K-Squared Ramblings

Links, from the Astronomical to the Surreal

The Value of Space Exploration, via Phil Plait’s response.

Neil Gaiman on The Fairy Feller’s Master Stroke, a painting by a madman that’s inspired its share of stories.

And from Comics Worth Reading, our WTF entry for the day: Paradise by the GoPhone Light. It’s a commercial done in the style of a music video, featuring Meat Loaf and Tiffany as the parents of a kid who wants a GoPhone. Completely surreal, especially once the random explosions start.

It’s just occurred to me that, aside from it being some sort of cell phone, I have no idea what a GoPhone is. [/me types "gophone" into Google] Ah, OK. Pre-paid cellphone. Meh. (And now I’m imagining how much spam is going to get posted to this thread. *sigh* )

The Born Queen

We’ve both finished reading The Born Queen, the conclusion to Greg Keyes’ The Kingdoms of Thorn and Bone. Yesterday we spent the day reading in tandem on the couch: I read book 3, Katie read book 4, and finished within an hour of each other. Determined to catch up, I read 100 pages last night and spent this morning and afternoon reading the final book.

It was well worth the wait.

The series is set two millennia after humans, led by Virginia Dare (explaining where the lost Roanoke colonists went), overthrew the demonic race that had kept them as slaves for generations. Virginia had discovered how to harness the sedos power, essentially magic. The last of humanity’s oppressors warned them that the sedos would eventually destroy their world. Of course, no one believed him.

2200 years later, this corner of the world is not unlike Europe in the early Renaissance. Except that the church is based on the sedos, in the person of saints, and its priests walk the paths to harness the sedos powers.

The world is also beginning to rot. Things of nature are dying, human alliances are crumbling, and terrible creatures thought to be myth are walking the earth. There are several factions who claim that they want to save it, but their true goals are suspect, and their methods differ greatly. The various viewpoint characters are thrust into the middle of things without any real sense of what’s going on: a holter, a princess, a novice priest, a knight, a swordsman, a composer and a queen.

One of the things I find so fascinating about this series (as I mentioned when I first read The Blood Knight) is the fact that everyone is acting on partial information. This makes them screw up, sometimes mildly, sometimes horrifically. And there’s a curveball that comes about 1/3 of the way into The Born Queen that turns everything on its head.

I don’t think it’ll give too much away to say that one of the key struggles in this book is for control of the sedos. Even 100 pages from the end, I wasn’t sure which faction would give the world a better chance of surviving.

Music also figures importantly, starting with the second book, where it’s learned that certain combinations of sound can have a profound effect on the human psyche. I found myself wondering whether Keyes had someone set any of the songs to music.

By the end of The Born Queen, most of the major questions about what’s really going on have been answered. Of course, they’re answered in pieces, by different characters with different agendas. The major characters’ arcs reach (mostly) satisfying conclusions, with some finding what they want, some finding what they need, some doing what needs to be done, and some getting what they deserve.

It’s weird to finally be done with the series, which started around the same time as this blog. The first post that I made that wasn’t “Hey, look! I have a blog!” was a review of The Waterborn and The Blackgod, Greg Keyes’ first novel and its sequel. In it, I mentioned looking forward to The Briar King when it came out.

The Race for Eslen

After working my way through The Briar King in bits here and there, I made time for The Charnel Prince.  I finished the second book Tuesday evening, and I’m currently 100 pages into The Blood Knight.

Meanwhile, I’ve been talking about the books* a lot, trying not to drop spoilers in case Katie might read them at some point in the future.  The night I finished book two, I had come home to find her on the couch, reading the first book.  Since she not only reads faster than I do, but has more time on her hands these days, she’s caught up.

It’s nice to really be able to talk about the books, especially since I remember so little of the one we’re both currently reading.

The funny thing is, at this rate, she’ll probably finish the series before I do!

