K-Squared Ramblings

Best random song pairing ever

The following two “Weird Al” Yankovic songs popped up sequentially on the iPod the other day:

• “I Love Rocky Road” (based on Joan Jett’s version of “I Love Rock ’n’ Roll,” and all about ice cream.)
• “Cavity Search” (it’s about going to the dentist—U2’s “Hold Me, Thrill Me, Kiss Me, Kill Me” is turned into “Numb me, drill me, floss me, bill me.”)

Sometimes random shuffle makes you wonder whether the software knows more about the songs than what’s in the ID3 tag.

Radio Connection

They say that the Southern California car culture is isolating. It’s hard to argue with that, when everyone’s shut up in their own little boxes. But today, on my way to work (delayed a bit on account of dentist), I was listening to KCRW’s Morning Becomes Eclectic and stopped at a traffic signal. They were playing a live version of Elvis Costello’s “Allison.” I looked in my rear view mirror, and realized that the driver behind me was singing along to the same song. Even though it only went one way—she had no way of knowing I was listening to the same music—it was still a moment of connection through shared experience.

Snow More!

Oh the crowds outside are frightful,
But the music’s so delightful…
’Cept for ev’ry darn place we go,
It’s “Let it Snow!” “Let it Snow!” “Let it Snow!”

Seriously. It seems like this song has somehow become the most popular Christmas song this year. I normally don’t mind it, but come on!

It doesn’t help that it’s about as likely to snow here as it is for a meteor to strike Times Square at exactly midnight on New Year’s Eve. But that’s worth its own post.

(Incidentally, the parody’s original. We made it up together in the grocery store on Sunday. Katie has more, but I can’t remember it.)

Riddle Me This

I really liked the last two Five For Fighting albums, America Town and The Battle for Everything. “Superman” was quite possibly the only song I’ve heard that made me run out and buy an album without checking other songs first. So I was eagerly awaiting “Two Lights.”

Unfortunately, after listening through twice, I only actually like two songs on the album: “California Justice” and “Policeman’s Xmas Party.” Everything else is just too…sappy.

And “The Riddle” is everywhere. Radio, supermarkets, fast food, shopping malls. I can’t escape it. Worse, it’s one of those tunes that worms its way into your mind and runs around in circles.

But here’s the odd thing: Does anyone else think the verse sounds a little bit like “Weird Al” Yankovic’s “The Night Santa Went Crazy?”

Traffic Truth

I was listening to the traffic report on KCRW this morning, and realized the background music sounded familiar. I thought about it, and realized that it was the instrumental track from Aimee Mann’s song, “Nothing is Good Enough.”

Tower Rhyme

I thought this pair of posters at a Tower Records was appropriate:

Jewel and Tool, together… a…gain?

Play, Play, Repeat

The recent controversy over Star 98.7’s decision to drop their morning talk show (since reversed) and try out a new format brings up one of those great mysteries of the ages: Why do so many radio stations play the same small list of songs over and over?

I understand the desire to play popular songs frequently, since it should improve ratings. I know record labels still pay radio stations to make sure their songs get played, even though it’s technically illegal. (They use intermediaries these days, but I don’t think anyone’s fooled.) But it seems to me that there must be a limit to the effectiveness of playing the same song over and over.

Heck, even Star, masters of the binge-and-purge playlist, got pissed off at Ryan Seacrest once when he played the same song 5 or 6 times in a row. This was probably 3 or 4 years ago, and I caught a few minutes of him saying that he didn’t understand what management was so upset about. “They’re always telling us to support the music,” he said.

Is that what it takes? Playing the same songs 10 times a day is OK, as long as no one song gets played 10 times in a row? Even though it takes up time that could be used to play more songs that might, radical as this might sound, get listeners interested in a new artist or album? That they might actually go out and buy?

In the late 1990s there were several LA-area radio stations that would play deep cuts off an album—songs that hadn’t been released as singles—or the album versions of songs that had. All gone. A few years ago, there was a station that had a policy of no repeats between 9am and 5pm. Gone.

Is it just the push toward the lowest common denominator, spurred on by the rise of giant radio conglomerates? (Clear Channel owns a huge chunk of LA radio.) Maybe. There’s a lot more room on satellite radio, and whenever I’ve been in a store or restaurant that plays satellite radio, I start hearing those album cuts and songs other than the Top 40 of a genre.

Of course, the way cable TV has gone—with former niche networks branching out for that lowest common denominator, giving rise to the lament of 500 channels and nothing on—this may be only a temporary renaissance. The same cycle of homogenization seems to hit all media, turning vitality into banality over and over.

Alternative to Music?

Since Star 98.7 has suddenly decided to play actual music in the mornings last week, I’ve listened to it a couple of times on the way to work. They do still seem to like playing the same 10 songs over and over again, so there’s only so much I can take before switching over to another station, but something strange jumped out at me about their new slogan.

