K-Squared Ramblings

From DM of the Rings to Chainmail Bikini

After a year, DM of the Rings is finished. The comic recast Lord of the Rings as a Dungeons & Dragons campaign, using stills (sometimes brilliantly chosen) from the Peter Jackson–directed movie trilogy in a comic-strip format.

The series poked fun at RPG tropes and player types, with the players’ dialog given to the LOTR characters. Every once in a while, someone would speak in character. But mostly, they’d be asking about the Cheetos, or why there wasn’t enough loot. And speaking of loot, it also pointed out where the story would fall down as a game.

Anyway, cartoonist Shamus Young has already started his next project, this time with artist Shawn Gaston: The webcomic Chainmail Bikini: The Nightmare Legend of Deuce Baaj started today. From the first strip, it looks to be covering the same territory—foibles of role-playing games—this time explored through an original story. It’s not clear where the title comes in, though.

Con Sundae

Sunday was, oddly, more crowded than Saturday. Maybe it was the desperation of the last day combined with the fact that it was still on the weekend. We got in later, closer to 11:30, since we spent the morning packing.

I did a final round of back-issue hunting, and ended up not buying anything. All the Golden Age Flash books were high-grade, and therefore out of my price range. Unfortunately I forgot to check eBay this morning, because several auctions I’d put off bidding on ended before we got home.

I hit two panels: First Fables, which was basically the entire creative team of the book and the spinoff, Jack of Fables, and was great fun. They also announced the upcoming “burning questions” issue. They’ll take questions from readers, and put together a bunch of one– or two-page stories to answer them.

The other panel was for Lord of the Rings. People from New Line Home Video, EA Games, Games Workshop, and Topps Cards all talked about their new tie-ins. At least, they did after the 15-minute attempt to get the screen properly hooked up to both the DVD player and the laptop. I’m annoyed that they’re releasing another DVD edition (this set has the theatrical version and the extended version on one double-sided disc—no, they’re not making more changes to the films, thank the Eldar), but the Battle for Middle Earth II expansion pack, Rise of the Witch-King, looks pretty cool. Too bad I’m not any good at real-time strategy games.

We left the con around 4:00, had dinner back in Little Italy, then got on the road around a quarter to six. 2½ hours later, we were home.

It’s odd how quickly you get used to the walking. After the first day, my feet were sore from walking and my shoulders were sore from carrying my backpack. They were still bad the next morning, but better by evening, and by the third day, they were perfectly fine. (Well, except for the blister on my toe.)

Still, I think I’m going to be a zombie at work tomorrow. Next year, it might be worth taking the following Monday off as well.

Anyway, stay tuned. I’ll be posting photos (cosplay, weirdness, and possibly sightseeing)—and with any luck, quotes as well—sometime in the next few days.

Going to the Movies—Not!

Apparently the movie industry is trying to come up with an ad campaign to get people back into theaters. The LA Times doesn’t seem to take the idea terribly seriously, as they’ve suggested the slogan, “Movies: Just like DVDs, but Larger.” Meanwhile, theaters and studios are blaming each other for the decline in attendance:

Theater owners blamed Hollywood for making inferior (and overly long) movies, studios worried that theaters were turning the multiplex (with its barrage of pre-show commercials) into as much of an ordeal as an escape.

How do you figure out who’s right? Oh, wait, that’s easy: Both of them.

Make better movies, and more people will brave the long lines, high prices, 20 minutes of annoying big-screen commercials, 15 minutes of previews for movies that aren’t terribly interesting, people yakking on cell phones, people narrating the entire @%!# movie for their friends 30 seconds ahead of the action, etc.

Clean up the theater experience, and people will be willing to go for movies that look kinda interesting instead of really interesting.

It’s not just the big screen and immersive sound. Watching Serenity at home lacked the intensity of watching it in a theater full of fans (even the second time, when we knew what to expect). Neither canned laughter nor a studio audience can compare to dozens or hundreds of people laughing together in the same room. And it’s hard to match the collective “Oh, $#!7″ that swept the theater in each showing of Return of the King when Shelob showed up again after Frodo thought he had escaped. The communal experience strikes a chord that you just can’t reach with a couple of people and a TV set.

People who talk through the entire movie aren’t just distracting you from the movie, they’re interfering with that communal experience. There’s only so much theater staff can do, short of kicking people out, but at least we know in the future they’ll get to inhabit a special level of Hell.

News from Comic Con

Ah, Comic Con! The show doesn’t seem much bigger than last year (and they’ve already filled the convention center floor), but there are more people. Last year, Friday was quite comfortable, but this year it was more crowded than I remember.

Let’s see… News from panels so far. Serenity and Mirrormask are apparently opening the same weekend (September 30), so I’ll be spending an entire day at the movies. Sergio Aragones and Mark Evanier are working on a script for a CGI Groo the Wanderer film. They apparently held out for years for a deal that gave them enough creative control to satisfy them. And early next year they expect to release the 4-part comic book, Groo vs. Conan.

The Jim Henson Co. 50^th anniversary panel was great fun. In addition to seeing some early experimental muppetry, we learned that they will be producing a sequel to The Dark Crystal that takes place several hundred years later, and a prequel anime series.

Katie went to the big Warner Bros. movie panel, featuring Harry Potter and the Goblet of Fire, V For Vendetta, The Fountain (from Darren Arenofsky), and The Corpse Bride, all of which look promising.

And if you have a chance while in San Diego, don’t miss Fellowship!, a musical parody of The Fellowship of the Ring. With the exception of one running gag that got old very fast, it was a great send-up of the movie (and it was also fun looking for tropes and in-jokes from musicals).

This year is absolutely crawling with Jedi costumes. So many that we didn’t bother to take pictures, except for one Anakin & Obi-Wan pair where the former actually looked like Anakin. There’s also a booth selling high-quality light sabres with removable, light-up blades that are sturdy enough you can duel with them. The cheap ones run for $120.

Sequelitis is profitable

An interesting read on the Most Lucrative Movie Franchises, not so much for what it gets right, but for what it gets wrong.

Tonight’s premiere of Batman Begins marks the sixth in the series. And that’s only counting the “modern” era of Batman flicks, dating from 1989’s Batman from director Tim Burton.

Sixth? Are they including the cartoon Batman: Mask of the Phantasm? If so, why not Batman: Sub-Zero? (Curiously, the table on page two only indicates five Batman films.)

And where do they get four Lord of the Rings films? I suppose they could be counting the Bakshi cartoon, but what about the Rankin-Bass Return of the King and The Hobbit.

Where are they getting their numbers?