while, a specific conversation is adapted. Demetri’s “You’re going to be murdered” phone call from Hong Kong and Theo’s phone call from South Africa are very similar. And there’s a discussion on the likelihood of an event hitting exactly on the hour that was practically lifted for episode two.

I doubt the TV show will tackle the question of whether the universe exists without observers (sort of “If a tree falls and no one is there to hear it, does it make any sound?” taken to the extreme) or the long-term implications of life extension. And somehow I doubt the Large Hadron Collider and search for the Higgs boson are involved (though I noticed the TV show’s Lloyd Simcoe works at Stanford, which does have their own particle accelerator).

It’ll be interesting to see where they go with this.

Prediction

Entirely separate from the TV show, it’s also been interesting to look at the book’s predictions for the present day. Most of it takes place in 2009, but it was published 10 years ago. I list a few items — like getting the Pope’s name right, but missing the explosion of cell phones — in my review of the book from when I read it last year.

Then there’s the suggestion made that one could prove the future can be changed by demolishing some major landmark that many people saw in their visions, but “I don’t suppose the National Park Service is going to let us do that.” In my head, I imagined a deadpan voice saying, “You can’t blow up a national monument.” Hmm, I doubt the cause of the blackouts in the TV show will be robots from space.

• Millions of people die, worldwide, in the space of moments. Cars and airplanes crash, people standing on staircases or ladders fall to their deaths, swimmers drown, etc.
• The survivors know exactly what they’ll be doing for a two-minute slice of time in the future…but they don’t necessarily know why.

It’s based on the novel Flashforward by Robert J Sawyer, which I reviewed at Speed Force last December. It’s a great book, and I highly recommend it. The focus seems to be different, though: the book follows the scientists whose experiment accidentally triggered the event, in which everyone sees visions of 21 years in the future. The TV show is following, to start with anyway, an FBI agent investigating the event.

So where the book is mostly philosophical science fiction, the show looks like a mix of action, mystery and drama.

Both have, as their major theme, a single question: If you knew what your future was going to be, what would you do? Would you try to change it? Would you try to make it happen? If you saw a future you wanted, would you slack off, confident that things would work out in the end, or would you put in extra effort knowing you’d succeed?

To start with, they brought out the producers of the show, had some discussion, then ran the first two acts of the pilot episode.

Read on for a write-up and photos from the panel.

The Show

I’ll try to keep this as minimally spoilery as possible.

It starts out with Joseph Fiennes’ character crawling out of a multi-car pileup, trying to make his way through the chaos, then jumps back to “four hours earlier.” It introduces a number of characters: Fiennes’ FBI agent. His wife, a surgeon (Sonya Walger). One of her colleagues. Their daughter, the daughter’s babysitter, and the babysitter’s boyfriend. Fiennes’ AA sponsor, and finally his FBI partner (John Cho) and boss (Courtney B. Vance).

It follows each character through the morning – tailing a terrorism suspect, prepping for surgery, climbing up onto a utility pole, and in one case going out to the pier to shoot himself. Then the flashforward hits, you see Fiennes’ vision (a big bulletin board with case notes, drinking, some sort of shoot-out in the office), and then he’s back at the multi-car pileup.

From there the chaos just sort of expands — you see their immediate location, with Fiennes and Cho trying to figure out what the heck is going on, and it pulls out to bigger and bigger pictures. The show checks in with the other characters…like the surgeons who all blacked out during surgery. There’s a stunning shot of downtown Los Angeles. Let’s just say…imagine what the freeway would look like if every driver on the road blacked out at the same moment.

Discussion

The cast came out next – Joseph Fiennes, John Cho, Courtney B. Vance, and Christine Woods, and the panel turned into a discussion followed by a question and answer session.

Key points:

The first season is working up to the day of the visions: April 29, 2010. At that time we’ll see the context of what’s really going on, how people ended up in very different places from the beginning of the show, and whether the future can be changed. (That last is a huge question in the book.) They are hoping to air the first part of that story on the actual date! (Babylon 5 had a couple of good examples of how a vision of the future can be perfectly accurate, but misleading. The best is Londo’s vision of how he’ll die, in what appears to be mortal combat with G’Kar.)

