I finally made it to a Westercon! It’s been years since I’ve been to a general science-fiction/fantasy convention. The last one was WorldCon/LACon IV in 2006, but I was distracted by a summer cold and lots of DayQuil. Before that was the last Loscon I attended in 2002. So while I remembered how this sort of event is usually run, I wasn’t sure what to expect.

A Bit of Background

Westercon is a fan-run convention that travels around the western United States and Canada, similar to WorldCon on a smaller scale. It’s usually held during the Fourth of July weekend. This year it was held in Pasadena, California, and combined with the filk convention ConChord 23 to form WesterChord, Westerconchord, or simply Confirmation.

I’ve been to a couple of Westercons, but not anything you’d call recent. I remember attending one in San Diego and one in Anaheim, having a dinosaur-themed T-shirt from one year, and picking up a particular issue of The New Teen Titans in San Diego, so I think the two I attended were San Diego in 1986 and “Conosaurus” in Anaheim in 1989. Yes, it’s been twenty years since my last Westercon!

Location

I had no trouble finding the Pasadena Hilton, but getting inside was a little tricky. The entryway was under construction, so they were routing people through one of the ballrooms, which had been set up for some sort of banquet. (More about that later.) The hotel was vaguely familiar from my memories of Loscon in the 1980s, but has been remodeled to add a coffee shop and a restaurant in the middle of the conference center. The Starbucks was most welcome, though the con was good at making sure pitchers of water and plastic cups were available in each panel room and the main hall.

Since I was only there for the day, I didn’t explore the area looking for restaurants or other activities. I just relied on Starbucks and the ad-hoc pizza, sandwich, pastry and salad counter that had been set up across the way.

Anyway, I found registration easily, but the onsite sign-up forms were on a table behind a planter. I wasn’t the only one who walked straight past them.

Impressions

It was a much smaller convention than I’ve become used to in years of attending the big comic-book events like Comic-Con International, WonderCon, and Wizard World. Even Long Beach Comic Con pulled in 6,300 people its first year, but I’d count the attendance here in the hundreds.

Attendees were also older than Comic-Con on average, mostly 50+ rather than mostly around 30. Certainly there were plenty of younger fans at Westercon, and there are plenty of older fans at Comic-Con, but there does seem to be a generation gap of sorts between the two types of conventions, at least in the southern California area. At least this con seemed more alive than the last few Loscons I attended — and a lot less bitter!

Maybe it’s the literary focus. LASFS has always been very book-oriented, and there were a lot of writers among the con guests. One of the book dealers even had an entire shelf set aside for books by authors who were guests at the con.

Dealers and Art

The dealer’s room was dominated by books. I spent a lot of time looking through the used books and old fanzines, though I walked away having bought only a couple of early Robert J. Sawyer novels. There was also a lot of music, with one booth focused entirely on filk, and a lot of jewelry.

Then there were the costumes, where I discovered a renaissance-style doublet inspired by the Flash. It was way out of my price range, and I’m not sure when I would actually wear it, but it was incredibly cool!

The art show had the usual collection of fantasy– and science-fiction–inspired drawings and paintings, with one wall fully taken up by jewelry & sculpture. I suppose that’s typical, but with the size of the room, it ended up being a larger proportion than usual.

Panels

The panel rooms were extremely small, but there were a lot of different tracks of programming. That was in part because some of the panels were really talks by one person.

I ended up catching three panels over the course of the day. First up was “Blurring the Lines of Genre,” focusing on cross-genre works like crime noire/dark fantasy. The panelists were Stephen Blackmoore, Seanan McGuire, Tim Powers and Marv Wolfman. Its stated topic was what makes some genres work well together and others not, but it quickly turned into a discussion of defining genres, and defining mainstream, and the differences between genre fiction and “MFA fiction” (i.e. fiction written by and for people pursuing or holding Masters of Fine Arts degrees). Tim Powers & Seanan McGuire are a lot of fun to listen to. Tim Powers has this dry wit, and Seanan McGuire tends to pull in crazy ideas from all over the place.

