We caught Vienna Teng’s concert at the Roxy in April, a few weeks after the album came out. The Paper Raincoat opened for her, and I picked up their EP (and later, their first full-length album).

#2 Vertical Horizon, Burning the Days – After years off the grid (they’re best known for “Everything You Want,” which came out in 1999!), Vertical Horizon finally got back together and recorded a new bunch of songs. It’s not quite as good as the Gin Blossoms’ comeback, but it’s absolutely recognizable as Vertical Horizon and yet still new. (Well, mostly. “Welcome to the Bottom” sounds an awful lot like “Inside You,” though it does have more words.) Musically it’s similar in style to Go (a mix of hard and soft rock), but the lyrics are better, more on a level with Everything You Want.

#3 Butterfly Boucher, Scary Fragile – It’s been about five years since Butterfly Boucher’s last album. We heard “Another White Dash” the first time we listened to Indie 103.1 back in 2004, then caught her opening for both Barenaked Ladies and Sarah McLachlan, but her second album was delayed by contract problems with her ex-label. As it turns out, it’s very good — Katie described it as the best sophomore album she’s ever heard. It’s a sort of indie rock sound. It was really tough for me to figure out whether to put Burning the Days or Scary Fragile in the #2 spot, but I finally settled on the one that I’ve been playing the most lately.

We saw Butterfly Boucher in concert last June at the House of Blues in San Diego.

• Great indie rock: Butterfly Boucher’s Scary Fragile for #MusicMonday #
• Speaking of Butterfly Boucher, here’s our writeup of the concert we went to back in June. #
• From @lol_spam:
  

  “TPA Report.” It should be a TPS Report, but the keys are, like, right next to each other. I guess even spammers can get a case of the Mondays. #

• Yes! Realized eyestrain was a problem & finally got PC set up on my original monitor. Bigger is nice, but more importantly, it’s NOT BLURRY! #
• Still not sure how I went 1.5 months w/o fixing the refresh rate on the temporary monitor. Usually the flicker drives me *consciously* crazy. #
• Incredible new high-res image of Saturn! (via @ThisIsTrue) #

The newsletter was a bit confusing, though, because we bought a CD at her concert in June so that we’d have something for her to sign! I guess she must have had a small run printed just for the summer concert tour.

Historic San Diego

We drove down after lunch on Saturday and hit Old Town San Diego on the way in. (More Highlander Grog!) I could swear I don’t remember having trouble finding it before, but the last few times it’s been hard to get to even following a map. At least we managed better than we did in December, when we ended up several miles inland before we could find a place to cross the inlet.

I don’t remember much going on the last time we were there, but this time Old Town was in full-on living history mode, complete with tour guides dressed up in 1800s outfits and a horse-and-buggy ride.

I’d booked the Courtyard San Diego Downtown because it’s literally next door to the House of Blues. It took a while to negotiate the one-way streets, but once we arrived, we stepped inside and were blown away by the lobby. It turns out that the hotel used to be the building for the San Diego Trust & Savings bank. After the bank closed in the 1990s, Marriott bought it and converted it to a hotel. The vault, safe deposit rooms, and other rooms on the first floor became a conference center, and the offices on the upper floors became guest rooms. They’ve preserved as much of the old look of the place as possible, down to keeping the mail slots on the former office doors. (Don’t worry, they’re blocked.)

We ate dinner at Chopahn (6th Ave. near F St.), an Afghan restaurant we first visited during last year’s Comic-Con. It was empty when we got there, which I hope was just because we were there on the early side, because the food is great. Another couple arrived while we were eating, but they were the only people we saw other than the waitress. She had started pushing tables together as if they were expecting a larger party later on.

After dinner we wandered the Gaslamp district for a while. I kept making notes of where various hotels or restaurants were located. Eventually I realized I was basically scouting for Comic-Con next month.

Around 7:00 we made our way to the House of Blues.