*Greg Keyes’ The Kingdoms of Thorn and Bone

No Time for the End of the World

Well, my copy of The Born Queen has arrived via UPS, and I’m nowhere near finished re-reading the first three books of Greg Keyes’ The Kingdoms of Thorn and Bone. I’d hoped to start at the beginning of March, but I was in the middle of the Trade Pact books and wanted to finish that trilogy. Then I figured I could read one book each week like last time and be ready at the point that book 4 arrived…and I promptly got swamped with stuff to do at both work and home, so I found myself reading mainly at lunch (and half the time I ended up eating at my desk instead) and in 20-minute chunks. Now I’ve got the concluding novel, but I only just finished book 1 last night, and I’ve gotten only a handful of chapters into book 2.

I’ve enjoyed re-reading them, though, and while I remembered The Briar King quite well, it’s clear I’ve forgotten enough of books 2 and 3 that it will be well-worth having them fresh in my mind.

Now that I’ve got the final volume here, I think I’ll look for more of those 20-minute chunks of time.

Completing the Series

Yesterday I finally had time to finish reading To Trade the Stars, the final book in Julie E. Czerneda’s “Trade Pact Universe” trilogy. Now I’m ready to pick up The Briar King again, since the final book of Greg Keyes’ fantasy quartet, Kingdoms of Thorn and Bone, comes out at the end of the month. When the second book came out, I didn’t reread the first. But when the third book came out, I found it extremely helpful to reread the first two books.

I was hoping to time things so that I’d be done with The Blood Knight just in time to pick up The Born Queen, but I was in the middle of the Trade Pact books and didn’t want to break up the trilogy. Then there was the trip to San Francisco, WonderCon, and New Frontier, and I’ve spent the last 2 weeks trying to post things while they’re still current.

On a related note, I stumbled across Ringworld’s Children in Borders the other day. I read a lot of Larry Niven in college, mostly the classics plus a few from the 1990s, but after The Burning City bored me to tears—I never finished it, which is rare for me—I stopped following his new releases. I’m going to have to return to Ringworld at some point, though.

Authors I Need to Catch Up On

Julie E. Czerneda — read the Species Imperative trilogy in October and was very impressed. To read: 2 trilogies, 1 stand-alone, start of a new series. I think I’ll pick up the first book in the Trade Pact Universe next.

Robert J. Sawyer — read the Neanderthal Parallax trilogy a year or two ago, and more recently Calculating God. Currently reading Mindscan. His work tends to be social science-fiction: if X technological advance occurs, or Y scientific principle is discovered, what impact will that have on society? To read: 9 more stand-alone novels and a trilogy. Could take a while.

Robert Charles Wilson — read Chronoliths, Darwinia and Bios within the space of a few months of each other, maybe around 5 years ago. To read: 10 novels.

Strangely enough, looking them up I’ve discovered that all 3 of them are Canadian.

Also: Two authors I’d really like to see more from:

Greg Keyes — I was introduced to his work through his Babylon 5 novels (back when he was writing as J. Gregory Keyes), then went on to track down his own work. The Age of Unreason cycle is also quite good, and I’ve previously reviewed The Waterborn and Blackgod. At this point, I’ve read every novel he’s published. The Born Queen comes out in March, finishing the 4-book Kingdoms of Thorn and Bone cycle, which means I need to start re-reading the first three books next month.

Neil Gaiman — dark fantasy, mythic fantasy, whatever you want to call it. Discovered through Sandman (yeah, big surprise). My favorite of his novels is probably either American Gods or Neverwhere. Need to track down more of his short stories, though.

I’ve previously mentioned that Gaiman and Keyes are the only authors whose work I’ll immediately pick up in hardcover, no questions asked.

Golden Compass, Tin Man

Saw The Golden Compass. Enjoyed it a lot, though it felt very rushed, and I think it would have benefitted from having the actual ending instead of cutting it off early. Here’s hoping they do well enough in the long run to greenlight the next film. Now I can re-read the books.

Also watched Tin Man. 5 stars for concept, but only 2 for execution. The Wizard of Oz meets The Dark Crystal by way of 1930s scifi was fascinating as a concept, but they managed to make it dull and tedious. The only reason I watched through to the end was it was Friday night, and I was tired enough that knew I wasn’t going to be doing anything useful with the time anyway, and I knew I could sleep in the next morning.

