K-Squared Ramblings

More B5 Books: Babylon 5 Chronology

Wow.  The Babylon 5 Scripts team keeps finding more ways to get my money.  The latest: The Chronologies of Babylon 5.  And it includes every single piece of B5 canon, down to the six short stories JMS wrote after the series ended and even the unproduced Crusade scripts.

The script books have mostly been interesting for the commentary and supplemental material. Though I was disappointed that they couldn’t get Neil Gaiman to write an intro for his Day of the Dead script in the latest volume. It just reprinted the contents of the solo script book you can get from the CBLDF, which has a brief intro by JMS and a handful of footnotes by Neil Gaiman.

So, here’s what we’ve got so far (including what’s been announced):

• 15 volumes of Babylon 5 scripts by J. Michael Straczynski.
• 3 volumes of “Other Voices,” the B5 scripts by other writers.
• 1 volume of the B5 TV movie scripts (announced).
• 1 volume of chronology (with a Q&A and presumably commentary).

In theory, that covers everything except Crusade, which is what I’m really looking forward to. Probably two or three volumes, and I’d hope they’d include the unproduced scripts. IIRC there are two by JMS and one by Fiona Avery, and the Chronology list mentions one that was assigned but not written. The two JMS scripts used to be available online through some PITA Java-based reader that theoretically prevented people from copying the text (though that can’t stop screenshots or manual transcription), but also made it really difficult to do things like scroll. The site folded years ago, probably in the dot-com crunch, and they haven’t seen the light of day since. I remember one of them contained the first indication of a link between Techno-Mages and the Shadows.

Back to the chronology: on one hand, it feels like they’re starting to milk the audience for all it’s worth now that they’ve seen the success of the script book series.  On the other hand, it’s only one additional volume.  And it looks really cool…

Free Neil Gaiman Book!

For the month of March, Neil Gaiman’s novel American Gods will be available to read online, free of charge. This is part of a promotion by Harper Collins where they’re putting a bunch of books online, figuring that reading them will get people interested in buying more of the authors’ works.

Yeah, it’s sort of a “first hit is free” take on reading. But considering how finishing the first books of two different Julie Czerneda series had me running around the county to find the rest of each trilogy, there may be something to it.

(via Neil Gaiman, with a follow-up on the nature of free)

Authors I Need to Catch Up On

Julie E. Czerneda — read the Species Imperative trilogy in October and was very impressed. To read: 2 trilogies, 1 stand-alone, start of a new series. I think I’ll pick up the first book in the Trade Pact Universe next.

Robert J. Sawyer — read the Neanderthal Parallax trilogy a year or two ago, and more recently Calculating God. Currently reading Mindscan. His work tends to be social science-fiction: if X technological advance occurs, or Y scientific principle is discovered, what impact will that have on society? To read: 9 more stand-alone novels and a trilogy. Could take a while.

Robert Charles Wilson — read Chronoliths, Darwinia and Bios within the space of a few months of each other, maybe around 5 years ago. To read: 10 novels.

Strangely enough, looking them up I’ve discovered that all 3 of them are Canadian.

Also: Two authors I’d really like to see more from:

Greg Keyes — I was introduced to his work through his Babylon 5 novels (back when he was writing as J. Gregory Keyes), then went on to track down his own work. The Age of Unreason cycle is also quite good, and I’ve previously reviewed The Waterborn and Blackgod. At this point, I’ve read every novel he’s published. The Born Queen comes out in March, finishing the 4-book Kingdoms of Thorn and Bone cycle, which means I need to start re-reading the first three books next month.

Neil Gaiman — dark fantasy, mythic fantasy, whatever you want to call it. Discovered through Sandman (yeah, big surprise). My favorite of his novels is probably either American Gods or Neverwhere. Need to track down more of his short stories, though.

I’ve previously mentioned that Gaiman and Keyes are the only authors whose work I’ll immediately pick up in hardcover, no questions asked.

Stardust is Good

Went out to see Stardust with a group of friends, and we all enjoyed it. People have been comparing it to The Princess Bride, and it’s an apt comparison: both are light-hearted fantasy adventures with a love story at the heart. Stardust takes itself a bit more seriously, though there’s plenty of humor.

The concept: Three groups of people pursue a fallen star (in this world, a woman). Tristran wants to bring the star back to impress a girl. The cruel princes of Stormhold are seeking the necklace she wears; the one who claims the gem claims the throne. The witch Lamia wants to cut out her heart to restore her own youth for another 400 years. Tristran gets there first, but has to bring her back without the more malicious seekers reaching her.

There’s swordplay, magic, betrayal, comedy, and romance. Michelle Pfeiffer throws herself gleefully into her role as the witch Lamia. Prince Septimus oozes slime as a cross between Prince Humperdink and Professor Snape. And Robert De Niro’s Captain Shakespeare is… indescribable. Charlie Cox as Tristran and Claire Danes as Yvaine (the star) manage to hold their own with the impressive cast of villains and supporting characters.

