(Full photo set on Flickr.)

Planning a trip to Comic-Con is always about trade-offs. It’s so big that you can’t see everything, and there are so many events going on that you can’t attend them all. With four days, there’s some wiggle room. With just one, it seemed like I was constantly thinking about those choices.

One of the first choices I made: No news panels. I could get that the next day online (and did). I wanted to focus only on what was unique to the con: exhibits, meeting people, the art show, etc. Basically, I wanted to experience as much of San Diego Comic Con as I could in one day.

Katie decided to pick two things and build her day around them: visiting The Field, an Irish pub our friend Sean introduced us to a few years ago, and seeing the new Thundercats screening.

The Main Floor

With just one day, I ended up doing several circuits of the exhibit hall instead of a thorough, aisle-by-aisle search. It seemed less crowded than I remembered, though that may have been because it was Friday.

I hit some of my usual targets: Stop at the Studio Foglio booth & get Phil & Kaja to sign my copy of the latest Girl Genius volume. Check out the displays at the DC Comics booth and Sideshow. Look for signings by artists and writers that I want to meet.

Unfortunately, my haphazard approach meant that I never made it back to Artist’s Alley after my initial pass to make a list of people I wanted to talk to later in the day. (I had the idea of trying to start a new Flash jam sketch and get Francis Manapul, Todd Nauck, and a few others.) And I forgot to come back to the BOOM! Studios booth for Mark Waid after buying a copy of The Unknown TPB for him to sign.

I did, however, finally pick up a copy of Boilerplate (a steampunk robot, photoshopped into historical photos, with stylistically appropriate articles written about the events) after walking by the display for several years running. And I stumbled across the Union of Superlative Heroes in the small press section.

I was also lucky enough to get a wrist band allowing me to buy the limited-edition convention exclusive Flashpoint: Reverse Flash action figure for Devin at Speed Force. It went about like this Gutters strip, except that there were fewer costumes and they hadn’t sold out when I got to the booth. Also, the line went very fast. I went through five times in about as many minutes (they were encouraging people to try again) until I drew a winning ticket.

Meeting People

It still amazes me that in a crowd of ~150,000 people, you can randomly run into people you know. I ran into my parents at the DC booth. I ran into our friend Wayne (whom we’d been planning to meet up with later anyway) in the lobby.

At one point, I was waiting to ask a question at the Mimobot booth when I looked over at an X-wing pilot and recognized a college classmate whom I hadn’t seen in over a decade. We talked for a bit, then I went back to the booth. As I left the booth, I spotted someone dressed as Ramona Flowers and walked up to ask for a photo. She turned out to be another college classmate from a completely different circle!

One of those trade-offs I mentioned earlier: Catching that day’s big DC Comics “New 52″ panel (not for the news, but for the chance to ask questions) or catching a meet-up of people in Flash costumes. I went for the meetup. Unfortunately, only two cosplayers showed up, but I did get to meet the people organizing it. I also got to meet @BitterWallyWest, and we talked about Flash and other comics (but mostly Flash) for a good 20-30 minutes or so.

The two of us, @SpeedsterSite and @TheFlashReborn had been trying to set up a meeting with all of us at once, but that didn’t work out. At the time, they were both in the New 52 panel. I finally caught up with them mid-afternoon, not long after @SpeedsterSite’s talk with Dan Didio.

Thundercats and the Plural of Apocalypse

Thundercats has since premiered on Cartoon Network, so if you catch a repeat of the pilot, Katie highly recommends it. This goes double if you’re among the child-of-the-80s crowd for whom it’s nostalgic. The audience for the panel was mostly this target demographic, and enough were habitual congoers that the preceding two panels were crammed. For the panel immediately preceding, a new thriller-genre ABC show called “The River,” this wasn’t much of a problem. But the one before that was “SpongeBob SquarePants,” and the campers were crowding out some kids. Katie let a family of first-time attendees cut ahead of her in line to get escorted to the last few seats.

The show itself is not just an update of the original cartoon, but also a reimagining. The characters have different backgrounds and relationships to one another, and the premise has been tweaked. They’re still on Third Earth, but rather than having crash-landed there, it’s their original home. Some plotholes have been plugged, and a lot of the cheese has (mercifully) been picked off. We haven’t yet seen all the major players from the previous series, and not all of those we have seen have met each other yet. And the original voice of Lion-O is in the cast…as his father. Worth standing in line for, and will be going on the DVR.