Speaking of Tin Man, just out of curiosity: how does one manage to have a solar eclipse during a full moon, anyway?

Legality Links

Organization for Transformative Works - dedicated to protecting the expression of fan fiction, fan art, etc. (via Naomi Novik)

Open Standards, One Web, and Opera - Just why are standards important, anyway? (via Opera Watch)

Speaking of Opera, their EU antitrust complaint against Microsoft has been making waves. Responses at CSS3.info, Web Standards Project, Slashdot (edit: more Slashdot), Asa Dotzler, Opera Watch, plus a Q&A w/ Haarvard. My take: Good luck on unbundling, but if they can force Microsoft to catch up with the rest of the market in terms of standards support, I’m all for it.

Nissan vs. Nissan. On my way to work I saw a bumper sticker on an XTerra that said “In support of our freedom, it’s my last Nissan.” Huh? There was clearly a web address below it, but it was too small to read at that distance. So I looked up the phrase, and apparently there’s been a long-running dispute over the domain name nissan.com, between a small computer business named after its founder, Uzi Nissan, and the Nissan car company. The dispute was eventually resolved (correctly, IMO, since he has a legit reason to use the name) in favor of the little guy. On the other hand, I don’t see why the site makes such a big deal about Nissan’s “French Connection” to Renault.

Lit Links

Author chosen to finish The Wheel of Time - When Robert Jordan died, he left behind his work on A Memory of Light, the final volume of his epic fantasy series, The Wheel of Time. His wife & editor has chosen Brandon Sanderson to complete the book, due out in 2009. Jordan was part way through the manuscript, left voluminous notes, and in the months before his death had told the remaining story to his family. There’s also an interview which I’ll have to read when I have more time.

Epic Pooh - Michael Moorcock on the state of fantasy literature, originally written in the 1970s but updated for the 21st century. The title comes from comparing the style of Lord of the Rings to Winnie the Pooh. I have no problem reading and enjoying both his work and Tolkien’s, and it doesn’t bother me that Phillip Pullman dislikes Tolkien’s work as well. (Link via something I was reading a few days ago.)

The Happy Endings Foundation - “originally founded in 2000 by Adrienne Small after she read the first book in A Series of Unfortunate Events by Lemony Snicket to her daughter. As well as making her feel thoroughly miserable, Mrs Small noticed her daughter seemed to take a more negative approach to life.” (Yes, it’s satire.)

And on another note:

Hixie’s Natural Log: Evolution in the species “Companies” - Microsoft’s dominance of the industry has killed off or absorbed many smaller companies. Those that have survived are those with strategies resistant to Microsoft’s tactics. The article looks at Mozilla, Google, and Apple. (via Asa Dotzler)

Beowulf (in 3D)

Went out and saw Beowulf yesterday. The IMAX 3D* showing was packed.

The computer animation managed to avoid the uncanny valley most of the time. The previews at Comic-Con looked very strange, but either the presentation helped immensely, or they’ve been refining it since they put those clips together. Movements are dead-on (it’s all motion-capture) and even facial expressions have gotten really impressive. (There’s a sequence at the end which is entirely two characters looking at each other, and it’s all expressions). And when it did slip into characters not quite looking human, the story was usually engaging enough to keep it from being too distracting.

They clearly had a 3D presentation in mind when blocking out shots, because they took great delight in tossing spears, arrows, and the occasional hapless Dane at the audience.

I found myself comparing it to Lord of the Rings in a few places, which isn’t surprising, since Tolkien was quite familiar with Beowulf. I’m pretty sure the Denmark of this period is the source culture for the Rohirrim, as well (both in the books and in the Peter Jackson films), so it’s appropriate that Heorot gives off a vibe of Edoras gone horribly wrong.