“Today’s Music Alternative”

I’m sure they intend it to mean an alternative source for music, but it sounds like an alternative to music. And considering they’ve dropped their talk shows and DJs in favor of more time for music, I don’t think that’s the message they’re trying to convey.

Lightning Storms and Aimee Mann

We drove up to UCLA last night for an Aimee Mann concert, and somehow, despite all the rain on the way up and back, we managed to not need our umbrellas at all.

The concert was great, and very different from the last concert we saw at Royce Hall just by virtue of having a full band behind her (Tori Amos performed solo last time we were there). It was also very different from the last time we saw Aimee Mann, at the House of Blues last summer. For one thing, she was focusing on songs from her new album, The Forgotten Arm.

It was also much more interactive than either of the other two concerts. What stuck in my mind was the request section. She had everything set up so that people would write the request on a piece of paper and leave it on the stage, but when she got to the break, people were shouting out titles. One guy came prepared with what looked like a balsa glider and wrote his request on that, adding that it was his birthday. I don’t remember his request, but she improvised “Happy birthday to the paper airplane man.” I’ve seen singers who get talkative, and singers who improv silly songs, but it really felt like the house was much smaller than 1800 people. (Of course, you could still make a drinking game out of the number of times she says “Thank you so much” after a song.) Read the rest of this entry »

Perfect Price Point

Reportedly the recording industry is still pressuring Apple to raise the prices on the iTunes Music Store. They don’t seem to understand that a big part of what made iTMS a success was the 99¢ price point. It’s sometimes cheaper than buying a CD, and more importantly, you can impulse buy at that price.

Steve Jobs seems to get it, though. He’s pointing out that higher prices will just drive people back to illegal downloading.

The iPod Shuffle is a success

I stand corrected. I figured the iPod Shuffle would be a joke, but the headline speaks for itself: Shuffle grabs 58% of flash player market.

Random Links

AKA stuff I wanted to write about earlier this week but need to just slam out while they’re still topical.

• Judge slams SCO’s lack of evidence against IBM. Also Groklaw’s take. After all the wild claims they’ve made without providing evidence, it’s nice to see even the judge is getting sick of it.
• Coke may try out coffee cola – Yeah, it’s a month old, but it’s news to me. (Incidentally, I hate CNN’s practice of deleting stories from their website. That’s where I read about this earlier this week, and I had to go hunting for an article that was still up.) [Note: I've had to track down a third copy of the article.]
• MP3tunes.com shuns DRM – former MP3.com founder starts a new legal download service, and sticks with unencumbered MP3s instead of messing around with ultimately-flawed digital rights management. I’m reminded of Cory Doctorow’s famous talk on why DRM is bad for everyone.
• Beware the unexpected attack vector – Your enemy may not come at you from the direction you expect. Set up sentries around the beach, they’ll get you through the ocean. Set up a firewall, they’ll get you through web browsers. It’s mainly about computer/network security, but it has an interesting story explaining why there’s only one major newspaper in Los Angeles.
• CSS Zen Garden parody: Geocities 1996 – I’ve been meaning to post a link to this for over a month. It’s fully valid code, and manages to bring back the worst of 1990s web design.

Alt Rock Lyrics or Spam?

By way of The Spam Weblog, we have…

Alt Rock Lyrics or Spam?

Can you tell the difference?

Cry me a river

So Apple is ticked off at Real’s reverse-engineering to let people buy music from Real and play it on an iPod. Apple has threatened DMCA sanctions and all but promised to deliberately break it in the next software update.

Excuse me? In general I like Apple, but their insistence on locking the iPod to iTunes and iTunes alone is short-sighted. When people hacked up a way to use an iPod on Windows, they first licensed the software, then wrote iTunes for Windows. iPod sales have tripled to the point where they may soon outsell Macintoshes. This could never have happened if Apple had kept the iPod Mac-specific.

I’m reminded of the many times Microsoft has altered its file-sharing protocol to break compatibility with Samba, the package that allows Linux, BSD, and now Mac OS X to connect to Windows networks.

The classic analogy is getting a car that can only run on certain roads. So someone’s found a way to let the iPod drive some different roads. But Apple still sells as many iPods. They might even sell more (as when it gained Windows compatibility). Why the accusations of hacking, why the legal threats, and why the determination to keep the iPod locked to their own roads?

String tribute to WHO?

A few weeks ago I purchased Precious Things: The String Quartet Tribute to Tori Amos from Amazon. I was looking through my recommendations tonight and started finding all these string renditions of popular music, including…

The String Tribute to Nirvana

This had me laughing, but then I looked further down on the page:

WTF?!? Nine Inch Nails string tribute?
Hmm… I wonder if anyone has done a string album for The Who.