I only made it to one panel: “Writing the Apocalypse,” and while it was full, I mad no problem getting in just a few minutes before it started. Most of the guests were authors of zombie-related apocalypses, and I came away from the panel with two thoughts:

1. Mira Grant loves virology.
2. The premise of Soft Apocalypse sounds scarier than zombies.

Out in San Diego

We ventured outside the convention center twice: Once for lunch, and once for dinner. We’ve developed a tradition of hitting The Field, an Irish pub in the Gaslamp District, at least once each convention. Since I wasn’t sure exactly what I’d be doing, we figured we’d both aim for it, but not worry about getting there at the same time. As it was, we did manage to catch up briefly while Katie finished her lunch and I ordered mine.

The crowds around 5th Street weren’t as bad as I remember from last year. Maybe there were fewer people handing out fliers (though there was no shortage of women in skimpy outfits with stacks of postcards), or maybe the offsite events were just spread out better. Last year, the area between the Hilton and the trolley tracks had a bunch of tables and booths set up for the Scott Pilgrim promotion. This year I think it was just people until you actually walked into the exhibits. That alone may have helped immensely.

For dinner, we met up with Wayne after all our late-afternoon panels and final passes through the floor were complete. One problem: We hadn’t made reservations anywhere, and we had deadlines: Wayne needed to be back at the convention center by 8:00, and Katie and I needed to be on the train by 8:20 (or so we thought — more about that later). We ended up at the Broken Yolk Cafe (which I still want to call the Burnt Toast Diner for some reason), which was decent enough, but I like their breakfasts better. (That said, the next time I’m in Downtown San Diego for breakfast, it’s going to be Cafe 222.)

We wrapped up the day with stops at two more of our San Diego mainstays: Heavenly Cupcake (on 6th), and the Ghirardelli shop (on 5th). We were too stuffed for dessert, but cupcakes and chocolate both travel well.

The Journey Home

Neither of us had expected the longest line to be for the train ride home. We’d been advised to arrive early, and got to the station around 8:00 for our 8:20 train, but the train was delayed coming into San Diego. We didn’t even board until at least 9:00. (That this was the worst line either of us experienced has a lot to do with the choices we made about what to see at the con.)

Part of it was all the extra cars they’d added to cover not only people leaving San Diego after Comic-Con, but people leaving Solana Beach (the next stop north) after the evening’s races at Del Mar. The passengers who boarded in San Diego, for the most part, were exhausted after a day at the con, and quiet. If they talked, it was quietly, within groups. Those who boarded at Solana Beach had just finished an evening at the races, and they were excited, drunk and loud. It was an interesting contrast.

The train delay meant we got home around midnight. Definitely too late for a daily commute, especially with the hour drive to and from the train station. If we go more than one day next year, we’ll have to stay in town (or at least closer).

It’s sad that next year is an “if,” though. This was my twenty-second trip to Comic-Con, and Katie’s ninth or tenth. It’s never been a problem to get tickets ahead of time before, but they’d capped the line for the day’s 2012 pre-sale before we even arrived, and if online sales are anything like they were this year, it’s going to be a Hoteloween-level madhouse when they go on sale.

» Full photo set on Flickr.
» More convention write-ups and photos.

For the past decade, Phil & Kaja Foglio have been spinning the mad science/gaslamp fantasy adventures of Agatha Heterodyne in the award-winning comic book-turned-webcomic Girl Genius. Now they’ve stepped into a new medium, adapting the first story into a prose novel: Agatha H. and the Airship City.

The Industrial Revolution has escalated into all-out warfare. It has been sixteen years since the Heterodyne Boys, benevolent adventurers and inventors, disappeared under mysterious circumstances. Today, Europe is ruled by the Sparks, dynasties of mad scientists ruling over – and terrorizing – the hapless population with their bizarre inventions and unchecked power, while the downtrodden dream of the Hetrodynes’ return. At Transylvania Polygnostic University, a pretty, young student named Agatha Clay seems to have nothing but bad luck. Incapable of building anything that actually works, but dedicated to her studies, Agatha seems destined for a lackluster career as a minor lab assistant. But when the University is overthrown by the ruthless tyrant Baron Klaus Wulfenbach, Agatha finds herself a prisoner aboard his massive airship Castle Wulfenbach – and it begins to look like she might carry a spark of Mad Science after all.

The comics are great fun, and I’m really looking forward to seeing how they’ve filled in the details in the novel version!