They do have plans for where to go after they catch up to the visions, so future seasons won’t just be flailing around for ideas. Someone mentioned the 21-year timespan of the book, and Courtney B. Vance kept joking about how he planned to be on this show for 21 years.

There is a “game changing” moment around episode 7 or so. My guess: either that’s the point where they find out what caused the blackout, or they find out conclusively whether the future is or is not mutable.

One of the main characters did not have a vision, implying that he’ll be dead by the end of the season unless they can change the future.

Even though they’re writing a completely different story around the novel’s central concept, Robert J. Sawyer has been involved in the show and will be writing an episode.

They kept giving Joseph Fiennes grief over the fact that he wasn’t wearing baggy shirts and riding a horse.

Virtual Presence

At the end of the panel, they ran a short video montage introduced by Sonya Walger, sitting on a director’s chair in a living room wearing a bathrobe. Walger explained that she had two choices this weekend: get married, or go to Comic-Con. She made some remarks about the spandex quotient (though all the while people dressed as Spider-Man and other super-heroes were wandering around in the background) and not having to answer questions about Penny on Lost, and told us to enjoy the clip. Then she stopped talking to the camera, stepped off the chair, dropped the bathrobe to reveal a Wonder Woman costume, and shouted, “All right! Where’s my *bleep* tiara!”

The clips hinted at what other characters had seen in the future, including one who didn’t see anything, and finished with Fiennes threatening Jack Davenport, who appeared to know something about what actually happened, who then said something about his partner…at which point Dominic Monaghan (long rumored, but not up to this point confirmed) stepped into view. What he said was lost in the general squee, but that was the end of the clip–

–And then Dominic Monaghan walked into the room. To more squeeing. Unfortunately they were running a bit over, and he was only there for about a minute before they had to end the panel. Long enough for him to sit down and say, “I play Simon.” and that was about it.

Various sources are reporting that ABC has officially picked up 13 episodes of Flash Forward, based on the Robert J. Sawyer novel of the same name (which I reviewed at Speed Force last December).

The series is about the fallout from an event in which everyone in the world blacks out for 2 minutes and sees a vision of their own future. (In the book it’s 20 years, but in the TV show it’s 6 months…presumably to make it more urgent and so that the show can catch up to it.)

The cast features Joseph Fiennes, Sonya Walger, John Cho, Jack Davenport, Brian O’Byrne, Courtney B. Vance, Christine Woods, Zachary Knighton and Peyton List.

Where else can you see William Shakespeare, Hikaru Sulu, Penelope Widmore and James Norrington together?

Variety points out that with Lost returning in January, ABC may intend Flash Forward to fill the gap in fall, while Lost fans wait for its final season. (ABC has said from the start that they’re hoping Flash Forward will be the show to keep Lost’s audience coming back after that show wraps.)

(via Robert J. Sawyer. Cross-posted at Speed Force)

Julie E. Czerneda — I read the Trade Pact Universe trilogy last year, and I’m about half-way through the stand-alone novel, In the Company of Others, which means I’ve read just over half her novels. That leaves the Web Shifters trilogy and the two books so far of Stratification.

Robert J. Sawyer — since last year I’ve only read two of his books: Rollback and Flashforward (reviewed here). Though I made a point of attending his panel at Comic-Con International in July.

Robert Charles Wilson — Somehow managed not to read anything of his last year.

Greg Keyes — Re-read the first three books of The Kingdoms of Thorn and Bone, then read the final volume, The Born Queen, after it was released. Received The Hounds of Ash for Christmas, a collection of short stories set in the same universe as The Waterborn and Blackgod, and I got two stories in before I decided I wanted to re-read the novels.

Neil Gaiman — I read The Graveyard Book when it came out last fall (thanks to my brother for sending a signed copy from the SF reading!), but I can’t think of anything else (other than his blog) that I’ve read during the past year.

Other authors/titles I’ve read over the past year: Connie Willis (Bellwether), Robert Asprin (several Myth Adventures books), Naomi Novik (Fifth Temeraire novel, Victory of Eagles), Larry Niven (entire Ringworld series), George R.R. Martin (A Game of Thrones, sorry, not a fan), JMS (various B5 scriptbooks). Soon I Will Be Invincible (reviewed), Gateway, Night in Times Past, The Flash Companion, plus bunches of comics and tons of stuff online.