Powers’ suggestion of pulling well-known movie titles (regardless of genre) out of a bucket and combining them sounds like it would make a great writing game. “It’s Gone with the Wind meets Psycho!” Come to think of it, choosing good or funny combinations would make a good Twitter game.

I was hoping to catch a panel with Larry Niven and Jerry Pournelle. Unfortunately, the first one they were on, about the basics of writing, was full by the time I got there (I shouldn’t have grabbed lunch when I did). The second was called, “Is there any science in science-fiction?” The title was so loaded I didn’t want to go near it with a ten-foot pole. (Similar panels on the schedule included “Global Warming: I’m skeptical of poor scientific practices, are you?” and “Remakes – are they necessary anymore?”)

The second panel I went to, “When is Perfection OCD?” was supposed to be about figuring out when to stop revising a creative work and just release it into the wild, but it turned into artist Marc Schirmeister’s reminiscences about working in animation: personality conflicts, studio politics, pranks. There were only a dozen people in the audience to start with, and a third of them left once topic drift set in. Two things I took away from that original topic:

• Professional work is still personal…for someone else.
• Yes, you should polish your work…but don’t beat the life out of it.

I hit the last panel mainly out of curiosity: I wanted to know what Transreal SF was. The short answer is that it’s a way of combining autobiographical concerns and science-fiction tropes, as coined by author Rudy Rucker. I arrived a couple of minutes late, which unfortunately gave me a bad first impression of him because he started the panel by reading from his 1983 Transrealist Manifesto [PDF], which came off as a bit pretentious, but once he finished and started just speaking, he seemed much more personable, and the rest of the talk was very interesting.

Some panels I would have liked to check out on other days covered topics on creating fantasy worlds, past visions of the future, and especially a discussion by Tim Powers and Harry Turtledove on historical fiction. Rudy Rucker also had a talk on Sunday on New Futures in Science-Fiction, which fortunately he’s put up on his blog, so I haven’t completely missed it.

Funny thing: without planning, I ended up attending panels with three of the four guests of honor!

Leaving

Remember the under-construction entryway? By the time I left around 6:00, it had been finished and re-opened. There were several women and girls in formalwear — by which I mean modern formalwear (historical outfits, especially Victorian, Regency or Renaissance, would definitely have been there for the con) — standing around near the registration area. As soon as I noticed that the hand-drawn exit signs pointing into the ballroom were gone, I realized they must be here for whatever was going on in that ballroom. I wonder what they thought of the T-shirt crowd and the tables promoting lunar exploration?

So I bought a Saturday ticket, drove out for the afternoon, and had a much better time than I expected.

Photos are at Flickr if you want to jump straight to them.

Arrival

For those not familiar with the area, the Anaheim Convention Center is literally across the street from Disney’s California Adventure. There isn’t much in the way of public parking in the area that isn’t attached to a shopping center, a hotel, or Disneyland, but there was plenty of room in the convention center parking structure. Of course, it took more than 10 minutes to get into the structure — longer than I spent on the freeway!

There were two events at the convention center this weekend: Anaheim Comic Con in Hall D, and a Specialty Coffee event in Halls B, C and E. I was half-tempted to find out whether the coffee event was open to the public!

Main Floor

The first thing I saw when stepping onto the main floor was the Red Mist car from Kick-Ass (which opened this weekend). The second thing was the Suicide Girls booth. The third was a long line of people waiting for an event.

There was the usual mix of collectibles dealers, comics dealers, artists, celebrities, the ever-present giant T-shirt booth, prop & costume exhibits, fan groups, etc. There was a heavy Star Wars fan presence (more about that later). The one that really surprised me was the bar that had been set up next to the food service area!

The weird thing: There was virtually no industry presence. I’m not sure I saw a single comic publisher booth. In the battle between C2E2 and Wizard, the publishers came down solidly on the side of C2E2, not even bothering to send a token delegation to Anaheim. It can be done. Last year, DC did full-up DC Nation panels at both WonderCon (California) and MegaCon (Florida) the same weekend.