Neither of us had anything early or popular that we were trying to catch on Friday, so we slept in — which I’m sure really helped after the exhausting first day. Katie went for the design panels, with talks by TV costume designers and TV & movie production designers, while I roamed the middle of the floor where all the comics publishers had their booths.

I stumbled onto the tail end of a Brian Lee O’Malley signing with only about five people in line, and still had Scott Pilgrim’s Finest Hour with me. Then I made it to the Studio Foglio booth just before Phil and Kaja Foglio left for an event, so I was able to get them to sign the new Girl Genius books that I picked up.

Exploring Downtown

On the shuttle ride to the convention center, I’d noticed a building with comic-book themed window art all over its first-floor windows. I wanted to get back to it for a closer look at some point during the con. I also wanted to drop off the new and newly-signed books so that I wouldn’t be carrying them around the rest of the day, so I figured I’d try to find the building while walking back to the hotel.

I also found some more window art at the Gaslamp Garage across the street from the Old Spaghetti Factory (one Flash and one Wolverine), a souvenir store flanked with Green Lantern and Sinestro, and, eventually, the building with all the drawings: Batman, R2D2, Scott Pilgrim and Ramona Flowers, The Monarch and Dr. Mrs. The Monarch, etc.

Strangely enough, the con had even spilled into the historic Davis House: Alienware had set up a demonstration tent for their gaming systems on the lawn.

At some point during this trip, I stopped in at the Chuck Jones Gallery on 5th Street. In addition to Looney Tunes–inspired art, they also had quite a bit of superhero and Disney-inspired art on display, including several Alex Ross pieces. I’m not sure what their usual exhibits are, but it’s worth stopping by if you’re in the area.

Art Afternoon

Originally I’d planned to return for the Francis Manapul/Whilce Portacio art demonstration, but as I wandered downtown it became clear that I wasn’t going to make it back in time. So I stopped hurrying, grabbed lunch, and when I reached the convention, checked the schedule to see what I might do instead. I settled on the Comics Arts Conference panel on action heroines, specifically: where are they? It was an interesting lineup of female fans, scholars, actresses…and JMS, who was there because he’s just started writing Wonder Woman. (He and Cindy Morgan both left early for other commitments.)

From there I visited the art show. The wide range of both skill and subject really struck me this time for some reason. Also, there were a few pieces I recognized from Westercon. From there, I decided at the last minute to catch the second day of DC Nation. I’m glad I did: Geoff Johns announced a second Flash series to launch next year (though considering I watched him announce both a Kid Flash series and a Wally West co-feature, neither of which actually went into production, I’m not letting myself get too excited).

Meanwhile, Katie had spent the afternoon first watching an artist’s presentation on drawing animal anatomy, then waiting through Teen Wolf (yes, they’re remaking Teen Wolf…as a TV series) for Falling Skies with Moon Bloodgood and Noah Wyle.

Evening

We left the convention center a bit earlier than the day before, hoping to avoid the closing crush, and met up with my parents (who were also attending the convention) for dinner at Sevilla, a tapas restaurant on 4th. Great food, but very dim and very noisy. It’s the one with the suit of plate armor in front of it. It was on the way to dinner that I lost my badge briefly; fortunately it hadn’t fallen too far back, and was still there when I looked.

Afterward, Katie and I returned to the convention center to make use of the wifi for some internet catch-up. We were aiming for the tables and chairs in Sails, but they had been put away for the night, so we settled in on a bench in the Ballroom 20 lobby. The Batman: Under the Red Hood premiere had already started, so the area was mostly empty.

It’s always strange to see the convention center when it isn’t crowded, especially after a full day of Comic-Con. It was quiet, the windows were dark, and most of all there was space. A few small groups were scattered around the lobby like we were. Stragglers wandered through, including three guys singing “Masquerade” from Phantom of the Opera. And over near the corner was a group of twenty or so people in costumes dancing the Macarena. Katie looked up from the computer and wondered if there was a world record for that.

If not, there should be!

This was Friday, July 23, 2010.
Next up: Saturday! Leverage, Harry Potter, No Ordinary Family and more.

»Full index of Comic-Con posts and photos.

I dropped by the Studio Foglio booth a couple of times, with the intent to get my latest Girl Genius trade signed. (It arrived in the mail earlier that week. How could I pass it up?) After collecting the individual issues to start with, I ended up buying the first two or three books direct from the source at Comic-Con a few years ago, and Phil Foglio was kind enough to sign the whole set as he sold them to me. So as the newer books have come out, I’ve brought them to cons to get them signed.