The monsters are impressive. Grendel is about as disgusting as can be, his mother literally radiant, and the dragon is a majestic gold, looking more like raw metal than scales. The designs of Grendel and the dragon are used well to reflect the contrast between Hrothgar and Beowulf: one decadent and slimy, one still heroic even in his old age. The initial attack by Grendel gets confusing pretty quickly, and the later confrontation devolves a bit into virtual wire-fu, but the battle with the dragon is suitably sweeping (though I had a few problems with the dragon’s heart).

I liked that they used Old English in a few places (Grendel’s dialog, and later, the play in which actors recount the tale of Beowulf’s encounter with Grendel), though I’m not familiar enough** with the original to know whether they kept lines verbatim.

Someone at the theater had made a whole bunch of these cardboard shields and set them along the hallway to the IMAX theater.

Edit: I did finally see 300 last month. I liked Beowulf better. I think the main thing is that 300 was positioned as a historical epic, so when it went over the top (”This is SPARTAAAAA!!!!!”) it seemed really over the top, while Beowulf is set in the epic fantasy mode: monsters, giant sea serpents, demons, dragons, etc., and the movie is in part about the nature of heroic tales and how they get embellished over time. So when the hero splits a sea serpent’s neck all the way down with his sword while falling, or boasts that “I am BEOWULF!!!” it fits.

*The theater gives what can only be described as a sales pitch for how great the IMAX presentation is going to be, which is kind of strange since by the time they give it, you’ve already bought your tickets and sat down inside. It reminded me of the Weird Al song, “Frank’s 2000″ TV” (though if my calculations are right, it’s only 1077 inches) and when they started bragging talking about how many thousands of watts of sound they had, we both started giggling.

**I took a class on Old English in college, which focused on vocabulary and shorter works. Unfortunately I didn’t have time to take the second quarter, which was entirely Beowulf. I did eventually pick up a book that presents the original and translation side-by-side, but I have to admit I haven’t gotten around to reading it.

Temeraire Flies Again

I just found out that Empire of Ivory, the fourth book in the Temeraire series by Naomi Novik, came out today!

The series takes place in an alternate version of the Napoleonic Wars in which dragons exist, and are used in warfare. This results in an odd mix of naval battles and aerial dogfighting, with full human crews carrying bombs, guns, etc. Dragons bond with the first human they see (not telepathically, like in the Pern books, just emotionally), so captains in the Aerial Corps are given quite a bit of leeway—though the entire Corps is considered rather unsavory by the general public.

It focuses on naval Captain Will Laurence, who captures a French vessel just as an egg is ready to hatch. The dragonlet Temeraire imprints on him, and he is whisked away from the sea and into the world of air warfare. (Think of it as Master and Commander with dragons instead of ships.) During the first 3 books they go through training together, travel to China to discover Temeraire’s heritage, and find themselves called back to Europe in the thick of the war.

Our friend andrea-wot lent us the first three books last year, and we both really enjoyed them. In fact, Naomi Novik has joined the short list of authors whose new books I’ll pick up sight unseen (currently sharing that spot with Neil Gaiman and Greg Keyes), though for some reason I thought this one was coming out in October. I’m definitely going to be stopping by Borders or Barnes & Noble tomorrow to pick this up. If you’re at all interested, I highly recommend picking up the first book, His Majesty’s Dragon (in the US; in the UK it’s just called Temeraire) and giving it a test flight.

WOT’s up with New Spring?

Dabel Brothers Productions has been much in the news this past week, between parting ways with Marvel Comics and landing a deal to adapt Dean Koontz’ work to comics. I first encountered them in 2005 when they produced the comic book adaptation of New Spring, the prequel to Robert Jordan’s Wheel of Time series.

That series was published through Red Eagle Entertainment, a company which appeared out of nowhere and seemed to have only two properties: comic book rights to New Spring and movie rights to Eye of the World. The comic started strongly, but delays led to the series ultimately getting canceled after only 5 issues of a projected 8. Red Eagle and Dabel Bros. each blamed each other.

There’s been very little information over the past year. Dabel has gone on to produce high-profile series like the Anita Blake comics, and Red Eagle has all but disappeared. (Even their website has removed everything but a logo and an email address.) I’ve just assumed it’s still been in arbitration or something.