Space!

Compared to WonderCon two weeks ago, the main floor seemed bigger, but took less time to explore. Judging by the floor plans, the area actually used looks about the same, but the breakdown was different:

• Registration was handled at the front of the hall, not in the lobby or another room.
• The back was blocked off for staging.
• There were lunch tables at one side near the food service. (This was sorely missing at WonderCon!)
• Artist’s Alley was quite a bit smaller.
• The celebrity autograph area was huge.

It was probably comparable to the last Wizard World Los Angeles, except that I remember a lot of empty space at that con, a bigger Artist’s Alley, and a smaller celebrity area. I’d actually guess that the celebrity area at this con took up about 1/4 of the floor space!

One annoying thing: the main floor was at one end of the convention center. The programming rooms were at the opposite end. Because of the coffee con in between, to get to the panels, you had to go outside, then walk along the entire length of the convention center, then go back inside and up to the second level.

Star Wars and Batman

The Star Wars presence was probably a mix of two things: 1. Regional groups aren’t going to Chicago. 2. It’s the 30th anniversary of The Empire Strikes Back.

That included groups such as the 501st Legion, the Saber Guild, LA Jedi, and a group that builds working droids.

The Sabre Guild had a prime spot near the T-shirt booth and had set up a ring to perform mock lightsaber battles and demonstrate other skills. Sort of like a mix of fencing and tall flags with lightsabers. They also had music from the movies playing continuously all day, broken up occasionally by the disco version of the Star Wars theme. There were a couple of really good Aayla Secura costumes in that group, and a little girl wearing a Republic Jedi costume who at one point added a Hit-Girl mask and wig and posed in front of the Kick-Ass car.

The other big costume theme was the 1960s Batman TV series — almost certainly because the con had brought together much of the show’s cast, including Adam West, Burt Ward, Julie Newmar, Yvonne Craig and Lee Meriwether, and the Batmobile.

The Sexy

Because of the light industry presence, there weren’t many in the way of booth babes. The Evil Cheerleaders seem to be everywhere these days, plus there were cheerleaders for a energy drink called Bite Me. I was surprised at how many kids were posing with them, actually. Suicide Girls had a big presence, with at least a dozen models, and there was a dance troupe (the Purrfect Angels) who dressed in skimpy versions of super-heroine and sci-fi costumes and danced on a raised stage next to the lunch area.

Then there was the booth placement in the celebrity area, where a pair of 14-year-old girls who had written a science-fiction novel were placed next to a bikini model. Way to send the kids a message, Wizard.

Gollum vs. Uhura

Late in the day, I was walking by where a man dressed (if you can call it that) as Gollum was crawling around, mewling about “My Precious” and showing off a DVD of an independent film with that title. This was at the corner of the celebrity area, where Nichelle Nichols was doing a signing. He crawled into her booth, jumped up on the table, started showing everyone “My Precious,” then turned toward the Star Trek actress. She yelped and started hitting him with a plastic water bottle, at which point he took a dive off the table and tumbled onto the floor, then scurried off.

He did pretty much the same thing with the judges’ table at the costume contest that evening.

Costume Contest

The costume contest was more organized than the one at the last Wizard World LA, though nowhere near as formal as, say the Comic-Con International Masquerade. Most contestants simply walked in one door, past the judges, and out the other. Actually, a lot of them early on hadn’t been told to pause so that the judges could see! A few had prepared simple routines, or at least speeches — including, as I mentioned, Gollum, who made the biggest impression. Some other stand-outs (some for craftsmanship, some for attitude) included Count Chocula, the Angel of Death from Hellboy II, Doctor Octopus, and Silk Spectre.

As I was going through my photos, I found it interesting that I had actually run into a lot of the winners out on the floor: Doctor Octopus, Gollum, Silk Spectre…

Food in Anaheim

Concession stands line the edges between the exhibit halls: coffee, sandwiches, tacos, etc. I only had the coffee, which was decent, though the clerk warned us to use the swizzle sticks and not the spoons, because they might melt! All of the hotels in the convention complex have their own restaurants ranging from casual dining to somewhat more expensive places like Morton’s. The Hilton also has fast food including a Starbucks, Sbarro, Baja Fresh, and a smoothie place.