Concert

That’s when we discovered that we’d been under a misapprehension about the nature of the venue. The only House of Blues we’d been to before was the one in Anaheim at Downtown Disney. It’s a big room with a stage, a balcony, and bars around the edges. I expect the main hall here was probably the same, but Butterfly Boucher was playing the “small room.” I assumed that meant a smaller room of the same type, but really it meant there was an 8-foot-wide stage in the dining area of the bar (the “Voodoo Stage”). Which would have been great if we hadn’t just had a huge dinner. So we ordered drinks, sat and talked, and eventually ordered some sweet potato fries and nibbled.

Note for next time: Arrive at the printed time, grab a table and order dinner there.

From the back of the stage to the edge of the bar can’t have been larger than our living room, and we don’t have a very big living room. It was like listening to someone play at a coffee house, only with better acoustics and most of the people were there to hear them sing. It was a huge contrast to the last time we saw Butterfly Boucher live, from the top section of what was then the Arrowhead Pond (primarily a hockey stadium).

The first opening act, Dawn Mitschele, played a half-hour set starting at 8:00, and the second, Derek Evans, started after about a ten-minute break. They both had a more country-folk sound, which kind of surprised me, since Butterfly Boucher is more rock. They’re both locals, and I wondered whether they might be following her up to LA.

All through the evening, teenagers in formal wear would come walking down the hall past the stage. It turned out that a high school was holding its prom in the main room at the House of Blues. At one point one woman in the audience (of two who did quite a bit of dancing later on) shouted out, “Hello prom people!”

Butterfly (yes, that is her real name) came out around 9:30, spent a few minutes setting up her equipment (including the loop pedal she jokingly referred to as her backup band) and tuning her guitar, then launched into about an hour-long set of music mostly from the new album — though she did break into “Another White Dash” (with an audience participation section) and “I Can’t Make Me” in the middle.

She clearly hadn’t expected to do an encore, but we all kept applauding, and she came back out to sing “Life is Short,” explaining that she hadn’t rehearsed it in over six months and might need help on the lyrics…

After the show we waited in line to meet her, bought a copy of the CD which she signed, talked to her for a few minutes and posed with her for a photo.

Nightlife

After the meet-and-greet, we headed down to the Ghirardelli shop. Ever since the one in South Coast Plaza closed, I have this thing where if I’m in a city with a Ghirardelli store, I have to go there. Neither of us was up for dessert, but they do have a wider selection of their chocolate than you can find in the grocery store.

As typical for a Saturday night, 5th Avenue was absolutely packed with people of all ages and levels of dress going to and from clubs, bars, and restaurants. We dodged over to 6th street on the way back up, but even then ran into a huge crowd around Sin Niteclub [sic] and the Double Deuce. Through the latter bar’s windows we could see a guy trying to ride a mechanical bull. Some of the women we saw walking around had given up on their shoes and were barefoot. Though walking barefoot on the streets of any major city doesn’t sound like a great idea, no matter how much your feet hurt. Eventually we made it back to the hotel.

Sunday Morning

Cafe 222 (2nd Ave. and Island) has quickly become one of our standard spots for breakfast in San Diego, at least when we’re staying downtown. Afterward we hit the farmer’s market (every Sunday morning at 3rd Ave. and J St. — take note, Comic-Con attendees) where we picked up some blueberries and cherries to bring home. Nothing much in the way of stores were open yet, and we had make it up to the LA area for lunch, so we checked out, made another quick stop at Old Town to look for a store we’d stumbled on last December, and got back on the road.

More photos at Flickr, mostly Old Town and some weird stuff in the Gaslamp area.

Movies: Coraline

YouTube also has the trailer in HD.

I discovered Sandman late, borrowing the trades from one of my (younger) brother’s friends around 1998 or so, then immediately tracking down my own copies. I lucked out and got a complete set on eBay for something like $70. Since then I’ve devoured most of Neil Gaiman’s work, be it in comics, prose, or movie form. The original novel of Coraline was very good, and it’s been adapted by the director of The Nightmare Before Christmas, which is among my favorite movies…and what I’ve seen of the film suggests that they get it. It’s hard to believe it’s only two weeks away!

Other movies: Oddly enough, I’m only mildly interested in Terminator: Salvation, Transformers 2: Can’t Remember the Subtitle, Harry Potter and the Half-Blood Prince (the films have been steadily deteriorating after peaking with #3, IMHO), Star Trek, and Watchmen. I’ll probably see all of them, but none of them have me nearly as excited.

