K-Squared Ramblings

Smilers in Concert

Went to see Aimee Mann on Friday at the House of Blues. She’s promoting her new album, @#%&*! Smilers (and yes, it’s pronounced as you might expect, though she also gave an alternate pronunciation of “Effing Smilers”), which just came out last week. Of course, this meant that most of the audience either hadn’t heard the new songs, or had only heard them a few days before. Old favorites like “Save Me” tended to get cheers as soon as people recognized the intro music. With the new stuff, people were quieter, as if they were waiting to hear the song for the first time. But they all got applause in the end.

In the past, when we’ve gone to the Anaheim House of Blues, we’ve tried to eat at Downtown Disney. It always proves problematical, with restaurants either not taking reservations for parties of two or not having any reservations left. This time we just at near home and drove up after dinner. We got there after the doors opened, but before most of the audience arrived, and managed to claim a spot dead center in the main floor, much closer than we’d ever been to this stage.

The opening act was Rebecca Pigeon. She was quite good, and a good match stylistically. (Too often, you only get one — or neither. We still joke about “Corn Mo” who opened for TMBG a few years ago.) She started with “Tough on Crime,” which Katie figures has to have a Heroes video in it somewhere. Interesting fact: it turns out she’s married to David Mamet.

By the end of the opening act, the house had filled up considerably, and was respectably packed by the time Aimee Mann took the stage. Read the rest of this entry »

Tori Amos Comics & Concert

Now this is cool: Image Comics will be releasing a graphic novel anthology with stories based on Tori Amos songs next summer! And Colleen Doran is illustrating one of the stories! (Her blog is where I heard about it.)

We went to Tori’s concert on Saturday at the Grove of Anaheim. The standing-room show was good, though there were some snafus getting to it, made worse by the fact that they opened the doors about 45 minutes late. So late, in fact, that they gave up on security checks and just started letting people in. By the time it started moving, the line snaked all the way along the side of the theater and down at least one side of the (rather spacious) parking lot.

Her current album, American Doll Posse, is based around a fictional quintet of singer/songwriters, each based on a different facet of her personality, and she performed as three different personas: Pip, Santa (no relation), and Tori. Which should have been more fun, but there was just a bit too much self-parody in the performance.

She brought a band again, which I think helps keep her from the slow-everything-down tendency she showed on the Originial Sinsuality tour (Katie calls it “elf disease,” after the way the elves of Lothlorien speak in the Lord of the Rings movies). Except for an endless vamp at the end of “Waitress,” this concert moved much more than the last two we’d seen.

It was good to hear stuff from Choirgirl Hotel again. It’s been notably missing from the last few concerts we’ve been to. And there was a surprising amount of stuff from her first two albums as well. (Full set list at Undented.)

I’ve seen Tori in concert 6 times: Once in 1999 at Irvine Meadows, when she toured on a double bill with Alanis Morissette, twice on the Scarlet’s Walk tour from 2002-2003 (Universal Amphitheater & the Pond), twice on the Original Sinsuality tour in 2005 (Royce Hall & the Greek), and this show at the Grove. My favorite was the Scarlet’s Walk tour. I reviewed the Universal show during the first few months of this blog, though I don’t seem to have written anything about the one at the Pond.

Update: The Beat has more on the comic project, including a title, Comic Book Tattoo and additional contributors.

The Weird…

Last night we went out to the Orange County Fair to see “Weird Al” Yankovic in concert (the Straight Outta Lynwood Tour). I don’t remember how we managed it, but we got tickets for the fifth row, putting us about 10 feet from the stage. We were off to the side, maybe 20–30 feet from Al’s microphone, but still, it was the closest we’d ever been at a stadium concert.

(Being off to the side put us right by the speakers, which was an odd experience, as the drum beats resonated at the frequency of the human ribcage. On percussion-heavy songs, it was sort of like having an audio pacemaker.)

As always, he put on a fun show. If you haven’t seen him in concert before, all the major songs are done in full costume, with comedic video clips (mostly from his mid-1990s TV show) running between sets to allow time for costume changes. In the middle of the show, he always does a medley of other songs, just to get as much in as possible into a 2-hour concert.