Across the street you can find standard fast food like Subway. The Ramada has an Indian restaurant with a lunch buffet. If you walk around Disney’s California Adventure to the west, you can get to the Downtown Disney shopping center. If you walk east along Katella, you can get to the Anaheim Garden Walk, which has a few mid-range chain restaurants (California Pizza Kitchen, P.F. Chang’s, etc.) and a food court that’s currently running at half capacity. Unless your name is Barry, Jay, Wally or Bart, figure on about 20 minutes to get there. The blocks are large and the traffic signals are long.

Tip: If you plan to cross the street, go out to Katella along the convention center first, not out to Harbor through the hotels. It’s just as long, but there are trees and shade.

What If…Comic-Con International?

Assuming the other halls are about the same size as this one, I think the full convention center could probably handle something the size of the Comic-Con International exhibit floor. The main hurdle is that only about 1/3 of the wall between each section is actually removable (the middle section is permanent, holding the concession counters). Sure, it would make it easy to divide the main floor up into themes — one section for comics, one for movies and TV, one for games, etc. — but it would also create bottlenecks.

I didn’t get a good sense of the meeting rooms, since the con only used a couple of rooms, and I don’t remember much from the last convention I attended since the expansion. (It was a WorldCon, and I experienced the whole thing through the combined haze of a summer cold and Day-Quil.)

There is room to spill over into the nearby hotels, though. There are at least four in the same complex, and I know at least two of them have a good supply of meeting rooms and ballrooms. They’re closer to the center than anything in San Diego other than the Marriott, and they don’t require you to cross a busy street or railroad tracks.

Check out my full set of photos on Flickr.

Colleen Doran reports that Tori Amos will be signing the book on Saturday. Tickets for the signing — just 200 of them — will be given to people who purchase the book at the con (limited each day, so that they don’t all go on Wednesday).

She’ll also be on a panel on Saturday from 11:30–12:30. Here’s hoping DC doesn’t schedule a “What’s really happening with the Flash” panel at the same time, ’cause if they do, I’m skipping the Flash news. Someone’ll post it online. (Oh, wait…)

I am so looking forward to this…

I’m putting that off mainly because I need to do make the time to research what I’m going to get. I’ve narrowed it down to a dual-core AMD, but then I have to balance which processor, motherboard, and memory to get.

Also, at this point, I may as well go 64-bit, which is going to mean reinstalling Fedora. Though in theory I should be able to run the 32-bit OS to start with, which means I could do the hardware upgrade one weekend, and the OS reinstall the next.

The other tech upgrade I’m desperate to get is a new phone. While my ideal phone doesn’t quite exist yet, I’d really like something with better mobile internet access than my RAZR V3T — particularly with Comic-Con coming up next month. They’re usually good at keeping you informed of scheduling changes (unlike Wizard World), but now that I’ve got SpeedForce.org, I’d like to be able to do at least minimal blogging from the convention floor rather than waiting until I get back to the hotel. Posting by email doesn’t cut it, and even with the WPhone Plugin providing a stripped-down admin interface, half the time the built-in browser tells me it can’t display the page. I may bite the bullet and pay T-Mobile the extra $20/month for a data plan so that I can run Opera Mini.

On the plus side, I’ve at least found a way to post photos directly using Flickr.

Okay, there’s the usual love-hate relationship between any tourist destination and its clientele. Plus some people get freaked out by anyone in a costume. And sure, some attendees don’t understand basic concepts of hygiene, or bear an uncanny resemblance to the Comic Book Guy. But most of us are normal people (and shower every day). And besides, we’re bringing in all this business, right?

Well, maybe not. The New York Times writes, in an article about Hollywood’s uneasy relationship with the con, that the con is “decidedly low-rent.”