Movies: Coraline

YouTube also has the trailer in HD.

I discovered Sandman late, borrowing the trades from one of my (younger) brother’s friends around 1998 or so, then immediately tracking down my own copies. I lucked out and got a complete set on eBay for something like $70. Since then I’ve devoured most of Neil Gaiman’s work, be it in comics, prose, or movie form. The original novel of Coraline was very good, and it’s been adapted by the director of The Nightmare Before Christmas, which is among my favorite movies…and what I’ve seen of the film suggests that they get it. It’s hard to believe it’s only two weeks away!

Other movies: Oddly enough, I’m only mildly interested in Terminator: Salvation, Transformers 2: Can’t Remember the Subtitle, Harry Potter and the Half-Blood Prince (the films have been steadily deteriorating after peaking with #3, IMHO), Star Trek, and Watchmen. I’ll probably see all of them, but none of them have me nearly as excited.

Comics, books, music, etc. after the cut:

Comics: Scott Pilgrim, Ignition City, and Fallen Angel

First up is the fifth volume of the Scott Pilgrim series, Scott Pilgrim vs. the Universe, coming in just a few weeks. This series is just plain fun: mindless action with a video-game sensibility, something of a coming-of-age story, and a huge dose of absurdism.

I’ve only read a fraction of Warren Ellis’ work, but I’ve subscribed to his “Bad Signal” email list for years, and he’s been talking about the ideas that became Ignition City for a long time. Basically, take all the old space hero archetypes (Flash Gordon, Buck Rogers, etc.) and look at what happens when the future passes them by. I think someone described it as Flash Gordon meets Deadwood. I tend to like Ellis best when he’s doing science fiction, so this is a must read. Coming in April.

And finally: the relaunch of Peter David and J.K. Woodward’s Fallen Angel in July, with a crossover with Angel’s Illyria.

There’s also Flash: Rebirth, which I’m looking forward to with a mix of excitement and dread. On one hand: Geoff Johns returns to the Flash and writes all of them, with Ethan Van Sciver on art. On the other: the more I learn about it, the more I get the feeling that the subtitle should be “Barry Allen is teh gratest Flash EVAR.” If that’s it, then no, thanks, I’m not interested. *sigh*

So, yeah, DC seems to be doing its best to push me away from anything they publish that doesn’t have “Vertigo” on the cover. I’m hearing rumors of a Welcome to Tranquility miniseries, but then that’s Wildstorm, so still not much DC-branded appeal. And the one Marvel series I read, The Twelve, is on hiatus (and it’s a mini anyway). Not going to be much coming out from the Big Two.

TV: Battlestar Galactica, Lost, Flash Forward

Of the TV shows returning for the spring season, I’d say Battlestar Galactica is the one that has me most intrigued. They’ve managed to throw new wrinkles into the Human/Cylon conflict and make viewers question basic assumptions about the show in the lead-up to the series conclusion. Next up is Lost, which has successfully moved past the Gilligan’s Island/Voyager problem of getting them off the island.

I’m also watching Heroes and Terminator: the Sarah Connor Chronicles, though neither of them has me champing at the bit for new episodes just yet. (Actually, I’m more interested in SCC than the new Terminator movie, which is kind of odd to realize.) What I’d really like to see is the last few episodes of Pushing Daisies. I’m still torn between bitterness at the show’s cancellation and knowing that at least it got to go out while it was still good, rather than after deteriorating.

As for future shows, the one that I’m most interested in seeing is Flash Forward, based on the novel by Robert J. Sawyer, in development for next fall. I’m also curious about Dollhouse, which starts in February, mostly because of Joss Whedon’s involvement. And I’ll certainly check out the BSG spinoff, Caprica.

Books

Not a whole lot, actually. There’s Robert J. Sawyer’s new book, “Wake,” (part 1 of a trilogy) coming in April, but I haven’t decided whether to buy his stuff in hardcover or stick with paperback. And the final book of Robert Jordan’s Wheel of Time epic, A Memory of Light (being finished by Brandon Sanderson) may be coming out by the end of the year, or it may not.

Other than that…I haven’t heard anything about Greg Keyes’ plans now that Kingdoms of Thorn and Bone is done. I don’t think Neil Gaiman’s got any new novels planned for this year, though I’ve only caught about half of his blog posts over the past few months. Naomi Novik might have a new Temeraire book by the end of the year, maybe.