As for being near the front, thankfully he didn’t come to our section for the audience-walk during “Wanna B Ur Lovr,” (a truly annoying song). We did get covered with red and white streamers at the end of “Canadian Idiot,” and (speaking of Monopoly money) fake $100 during “I’ll Sue Ya.”

One surprise: A couple of minutes into “White and Nerdy,” he suddenly stopped, said, “There’s no reason to do this song. Radio, Radio”—and the band proceeded to do a straight cover of Elvis Costello’s “Radio, Radio.” During the encore, he explained they’d had some technical difficulties, and did the song from the beginning (though without the costumes and the Segway).

Another surprise: He performed “Albuquerque.” All 10 minutes of it. *shudder*

After the concert we explored the fair a bit, then left to go to Borders to pick up Harry Potter, leading to the second part of this story…

For now, I’ll leave you with this final thought: We all have cell phones, so come on, let’s get real.

Lightning Storms and Aimee Mann

We drove up to UCLA last night for an Aimee Mann concert, and somehow, despite all the rain on the way up and back, we managed to not need our umbrellas at all.

The concert was great, and very different from the last concert we saw at Royce Hall just by virtue of having a full band behind her (Tori Amos performed solo last time we were there). It was also very different from the last time we saw Aimee Mann, at the House of Blues last summer. For one thing, she was focusing on songs from her new album, The Forgotten Arm.

It was also much more interactive than either of the other two concerts. What stuck in my mind was the request section. She had everything set up so that people would write the request on a piece of paper and leave it on the stage, but when she got to the break, people were shouting out titles. One guy came prepared with what looked like a balsa glider and wrote his request on that, adding that it was his birthday. I don’t remember his request, but she improvised “Happy birthday to the paper airplane man.” I’ve seen singers who get talkative, and singers who improv silly songs, but it really felt like the house was much smaller than 1800 people. (Of course, you could still make a drinking game out of the number of times she says “Thank you so much” after a song.) Read the rest of this entry »

Original Sinsuality

I was going to write a review of last night’s Tori Amos concert at the Greek Theater, but I realized I already wrote most of it about the Concert at Royce Hall back in April.

We got tickets for this one because it was a new tour, and we figured there was a chance it would be a different type of concert. Eventually it became clear from her newsletter that it was going to be the same type of show—just her, a piano, two organs and a synthesizer—but hey, we liked the last one, and we already had the tickets!

As it turned out, it was the same type of show, but a very different selection of songs. I tried to write down everything I remembered her playing last night, and compared it to the list from the last concert, and there are only 5 songs in common, all from the new album!

Some of the interesting bits: Read the rest of this entry »

Tori Concert: Back to Basics

Two weeks ago (April 25, specifically) we went to a Tori Amos concert in LA. It was a vastly different experience from the others we’ve been to. You see, she started out as basically her and a piano, and each album has added more and more layers of instruments. It always reminds me of a scene in Death: The Time of Your Life (Neil Gaiman has been friends with Tori since she was working on Little Earthquakes) in which Foxglove’s manager(?) is explaining that as she gets more popular, they have to book bigger and bigger venues, and beyond a certain size just a girl and her guitar isn’t going to cut it: she needs to hire a band.

Well, the “Original Sinsuality” tour provided some clues going in: It was a short tour, the venues—in this case UCLA’s Royce Hall—were comparatively small (which is why the show sold out in 10 minutes), and it was named after a “quiet Tori” song. She dispensed with the band entirely. It was just Tori Amos, a grand piano, two kinds of organs and another keyboard I couldn’t quite identify. We heard songs you never hear in concert (“Yes Anastasia,” “Doughnut Song”) or wouldn’t expect to (“Toast”), even when she takes a break from the band and does a piano set.

So, onto a review: Read the rest of this entry »

Hazard. Trip Hazard.

While the stage hands were setting up for the Alanis Morissette concert last night, we noticed a sign on the stage that looked like this:

As far back as we were sitting, we couldn’t read the words, (although “Caution” was obvious, and since it was next to a bundle of cables and showed an off-balance stick figure, the meaning was clear) but it stayed up during the show, and eventually the cameras caught it in the background, and we could read it.

