• Quickster? That sounds oddly familiar…
• Webcomic The Oatmeal explains it in terms of the food service industry.
• Woot’s CEO parodies the “apology” letter by announcing Crapster.
• Interesting theory at ZDNet: Splitting off the DVD business sets up Netflix to be bought by Amazon without subjecting Amazon to sales tax requirements in all the new states where they (used to) have shipping centers.
• Netflix and studios compared to grocery stores and dairy farms (Me at Google+)
• I was tempted to leave this funny Netflix comment up, but it was also spam. Good thing I’ve got @lol_spam for that: Netflix Drunk-Dialing

Ultimately, I was really impressed — with the service. The image and sound were very clear, and the movement smooth, even with the window playing fullscreen. I don’t think I noticed a single glitch through the entire 90 minutes. I am annoyed that it’s both Windows-only and and Internet Explorer–only, which is why it’s taken so long to try it out…but aside from that, the only thing I really missed was fine control over fast-forward and rewind.

I kind of expected it to open in a separate window, rather than in the browser, but there’s a button to make it full screen, and it automatically adjusts the video size to fit the window.

The movie itself? Not so much. It was cheesy and — worse — dull. I took a break halfway through and wasn’t sure I really cared about coming back to finish it. Heatstroke was better — and I mean that. I’ve posted a review of Lightspeed over at my Flash blog, Speed Force.

I’ve since watched one more movie through the service, The Evil Dead, which wasn’t quite as good in terms of picture quality. It was blurrier, and compression artifacts were very noticeable in darker scenes. I expect a lot of that is just due to the age of the film: it was done in 1981, and who knows when the digital transfer was made. Plus of course 90% of the movie takes place at night.

One of our local movie theaters is running a series of “Flashback Features”, and this coming Wednesday is Young Frankenstein. I thought, given the number of references, if would be fun to watch Son of Frankenstein before we went. No time for Netflix, and Blockbuster didn’t have it, so I decided to try a local video store.

You can find all kinds of things at local stores. Blockbuster might toss something that doesn’t pull in $X/month, or doesn’t fit their market research. Shelf space at a Blockbuster is precious. They stock lots of copies of new releases. They keep their aisles wide. And they store movies face outward, so each title takes up more space. A local video store will cram as many movies as they can onto the shelf, spine-outward, sometimes laid sideways on top of each other, and they can add more shelves until they run up against fire regulations. The space freed up by tossing an underperforming movie is nothing compared to the possibility that someday, someone might rent it. This store had videotapes that were still in the oversized boxes that went out of style in the late 1980s!

The downside, of course, is that they probably won’t have enough staff to keep this larger selection sorted. The S section at this store consisted of at least eight shelving units with four or five shelves each. I found all sorts of movies I’d forgotten about or never even heard of in the first place (there’s a Skulls III? With Glory?). If I’d been looking for a random movie to watch, it would’ve been great, but I was looking for Son of Frankenstein. By the time I gave up looking, I figured there was no point in asking a clerk whether they had it or not. Even if they did, I’d still be stuck searching through 40+ shelves.

Not that Blockbuster gets it right all the time. I noticed an anomaly in the Horror section today:

Although given what I’ve heard about Deuce Bigalow: European Gigolo, perhaps Horror is the right category for it.

In the end, I called up my parents and asked if they had a copy of Son of Frankenstein. It turns out they did, so the whole thing dropped out of the realm of commerce and into the realm of borrowing.