This year I managed to find Phil Foglio on Friday. He was talking with someone about site issues (which I assumed were about last month’s downtime), and apparently it’s banned in China as being “too racy.” His assistant encouraged me to just interrupt, and I got him to sign volume 6. I made sure I linked to them in that night’s con report, without realizing that the site had gone down that morning due to bandwidth issues. *sigh* Of course I took the book out of my backpack that night… but on Sunday, I wandered by the booth again, and this time Kaja Foglio was there. If I’d still had it, I could have had both of their signatures. Again, *sigh*. We talked for a bit about the switch from pamphlet-to-book to web-to-book, and about some of the T-shirt designs, and about how far ahead they had story material (years).

I also kept looking for Joshua Middleton, since I wanted to get his All-Flash cover signed and show him the wallpaper I made for my cell phone, but I never saw him any of the times I went into Artists’ Alley. His table was there, but he wasn’t, and all I could think of was walking past his table at Wizard World LA back in March. Not that I had anything to get signed at the time, but still…

Of course there are always tons of booths run by small press trying to promote their works. The only one that stands out in my memory is Alcatraz High by Bobby Rubio. I talked with him, he showed me a preview issue which was funny, and I bought the first issue of the comic (figuring I’d get the next two if I liked that one), which he signed with a sketch. Unfortunately, this being several days into the con, my brain had turned to mush and I didn’t think to ask whether the story I had read was actually in #1.

Just trying to help get the word out.

Update (June 30): They’re back online at a new host. And there was much rejoicing.

Girl Genius follows the steampunk adventures of “spark” Agatha Clay through a 19th-century Europe littered with the remains of a mad scientist war, dominated by Baron Wulfenbach, who rules his domain from an airship. It’s an adventure/comedy, and if you like Phil Foglio’s style, you’ve probably already read the story so far.

Speaking of the story so far, there are two ways you can catch up. (Well, three if you count hunting through back-issue bins and eBay.) Studio Foglio is selling the first three collected editions (both hardcover and TPB) on their website, and they’ve also begun Girl Genius 101—reposting the original comics online, one page at a time. And of course there’s cast info, a FAQ, summaries—everything you need to get up to speed.

Let me just say again, I can’t recommend this enough. It’s good, it’s funny, and now you can try it out for free! (And if you really like it, they plan to continue releasing the TPBs, so in a year or so you can get it on genuine flattened plant matter!)

Girl Genius, by Phil and Kaja Foglio: “A gaslamp fantasy with adventure, romance, and mad science.” It’s a continuing steampunk adventure/comedy set in an alternate 19th century where warring mad scientists (or “sparks” as they’re called to their faces) have devastated Europe. Graduate student Agatha Clay belatedly discovers her own “spark” as she is whisked into the world of Klaus von Wulfenbach, the “spark” who has conquered most of Europe. A fun read every time – it’s a real pity that it only comes out four times a year. (Published quarterly by Studio Foglio/Airship Comics.) Edit: The comic is now available online at girlgeniusonline.com!

Fables, by Bill Willingham and various artists. Imagine if all the fairy tales really did happen. But Snow White, the big bad wolf, and the rest have been forced out of their world and into ours, where they live in an expatriate community in modern New York City. Here, they face everything from murder mysteries and personal intrigue to political infighting and all-out revolution. It is R-rated, so you probably wouldn’t want to hand it to an 8-year old, but if you liked Sandman you should check this out. It’s a mix of multi-part story-lines and single-issue stories. DC has been collecting each storyline in graphic novel form. (Published monthly by DC Comics/Vertigo.)

Halo and Sprocket, by Kerry Callen. In the words of the comic’s own website, “Halo is an angel assigned to assist Sprocket in learning about the human condition from Katie. [Ed. note: no, not that Katie!] But Sprocket’s logic, Halo’s metaphysics, and Katie’s real-life antics don’t always mesh.” Each issue features several stand-alone short stories that find the comedy in even the most ordinary situations, as well as the contradictions and foibles of humanity. Wayne brought the first three issues over one time, and everyone was laughing hysterically! A collection of the first four issues should be out by December. (Published several times a year by Amaze Ink/SLG Publishing)

And while you’re at it, check out the graphic novel Midnight Nation, by J. Michael Straczynski and Gary Frank. The collected edition is a bit pricey, but it’s worth it!