No. 33 on the official tip sheet* lists the grocery chain Ralph’s Market as an alternative to dining out. The Bio International Convention in San Diego, a gathering of the biotechnology industry, with one-sixth as many attendees, produces about double Comic-Con’s $41.5 million in economic impact on the city.

Yes, that’s right. A biotech conference brings the city 12 times as much per attendee as Comic-Con. The city puts up with 6 times the strain on their roads, public transportation, and other infrastructure, for only half the reward?

No wonder they don’t like us.

So here’s a mission for those of you going to San Diego this year: Head down to the reservations pavilion in the convention center lobby at least once, and make a reservation at a nearby restaurant. The Gaslamp District is right across the street from the convention center, so there’s plenty of good food to choose from. Be clean. Be polite. Don’t order the cheapest thing on the menu with a glass of water. Tip appropriately. Overall: make a good impression.

(via Comics Worth Reading)

*Not that I can find this official tip sheet anywhere. Plenty of unofficial tip sheets — heck, we wrote our own a few years ago — but no sign of an official one.

It started after last year’s Comic-Con, when I decided I wanted to go to something a bit less…intense. Last year’s Wizard World LA was nice, but a bit sparse, so I went looking for more comic and general sci-fi/fantasy cons within driving distance of the LA/OC area. Surprisingly, I didn’t find much. Gaming conventions, costuming conventions, Anime Expo, sure, but sci-fi? Pretty much just Loscon, which we both gave up on after 2002 (and from what I’ve heard, hasn’t picked up again). I asked around a bit on some forums, and someone on either Comic Bloc or Newsarama suggested WonderCon, and suggested considering the city as a vacation destination, not just a place to find a hotel for the con.

Since WonderCon worked out so well, I’m looking at what else might be fun. That’s part of why I did my price comparison last month, and Kevin Standlee’s comments got me looking at WorldCons and the like again. Not for this year, but maybe a few years out.

Looking at all these cons, I realized that beyond a certain threshold, distance doesn’t matter. Only the destination. If it’s far enough away that you have to fly, the only thing that distance impacts is the cost of your plane ticket. Whether your flight is 5 hours or 10 hours*, it’s still going to take up most of a day or night when you factor in dealing with the airports. Everything else, from hotel prices to whether you need a passport, a phrasebook, or currency exchange, is a factor of the destination.

WonderCon, I think, was at the boundary of driving distance from here. We could make the trip out in one day, but it was a lot more fun to break it into stages and make it a road trip. San Diego is at the boundary of commuting distance. We could drive out there in the morning and drive back at night (and I did that with my parents for over a decade), but it’s not practical to do for more than one day. Whereas if I wanted to, I could easily commute to Wizard World Los Angeles 2 or even 3 days. (As it was, we only went for Saturday.)

With two cons in Q1, and San Diego coming up in July, any traveling we do later this year is probably not going to be convention-related. As it is, we’ve talked seriously about three possible non-con vacation spots. But it might be worth casting a wider net for cons in 2009 or 2010.

*Katie and I were talking about this, and realized that it’s probably different if you have kids. In that case, a 5-hour flight probably would be significantly harder to manage than a 3-hour flight.

An open mike at a public event has increasingly become a magnet for people who should not be allowed near open mikes at public events. Audiences have begun to dread that portion of the program and to regard it as the signal that the event they came to see has come to an end. Thereafter, they can either leave (many do at that point) or sit there and cringe as control passes from the person they wanted to hear and goes to some stranger who, but for this opportunity, would never be speaking in front of a real audience and/or to someone of importance.

He goes on to mention the warning signs, like “On behalf of everyone here…” The people who, instead of just asking a question, need to turn it into the longest. public. statement. of. support. evar, as they pontificate about how this show changed their life, or that show inspired their writing, and can you please answer this stats question about my home-made Star Trek Role-Playing game after I read you a poem I wrote aaaaaall by myself?

No, really. I am not making this up.