Music

Tori Amos, Vertical Horizon, and Butterfly Boucher all have albums coming out, though I haven’t heard anything beyond “spring/summer 2009″ on any of them. Tori Amos has basically never slowed down, except for a break between record companies, and it’s only been a year and a half since her last album, American Doll Posse (which was very good). Vertical Horizon has been out of the picture for a few years, though their stuff still gets played. (I heard “When You Cry” at the mall yesterday when I went to lunch.)

You’ve probably never heard of Butterfly Boucher, but Katie and I caught one of her songs on Indie 103.1 when it first launched. Then she opened for two different concert tours that we saw over the next year (IIRC, Barenaked Ladies and…Sarah McLachlan?), and we picked up her debut album, Flutterby. She’s been playing a lot of music, but this will be her second album. (A few weeks ago she posted a note about how she was finally free of her record contract, which meant she could finally release the album she finished two years ago.)

Cross-posted at Speed Force

Like most of Sawyer’s stuff, It’s a good, fast read that makes you think. It’s also been in the news lately, since ABC is developing it as a TV series to pick up the Lost audience as that show wraps up, and they’ve been announcing casting for the pilot.

I’ve posted a review of Flashforward at Speed Force.

It’s mainly the TV and film studios (except for the flyers), and it ties into something that author Robert J. Sawyer mentioned at his spotlight panel: Convention-goers are nexuses (well, nexi). We’re the people who are so into movies, TV, games, comics, etc. that we’ll put in the effort, time and expense to go to this kind of event, and we’re likely to talk about it. They’re counting on us going back to our offices or dorm rooms, hanging out with friends, blogging, posting on Twitter, or otherwise telling everyone we know about how cool this and that new movie is going to be.

In short: It’s an advertising blitz designed to kick off word-of-mouth hype, aimed at the crowd that’s both most primed to receive it and most likely to spread it.

With the massive convention floor and unbelievable crowds, they’re doing everything they can to stand out. So we get the viral marketing, like the ads for TruBlood, the Humans-Only Restrooms signs, the army of people in Quarantine outfits, the Neighborhood Watch–style sign for The Spirit. We get the swag. We get the celebrity appearances. We get displays of terra-cotta warriors to advertise The Mummy and replicas of the Owlship from Watchmen.

All that brings in more people, which of course makes the event more attractive to the studios, so they put in more effort, which brings in more people, and they start promoting movies that have nothing to do with comics, sci-fi, fantasy or horror, the genres that used to be the main focus for the con. (I remember thinking that Harold and Kumar Go to White Castle was an odd choice to promote at Comic-Con. This year, the sequel blended right in.)

The con seems to have reached an upper limit in terms of the number of people it can handle at the current venue, which is contracted through 2012. I wonder whether Hollywood will demand bigger crowds — which would probably be best handled by spilling into neighboring hotels — or be satisfied with the numbers it’s got.

Speaking of which, yes, the books finally came in! I picked mine up late morning, and decided to shell out the extra $20 for the hardcover because it’s just so big. It’s at least an inch and a half thick, and it’s 12 inches square — the size of a vinyl record album case.

Katie dressed up as Yomiko Readman, and we started the day at Richard Walker’s Pancake House. They were very busy, but had a system in place that kept people moving — and they were also very good. We got to the convention center around 10:00, explored the floor a bit together, then split up. When I bought a comic from Sergio Aragonés that I hadn’t seen before, and asked him to sign it, he asked her what character her costume was from. He clearly didn’t recognize the show, but it was nice of him to ask. The first hour or so that we were there, she mostly got people asking, “What’s that from?” but then people who knew the show started asking for her picture.

I managed to round out the complete set of signatures on the Girl Genius trades. I also picked up a print of the Flash: Rebirth cover at Moose Baumann’s table, and commissioned an Impulse sketch from Todd Nauck. When I got there, he was talking with someone, and I waited while they chatted for several minutes. When he left, it turned out that he was Carlo Barberi, who drew Impulse during most of Todd Dezago’s run. I couldn’t stick around while he drew the sketch, since I was on my way to a panel, plus he was finishing up a sketch for someone else, so I’ll be heading back sometime tomorrow to pick it up.

