You’ll have to click on it for the larger version to see some of them.

I think I liked the middle act best.

Anyway, I checked the site again right after midnight, when the free streams were supposed to come down, and they’d already gone to iTunes at $1.99 an episode. (Personally I think that’s a bit high, when they add up to the same length as an “hourlong” i.e. ~40-minute TV show, which you can usually get for $1.99 total)

For those who hadn’t already heard about it: Written by Joss Whedon, his brothers, and his future sister-in-law. Starring Neil Patrick Harris as the mad scientist villain Dr. Horrible, Nathan Fillion (Firefly) as his nemesis Captain Hammer, and Felicia Day as the girl at the laundromat on whom Dr. Horrible has a crush. Campy take on the super-hero genre, from the point of view of a D-list villain trying to make it to the big leagues. Structured partly as a video blog and partly as narrative. The songs remind me of a cross between the Buffy musical (naturally) and Moulin Rouge. (Stylistically, I mean.)

Theater owners blamed Hollywood for making inferior (and overly long) movies, studios worried that theaters were turning the multiplex (with its barrage of pre-show commercials) into as much of an ordeal as an escape.

How do you figure out who’s right? Oh, wait, that’s easy: Both of them.

Make better movies, and more people will brave the long lines, high prices, 20 minutes of annoying big-screen commercials, 15 minutes of previews for movies that aren’t terribly interesting, people yakking on cell phones, people narrating the entire @%!# movie for their friends 30 seconds ahead of the action, etc.

Clean up the theater experience, and people will be willing to go for movies that look kinda interesting instead of really interesting.

It’s not just the big screen and immersive sound. Watching Serenity at home lacked the intensity of watching it in a theater full of fans (even the second time, when we knew what to expect). Neither canned laughter nor a studio audience can compare to dozens or hundreds of people laughing together in the same room. And it’s hard to match the collective “Oh, $#!7″ that swept the theater in each showing of Return of the King when Shelob showed up again after Frodo thought he had escaped. The communal experience strikes a chord that you just can’t reach with a couple of people and a TV set.

People who talk through the entire movie aren’t just distracting you from the movie, they’re interfering with that communal experience. There’s only so much theater staff can do, short of kicking people out, but at least we know in the future they’ll get to inhabit a special level of Hell.

Is Fox TV eligible for the “Turning down the Beatles” award yet?

I’ve been slowly working my way through the Comic Cavalcade Archives. I’m determined to read the whole thing, but I have to take it in small doses. Partly the target audience is much younger than me, partly the storytelling (and art) I’m used to is much different, and of course partly it’s a very different time. It was the middle of World War II, and half the stories involved fighting Nazi spies or, in some cases, wreaking havoc in Germany itself. (The Ghost Patrol should have been able to take Hitler out on their own, but they seemed more interested in sabotage and practical jokes.) The original setup for Wonder Woman was that she left Paradise Island to help America defeat the Axis!

The Golden-Age Flash hunt continues. I’m now up to three issues of All-Flash with an issue of Flash Comics on its way. So far I’ve discovered that the Turtle didn’t have a costume the first time he appeared. He was just a guy in a green suit who used slowness against a guy who was used to moving fast. Next up: the original Thorn. I’ve bid on a lot of eBay auctions, expecting to win only a fraction of them. Everywhere else I look online, people are selling collector-grade books at much higher prices. I just want to read the original stories, write down who appears, and scan the occasional panel that I’m going to clean up anyway.

Amazon has finally put a discount on the Golden Age Flash Archives vol.2, so I’ve pre-ordered it. While there I looked around on my wish list and noticed that the Mirrormask DVD page (which still shows the wrong date) is recommending, “Buy this DVD with Serenity (Widescreen Edition) DVD ~ Joss Whedon today!” That seems like an appropriate pairing!

(via Cognitive Dissonance)

And speaking of River, I’m not entirely sure why Summer Glau reportedly “admitted to being a bit freaked out at first by her first comics convention” at Wizard World this past weekend, since she’s been to the last two San Diego Comic Cons for Serenity panels. Maybe the San Diego deals were just showing up for the panels, and not the entire convention?

The MirrorMask theater listing looks like a tour schedule, with the film opening in a few more cities each week. Unfortunately, at least some theaters that have it now won’t have it by next weekend, so we’re going to have to catch it again one night this week. Then we’ll seek Serenity again on the weekend. Somewhere in there we’ll find time for the other movies we wanted to see.

We’ve got a more thorough review of Serenity planned…

The good news is that, according to Joss Whedon, it’s purely scheduling. (The original release date put it barely three weeks ahead of Star Wars: Episode III, after all.) “There’s no reworking the end, no reshoots, no ‘does it have to be in space?’”

The bad news: the wait time just doubled. There’s already too little Firefly as it is. Then there’s the question of a Farscape feature film: conventional wisdom has it that studios will be watching to see how well Serenity does before committing to anything. This will probably further delay anything on that front.

*Sigh* Serenity was the main movie I was looking forward to next spring.