As an example, at the Serenity panel at the 2005 San Diego Comic-Con, one “fan” took the floor to make a long rambling comment on behalf of fans who lived in Norway, London, England (“Both London and England?” “He’s got multiple personality disorder.”) etc. and explained that they thought Joss Whedon was “the best thing to happen to television since aerosol cheese.” Then he asked some question about the end of Angel and how they should handle some issue with the RPG. Joss tactfully handed it off to another panelist rather than tell the guy flat-out that it was a dumb (or at least inappropriate) question. (We’ve collected some more quotes from that panel.)

But this sort of thing happens all the time.

(via The Beat)

Update: The photo gallery is up!

The Floor

I spent most of the time on the main floor, hunting down back-issues, bargains and autographs. A lot of dealers had brought their bargain bins (some of them, thankfully, alphabetized!), and a lot of them had trades and hardcovers for half-off or close to it. There were also the booths selling high-grade Silver-Age and Golden-Age books, toys and collectibles, and at least two booths selling swords. Yes, swords.

At one point, I overheard two comic-book dealers discussing whether the show was worth it. One of them said that people here tended to be looking for bargains, so it was hard to sell anything else. They agreed San Diego was a better bet.

I’ve been joking that the logo design for this year’s con (see above) was inspired by the gigantic auto show that shared the convention center witl last year’s con. So I was surprised to find a mini-auto show here: Marvel-themed cars, including Iron Man and Punisher SUVs.

There was a stage set up for Guitar Hero. At one point, I noticed the music was Metallica’s “Enter Sandman.” It seemed appropriate.

Costuming

There weren’t quite as many people in costume as I saw at WonderCon last month (also a Saturday). But there was a large contingent of people in Jedi costumes, some of whom seemed to be sparring with lightsabers every time I walked down the right edge of the dealers’ room. And there were Imperial Stormtroopers directing traffic, making sure people could find the one large panel room that was half-way to the other end of the convention center.

They held an informal costume contest at 1:00, with winners chosen by applause volume. To avoid interference from the “awwww” factor, they held two: one for kids, and one for adults. The kids’ entries consisted of two groups, one of DC characters (Robin, Harley Quinn, and someone else), and one of Star Wars characters (a Jawa, Leia, and someone else. Gee, my brain’s really working here). The Star Wars group won handily.

The adult costume contest had closer to a dozen entries, and came down to two: A very detailed, complicated Optimus Prime, complete with working taillights and light-up Creation Matrix, and a pair dressed as Mario and Luigi. The Mario Brothers won. (IMO, Optimus Prime was robbed.)

The weird thing is that the prizes for the kids’ contest were the same as the prizes for the adult contest: mini-statuettes and busts of characters like Hulk, Venom, etc. I can’t imagine the two-to-six–year-olds who won were terribly pleased with their prizes. The parents have probably listed them on eBay already.

Signings and Encounters

At the Avatar booth, I talked with someone who I took for a sales rep. But when I paid for the books I picked up, he offered to sign the Anna Mercury preview. It turned out he was Jacen Burrows, who’d drawn the cover. (Interestingly, over half their table space and nearly all their shelf space was devoted to Warren Ellis books.)

Once again, there were no placards provided in Artist’s Alley, but a lot of the artists had made their own. I finally managed to track down Josh Middleton, whom I’d looked for at San Diego last summer, and got him to sign my copy of All-Flash #1 (the new one, obviously!) We agreed it was really disappointing that DC had printed it so dark, but he said my copy was actually in the middle of the range! Some of them were even harder to see! I seriously considered buying a print (not that I have anywhere to put it), but while I was there he told someone else that only the pieces up on the board behind him were available—and it wasn’t on the board. Though I have to admit considering his River from Serenity: Those Left Behind.

While looking for Marv Wolfman (since I missed my chance to get the Crisis on Infinite Earths novel signed two years ago, I’ve been unable to catch him again at a signing), I saw recognized Mark Evanier standing on the other side of the row, talking to someone who I thought could have been Peter David. I walked around, saw it was him, and pulled out my copy of Fallen Angel #1 to get signed. He asked me if I was still reading the series at IDW. I said yes, I was, and he pointed out that J.K. Woodward was at the table next to him. D’oh! I hadn’t realized he was coming, so when I was putting together stuff to get signed, I only grabbed the first DC issue of the book, instead of the first IDW issue! We talked a bit about the current storyline, and I got to see some of the original art for the next issue. It turns out he’s doing a couple of signings in the next few weeks, so I might try to catch him at one of those.