I went to a couple of panels by science fiction authors, both one-person shows: Connie Willis and Robert Sawyer. Connie Willis was very funny as she talked about writing in general, about her upcoming novels, and answered questions from the audience. Robert Sawyer mostly talked about his experience in the publishing industry, and managed to make it interesting. I followed it up with a panel on lost civilizations and secret societies that should have been fascinating, but was dull enough that I left only 10 minutes in and decided to hit the art show instead. Katie attended “Humor in Science Fiction” and the Bones panel, and I finished the programming day up with Final Crisis Management.

Today was the day for running into people. On my way from Image (with the Tori book) to Studio Foglio, I ran into a group from Comic Quest (the local comic store I go to on Wednesdays). I ran into my mom at the Connie Willis panel. We met up with our friend Sean at lunch, and I ran into our friend Wayne after Final Crisis…because Katie had spotted a Minbari, and I went over to take his picture. Ten feet away, there was Wayne.

Lunch was at an Irish pub called The Field. I missed Sean’s phone call, so by the time we caught up he’d already found a place and ordered lunch, but they were nice enough to move all of us from the tiny little pub table he was sitting at to a larger table. Up to this point, we’d been batting 1.000 on food. Dinner was another story. We hadn’t gotten around to making reservations, and after a couple of places with long waits, we just went to the Horton Plaza food court.

On a related note, it seems that Expelled, the anti-science propaganda film that actually invokes Godwin’s Law by claiming that “believing” evolution leads to Nazis, opens this weekend. I’m curious to see how badly they misrepresent things (it’s always best to look for yourself, instead of just taking other people at their word—that’s the whole idea behind science, after all), but I can’t bring myself to support them by actually giving them money. Meanwhile, Expelled Exposed is interesting reading.

Somewhat(!) less controversial, InformationWeek reports that Windows XP SP3 may be out as soon as next week. This reminds me: I really should look up some reviews of Vista SP1 and see if it’s improved matters any.

Still in software, dria.org explains why the AwesomeBar is awesome. That’s the nickname given to the new address bar in Firefox 3, which lets you search your browser history as you type. It’s the reason I never went back to Firefox 2 after trying out one of the later FX3 betas, and why I’ve installed Fx3b5 on two more machines. The Opera 9.5 previews have a similar feature, but Firefox’s implementation is better visually. It’s easier to spot the page you want, and over time, it learns which pages you visit more often. It’s so much faster to type a word or two than to hunt through the bookmarks menu. (via Asa Dotzler)

[Edit] I forgot to include IEEE’s article on how copyright law applies to websites, What Can You (Legally) Take From the Web?

Finally, ***Dave relates an incredibly cool story of going to see Avenue Q and what happened after the show. I had no idea that (at least in New York), the “Give Me Your Money” segment was actually collecting for a charity.

Robert J. Sawyer — read the Neanderthal Parallax trilogy a year or two ago, and more recently Calculating God. Currently reading Mindscan. His work tends to be social science-fiction: if X technological advance occurs, or Y scientific principle is discovered, what impact will that have on society? To read: 9 more stand-alone novels and a trilogy. Could take a while.

Robert Charles Wilson — read Chronoliths, Darwinia and Bios within the space of a few months of each other, maybe around 5 years ago. To read: 10 novels.

Strangely enough, looking them up I’ve discovered that all 3 of them are Canadian.

Also: Two authors I’d really like to see more from:

Greg Keyes — I was introduced to his work through his Babylon 5 novels (back when he was writing as J. Gregory Keyes), then went on to track down his own work. The Age of Unreason cycle is also quite good, and I’ve previously reviewed The Waterborn and Blackgod. At this point, I’ve read every novel he’s published. The Born Queen comes out in March, finishing the 4-book Kingdoms of Thorn and Bone cycle, which means I need to start re-reading the first three books next month.

Neil Gaiman — dark fantasy, mythic fantasy, whatever you want to call it. Discovered through Sandman (yeah, big surprise). My favorite of his novels is probably either American Gods or Neverwhere. Need to track down more of his short stories, though.

I’ve previously mentioned that Gaiman and Keyes are the only authors whose work I’ll immediately pick up in hardcover, no questions asked.