Finally, yesterday, Robert Jordan posted some cryptic comments about his frustrations with Red Eagle:

For instance, I hear that word was floating about ComicsCon in San Diego that I am displeased with Red Eagle. Too true. Too very true. In a few more months that last contract they have with anyone on God’s green earth that so much as mentions my name will come to an end and we can see what happens after that. You see, among other things they forgot an old dictum of LBJ back when he was just a Congressman from Texas, when he famously, or infamously, said “Don’t spit in the soup. boys. We all have to eat.” Worse, Red Eagle though they could tell me they spit in the soup, or pee in it, if they wanted to and there wasn’t anything I could do to stop them. You can’t apologize your way out of that with me, not that they tried. There isn’t enough money in the world to buy your way out of it with me. Not that they tried that either. So they get no further help from me. Once they are completely out of the picture, we’ll see what happens.

So in a few months, all of Red Eagle’s WOT contracts are up. That’ll free up the movie rights, and while it may not resolve the contract dispute with DBPro over New Spring, there might not be much left of Red Eagle to block them from finishing the book. On the other hand, Dabel Bros. has plenty of other projects keeping them busy, so it might not be a high priority for them.

I am encouraged by the fact that DBPRo has gone through several site redesigns since the breakdown, and hasn’t dropped the New Spring section from their forum.

Spam from the Third Age

I’ve held off on posting funny spam subject lines lately, but I just had to comment on this pair. First up:

Mazrim Taim was one of those, raising an army and ravaging Saldaea before he was taken.

It’s a quote from Lord of Chaos, the 6th book in Robert Jordan’s fantasy series, The Wheel of Time. The next one is a bit less obvious:

If Lan was attempting jokes, however feeble and wrongheaded, he was changing.

I wasn’t sure about this one, since there must be other stories with characters named Lan, but Google Book Search found it in book 5, The Fires of Heaven.

I’ve seen lots of spam that used filler from The Wizard of Oz and other novels old enough to be in the public domain. Project Gutenberg and the like have been transcribing them, making free plain-text ebooks for years, making it easy to snag a couple of lines of actual English text.

In theory this should be harder to identify as filler than randomly-generated text. Read the rest of this entry »

Stardust is Good

Went out to see Stardust with a group of friends, and we all enjoyed it. People have been comparing it to The Princess Bride, and it’s an apt comparison: both are light-hearted fantasy adventures with a love story at the heart. Stardust takes itself a bit more seriously, though there’s plenty of humor.

The concept: Three groups of people pursue a fallen star (in this world, a woman). Tristran wants to bring the star back to impress a girl. The cruel princes of Stormhold are seeking the necklace she wears; the one who claims the gem claims the throne. The witch Lamia wants to cut out her heart to restore her own youth for another 400 years. Tristran gets there first, but has to bring her back without the more malicious seekers reaching her.

There’s swordplay, magic, betrayal, comedy, and romance. Michelle Pfeiffer throws herself gleefully into her role as the witch Lamia. Prince Septimus oozes slime as a cross between Prince Humperdink and Professor Snape. And Robert De Niro’s Captain Shakespeare is… indescribable. Charlie Cox as Tristran and Claire Danes as Yvaine (the star) manage to hold their own with the impressive cast of villains and supporting characters.

I was the only one of the four who had read the original novel by Neil Gaiman and Charles Vess, but for the most part I didn’t mind the changes. I did think the climactic battle got a bit overblown after a while, and I really missed one aspect of Una’s character which is revealed near the end of the book.

On a related note, it seems that in the last 3 weeks, the movie “adaptation” (and I use the term loosely) of The Dark Is Rising has been retitled as The Seeker: The Dark Is Rising, probably reflecting how far it seems to have strayed from the source material.

Stardust does it right: change the details, or even the structure if you have to, to make it work in a different medium. But stay true to the heart and spirit of the book.

Isn’t it Grand?

Yesterday, I submitted my first issue index to the Grand Comics Database. Today, they accepted the record for Tales of Tellos #1. One of my goals for the weekend: index the rest of the mini.