At that point, or possibly after the end of the song, I leaned over to Katie and remarked, “You know, ‘Trip Hazard’ sounds like a good name for a band. Or maybe an action hero.” She replied: “Can you imagine Trip from Enterprise in a superhero costume?”

And there was much laughter.

To hell with the concert plans

The Orange County Fair usually has some pretty good concerts lined up. Last year, they were all free with admission, but this year, they opened up a separate venue and kicked up the price. Tonight it was Joan Osborne and Melissa Etheridge, which was a very cool concert. The volume got turned up too high too fast, but each of them put on a good show. I have to say, Melissa Etheridge has the most expressive face I’ve seen on a vocal performer in a while. They had two huge HDTV screens showing whatever the cameraguy of the moment was focusing on, and when it was on her, she could get a round of screaming out of the audience with just one note and an eyebrow. This concert made me sorry I didn’t pick up any more of her CDs during the big Wherehouse closeout a few months ago. Ah well, there are sales ahead….

The title of the post, by the way, is a misheard lyric from “I Wanna Come Over;” the real line is “To hell with the consequence.” We ran into another opportunity for humor during “Bring Me Some Water” when Kelson pointed out that not only did she already have a bottle of water, but someone had put it in a little holder on the mic stand–which was visible on the video screen. Of course, my brain started writing alternate lyrics. (Apologies to all necessary parties, including those of you who don’t know the song.)

*****

Somebody brought you some water
Can’t you see it’s there on your stand
You took it off the stage, right there at the front corner
A minute ago, with your hot little hand

Somebody brought you some water
Think I saw you sippin’ before
The music’s got my mind, and the music’s got my soul
But tonight I think logic, I think logic’s out that door

*****

Side note: They have some damn yummy fruit at the Terri’s Berries booth right by the theater. Must remember this for the Alanis Morissette concert in two weeks.

Interesting compliment #24

Driving back from the Tori concert, fortified with Frappuccinos, we were trying to figure out the distribution of songs per album. Kelson commented that there were several from singles, and that she could probably release an album of just B-sides and have it sell well, which prompted us to start naming all the B-sides we could. At one point we were stuck, and then we came up with her version of “Smells Like Teen Spirit.” I started singing the chorus, Tori-style, and a few seconds after I stopped, Kelson said, “You know, it just proves how out of it I am……right after you started, I was about to try to turn up the volume.”

I definitely need to sing more.

Concert(ina)

Tori Amos concert last night - second in two weeks at the same theater. It was interesting to compare the differences in the two shows. Security, for instance: at the Counting Crows show, security consisted of shining a flashlight into people’s purses and bags as they walked in. At the Tori show, everyone also had to walk through metal detectors. (As Katie pointed out, Adam Duritz probably hasn’t had problems with stalkers.) Another change was that the Tori concert had video screens to zoom in. The most interesting difference was that last week’s not-quite-a-mosh-pit up front was filled with rows of seats.

It was a very good concert, even if the sound balance made it hard to understand the already difficult-to-hear lyrics (although this has been true of just about every concert I’ve ever attended, with the exception of Weird Al at the Greek Theater). She was set up in the center stage with a grand piano on one side and an organ on the other, close enough that she could just sit on one bench and turn around to switch quickly - something she did on several songs. On a few of them, she actually would play the organ and piano simultaneously, one hand on each! Behind her and to each side were her guitarist and drummer.

She had a good mix of songs from Read the rest of this entry »

Exhaustion

Went to the Counting Crows concert last night. Good concert, even after their drummer disappeared partway through the show due to an unspecified medical emergency. They improvised acoustic versions of several songs, then brought on the drummer from Toad the Wet Sprocket (who opened for them) and the ex-drummer from Cake (who I guess just happened to be there) to finish the set. Still no news of what actually happened, or even whether it was Ben or a friend/relative of his.

Oh, and I’ll have to get Katie to post the fish quote.

Unfortunately it took a half hour just to get to the car afterward, so we didn’t get home until one in the morning.

I’m on my second large coffee…