I was the only one of the four who had read the original novel by Neil Gaiman and Charles Vess, but for the most part I didn’t mind the changes. I did think the climactic battle got a bit overblown after a while, and I really missed one aspect of Una’s character which is revealed near the end of the book.

On a related note, it seems that in the last 3 weeks, the movie “adaptation” (and I use the term loosely) of The Dark Is Rising has been retitled as The Seeker: The Dark Is Rising, probably reflecting how far it seems to have strayed from the source material.

Stardust does it right: change the details, or even the structure if you have to, to make it work in a different medium. But stay true to the heart and spirit of the book.

Fantastic Films?

2007 looks to be a good year for fantasy adaptations, at least of books I’ve read. What I’ve seen of Stardust (Neil Gaiman & Charles Vess) looks great. I’m psyched up for His Dark Materials: The Golden Compass (Phillip Pullman)—and I’ve got to say I’m glad they’re doing each book as its own movie, instead of trying to condense the whole trilogy. And Harry Potter and the Order of the Phoenix (J.K. Rowling, as if you didn’t know) looks promising as well, though most of the Harry Potter films have suffered from condensing too much.

I’m a little more apprehensive about The Dark is Rising (Susan Cooper), mainly because the IMDB page says they plan to start early this year, but the Los Angeles Times has it down for a September release. For the record, I do think this is the one to start with, not Over Sea, Under Stone, because as I recall it has a much greater sense of tension, which will translate better to screen. Plus it provides more of an introduction to the world and the conflict, since Will is dropped right in the middle of it, while I remember the other book being set more solidly in the “real” world. The Drews don’t get involved as deeply until later.

On a related note, I don’t think I’m in the target audience for The Number 23. We saw the trailer for it on Friday when we saw Pan’s Labyrinth (which is quite good, BTW), and I could not stop laughing. Not because of Jim Carrey, but because of the premise. Perhaps it comes from reading the Illuminatus! trilogy. There’s a great sequence in the book where one of the characters is starting to look for certain numbers, including 23, in everything. Of course, since he’s human, he finds them, using ever more convoluted arithmetic to prove that they’re significant. While reading Illuminatus!, I looked up stuff on synchronicity and found the tech term for this tendency to see connections where none exist: apophenia. And here I’m watching this preview, and there’s a sequence in which the lead character starts finding the number 23 in everything, using ever more convoluted arithmetic…. I don’t think I could take the premise seriously enough to get into the movie.

Fry Day at Comic-Con

I spent more time walking around outside today, so I did get to fry a bit. (Not too much, fortunately.) Oddly enough, one of the first hall costumes I saw on Friday was Thor.

Caught the Stardust preview. It looks very promising. Neil Gaiman and Charles Vess were there, of course, plus screenwriter Jane Goldman and one of the producers. The director wasn’t there, because he was on set, filming, but they showed a few clips of “very raw” footage which was actually quite good. (And yes, they do want Tori Amos as the tree, if they manage to film the scene.)

The secret to visiting Ghirardelli’s seems to be to go at off-peak hours. We dropped in mid-afternoon, after the Stardust panel, and there were only about three people in line in front of us. Usually we go after dinner, when the main floor and panels are closed, and about half the con attendees are filling up the Gaslamp District, and they all seem to want chocolate ice cream. Of course, it being Friday may have something to do with it as well, though it was definitely more crowded than yesterday.

I was walking past the Keenspot booth, and noticed a drawing of Kestrel from Queen of Wands. Sure enough, Aeire was there. I told her I was a fan of the comic, and asked her whether she had any new projects in the works. She said she had two, one of which is a QoW sequel with Angela, that she’s working on between real life and work. (She wouldn’t say anything about the other one.)

Power of the Dark Crystal is way too early to get any sense of how it’s shaping up, but the people involved seem to be really into it. And they’ve got Brian Froud, who did the designs for the original. (The director and the lead effects guy both said one of the first things they asked when approached for the film was, “Is Brian Froud doing it?”)

We met up with our friend Wayne after the Dark Crystal panel, and went out to dinner at Masala, a new Indian restaurant on 5th Street. It appears to have replaced Octopus Garden, since it’s next to Rockin’ Baja Lobster, but looking at that photo, I’m not 100% certain it’s the same building. Anyway, great food once again.

Generic Novel-ty

Found this on Amazon a few months ago while looking for something by Neil Gaiman:

I just checked back and the listing is gone. I figure it was probably a placeholder or something.

Mirrormask DVD could take a long time

Neil Gaiman writes that Amazon lists 2025 as the release date for the MirrorMask DVD.

Twenty years seems a long way away, but Sony are probably just scheduling it that far off because during the Great iPod Content Uprising Years of 2013-2024 people aren’t going to have much time for things like actually watching films, what with gathering together in places where the iPodPeople can’t get them and shooting them in the brain and all that stuff, and it’s only after the Man-Droid-iPod Peace Treaties of 2024 that anyone gets back to the serious business bringing out DVDs of long-forgotten movies.