I met John Wesley Shipp, who played the Flash on the 1990 TV series. After kicking myself for not bringing the Flash TV Special which I’d gotten signed by the show’s creators at another con, I just bought a photo for an autograph. I also got my picture taken with him. (The guy who was with him handling the money took the picture. When I handed him my camera, he asked whether the flash was on.)

I’ve noticed some common threads among the celebrity signing areas. Lou Ferrigno seems to do a full circuit of cons, as does the actor who played the original Boomer on the 1970s Battlestar Galactica. Several of the contestants from Who Wants to Be A Super-Hero seem to be making the rounds this year.

One set of autographs I wanted to get, but couldn’t, was Seth Green and Hugh Sterbakov. I’d brought my copy of the first Freshman trade, and went over to the Top Cow booth 10 minutes before the signing. Only one problem: The program book had neglected to mention that the signing required tickets, which had been handed out at the Top Cow panel 2 hours earlier.

Added: I did, however, find myself walking past the Golden Apple booth during the Pathology signing. I wasn’t sure whether Katie was in the incredibly long line (she wasn’t, as she’d had the same problem with unpublicized tickets that I later had for Freshmen), but I figured I’d try to snap a couple of shots of Milo for her as I walked past. Or, more accurately, shuffled past. The crowd was so thick that I basically couldn’t move for five minutes. I could barely see him, and couldn’t see anyone else at the booth. At least Michael Weston was supposed to be there, but I couldn’t tell. (Not that I would have recognized him.) (Edit: Apparently Alyssa Milano was sitting right next to him—probably straight through that other camera—but I couldn’t see her at all, even in the photos.) But one nice thing about digital cameras: you can afford to take pictures without aiming. It seemed like everyone in the crowd was reaching up with a camera.

Knowing is Half the Battle

The main problem I had with the convention was hidden information. I’ve mentioned the lack of placards in Artists’ Alley two years running, and the unannounced signing tickets. There weren’t any placards at the panels, either, so if you didn’t recognize someone by sight and couldn’t catch their name at the beginning of the panel, you were out of luck trying to figure out who they were.

Another problem was the map: it showed the dealer’s room in great detail, and the hallway with most of the panel rooms, but it didn’t show how to get from one to the other. It also didn’t show how to find Petree Hall, which turned out to be not only halfway to the other convention center, but directly above a street.

And then there’s the schedule. Most cons I’ve been to will put out a flyer with any changes to programming. Even small fan-run cons will sometimes put out a daily newsletter. Wizard World LA just posted changes on their website and in front of each room. So if, for example, you wanted to go to the Heroes panel, but didn’t know it had been moved from 6:00 to 5:00 in another room (probably to accommodate more people and Milo Ventimiglia’s schedule), and you hadn’t looked at the website at home, there were two ways you could find out:

• Check the website on your cell phone, assuming you’ve got an iPhone or Opera Mini or something else that can handle it.
• Scout out the old room more than an hour before you thought the panel was going to start.

We were fine, but there must have been a few people who showed up an hour late to the wrong room.

In Closing

While I was wandering the floor, Katie went to the Pathology and Lucasfilm panels. We met up for lunch (well, her lunch; I’d eaten an hour earlier), and again for Heroes. (Yes, I passed up DC’s “Countdown to Crisis” panel again.)

After the Heroes panel, we did a quick circuit of the dealers’ room. I wanted to pick up the Anna Mercury book (success) and check one more time for Marv Wolfman (no luck). We left around 6:30, during some sort of giveaway at the Marvel booth.

The door guards asked us two questions: “Did you have fun?” Yes. “Did you find great stuff?” Yes on that one, as well. Despite the convention’s flaws, it was more fun than last year’s, and definitely worth attending.