“Alternately,” he adds, “I suppose it could be an Amazon.com typo and MirrorMask could be coming out on the last day of this year. That would be nice.”

Serenity and MirrorMask: Worth the Wait!

It’s refreshing when a movie you’ve anticipated for years actually lives up to your expectations. It’s unprecedented when it happens twice in one weekend. MirrorMask and Serenity were both amazing.

The MirrorMask theater listing looks like a tour schedule, with the film opening in a few more cities each week. Unfortunately, at least some theaters that have it now won’t have it by next weekend, so we’re going to have to catch it again one night this week. Then we’ll seek Serenity again on the weekend. Somewhere in there we’ll find time for the other movies we wanted to see.

We’ve got a more thorough review of Serenity planned…

Mirrormask Opens Tomorrow!

Neil Gaiman and Dave McKean’s fantasy film MirrorMask opens tomorrow in limited release. Inspired by such classics as The Dark Crystal and Labyrinth, MirrorMask tells the story of Helena, a girl who wants to run away from the circus and join real life, but gets trapped in an otherworldly realm separated into kingdoms of light and dark. I, uh, may have mentioned it before a few times…

Word is that if the movie does well enough this weekend, Sony is considering giving it a wider release.

The Beat has a nice run-down of the film [archive.org]. The AV Club has an interview with Gaiman and McKean, and Time magazine has an interview with Gaiman and Joss Whedon, who has his own film coming out this weekend. (Gonna be busy!) Neil Gaiman’s own blog links to more press.

Oh, yeah, one more thing to do this weekend: Stop by a bookstore and pick up Anansi Boys, which apparently hit #1 on the New York Times Bestseller list. Somehow, despite reading about all the signing tours, I had it in my head that it didn’t come out until next month. But Gaiman is one of the very few authors whose books I buy in hardcover instead of waiting for paperback.

MirrorMask, Limited

The bad news: MirrorMask is only opening in selected theaters on September 30.

The good news: Those theaters include Edwards University in Irvine. (I’m not sure where the Landmark Nuart Theater is, but it’s the only one in LA.)

According to Neil Gaiman, the amount of business it does during the first week will determine whether it gets a wider release.

With Serenity opening the same weekend, we’re going to be awfully busy…

Wham!

Neil Gaiman weighs in on the flap over adult-oriented comics in a Denver Library:

It’s been twenty years, and newspaper headlines still oscillate between “Wham! Bam ! Pow! Comics Have Grown Up!” and “OH MY GAAAD THIS COMIC NOT INTENDED FOR CHILDREN HAS CONTENT NOT INTENDED FOR CHILDREN IN IT!” articles. Bizarre.

(Ironically, the people complaining don’t seem to care much about the content—they just wanted to get the Spanish-language books off the shelves.)

Neverwhere 3.0

Also in comics news, the nine-part adaptation of Neil Gaiman’s Neverwhere begins in June.

The basic premise is this: In urban areas, we tend to tune out the homeless to the point where we don’t even see them. What if we really don’t see them? What if there’s another world, just slightly out of sync with this one, where the rules are all different. (JMS used a similar springboard for Midnight Nation, but took it in a completely different direction.) There’s poverty, and scavenging… but there’s also magic, and honor, and a society with its own strange codes. The story follows everyman Richard Mayhew as, through a simple act of kindness, he slips through the cracks from London Above to London Below. In order to get back, he has to help a mysterious girl named Door on her quest to find her family’s killers and honor their legacy…and escape the assassins tracking them both!

It’s hard to guess how well this will work. Neil Gaiman’s comics and prose are both fantastic (in every sense of the word). Comic book adaptations of his prose, though, haven’t been nearly as good. The writers have a tendency to preserve too much of the text, and it gets bogged down in narration. It happened with “Murder Mysteries,” with “Only the End of the World Again”, and with “The Price.”

Neverwhere has two advantages, though. It started life as a TV script (he only wrote the novel because he realized that budget limitations and producer interference would prevent them from doing the story “right”), and TV, like comics, is a visual medium. And with nine issues, there should be plenty of room to show, not tell, the story.

Gaiman News: Anansi Boys and MirrorMask

Whew, I’ve got to read Neil Gaiman’s blog more often. Catching up, I just discovered that his new novel, Anansi Boys, is being published on September 20. Coming sooner is the illustrated MirrorMask script in May. Still no solid release date for the film, but apparently it will get a theatrical release late in 2005: “I think it’ll be released in early autumn.”

Early autumn, eh? With a new novel released on the last day of summer? I don’t know how the numbers stack up on Neil’s name recognition vs. the average “art house” movie—which is how the studio seems to be treating it—but it wouldn’t surprise me at all if Columbia/Tristar tries to capitalize on the publicity for Anansi Boys.

Of course, it also wouldn’t surprise me if they said, “Huh, he writes books? I thought he was a screenwriter.”

Mirrormask is going to Sundance

Neil Gaiman reports that Mirrormask will show at the Sundance Film Festival in January! (No word yet on an actual release date.)