Comics, books, music, etc. after the cut:

Comics: Scott Pilgrim, Ignition City, and Fallen Angel

First up is the fifth volume of the Scott Pilgrim series, Scott Pilgrim vs. the Universe, coming in just a few weeks. This series is just plain fun: mindless action with a video-game sensibility, something of a coming-of-age story, and a huge dose of absurdism.

I’ve only read a fraction of Warren Ellis’ work, but I’ve subscribed to his “Bad Signal” email list for years, and he’s been talking about the ideas that became Ignition City for a long time. Basically, take all the old space hero archetypes (Flash Gordon, Buck Rogers, etc.) and look at what happens when the future passes them by. I think someone described it as Flash Gordon meets Deadwood. I tend to like Ellis best when he’s doing science fiction, so this is a must read. Coming in April.

And finally: the relaunch of Peter David and J.K. Woodward’s Fallen Angel in July, with a crossover with Angel‘s Illyria.

There’s also Flash: Rebirth, which I’m looking forward to with a mix of excitement and dread. On one hand: Geoff Johns returns to the Flash and writes all of them, with Ethan Van Sciver on art. On the other: the more I learn about it, the more I get the feeling that the subtitle should be “Barry Allen is teh gratest Flash EVAR.” If that’s it, then no, thanks, I’m not interested. *sigh*

So, yeah, DC seems to be doing its best to push me away from anything they publish that doesn’t have “Vertigo” on the cover. I’m hearing rumors of a Welcome to Tranquility miniseries, but then that’s Wildstorm, so still not much DC-branded appeal. And the one Marvel series I read, The Twelve, is on hiatus (and it’s a mini anyway). Not going to be much coming out from the Big Two.

TV: Battlestar Galactica, Lost, Flash Forward

Of the TV shows returning for the spring season, I’d say Battlestar Galactica is the one that has me most intrigued. They’ve managed to throw new wrinkles into the Human/Cylon conflict and make viewers question basic assumptions about the show in the lead-up to the series conclusion. Next up is Lost, which has successfully moved past the Gilligan’s Island/Voyager problem of getting them off the island.

I’m also watching Heroes and Terminator: the Sarah Connor Chronicles, though neither of them has me champing at the bit for new episodes just yet. (Actually, I’m more interested in SCC than the new Terminator movie, which is kind of odd to realize.) What I’d really like to see is the last few episodes of Pushing Daisies. I’m still torn between bitterness at the show’s cancellation and knowing that at least it got to go out while it was still good, rather than after deteriorating.

As for future shows, the one that I’m most interested in seeing is Flash Forward, based on the novel by Robert J. Sawyer, in development for next fall. I’m also curious about Dollhouse, which starts in February, mostly because of Joss Whedon’s involvement. And I’ll certainly check out the BSG spinoff, Caprica.

Books

Not a whole lot, actually. There’s Robert J. Sawyer’s new book, “Wake,” (part 1 of a trilogy) coming in April, but I haven’t decided whether to buy his stuff in hardcover or stick with paperback. And the final book of Robert Jordan’s Wheel of Time epic, A Memory of Light (being finished by Brandon Sanderson) may be coming out by the end of the year, or it may not.

Other than that…I haven’t heard anything about Greg Keyes’ plans now that Kingdoms of Thorn and Bone is done. I don’t think Neil Gaiman’s got any new novels planned for this year, though I’ve only caught about half of his blog posts over the past few months. Naomi Novik might have a new Temeraire book by the end of the year, maybe.

Music

Tori Amos, Vertical Horizon, and Butterfly Boucher all have albums coming out, though I haven’t heard anything beyond “spring/summer 2009″ on any of them. Tori Amos has basically never slowed down, except for a break between record companies, and it’s only been a year and a half since her last album, American Doll Posse (which was very good). Vertical Horizon has been out of the picture for a few years, though their stuff still gets played. (I heard “When You Cry” at the mall yesterday when I went to lunch.)

You’ve probably never heard of Butterfly Boucher, but Katie and I caught one of her songs on Indie 103.1 when it first launched. Then she opened for two different concert tours that we saw over the next year (IIRC, Barenaked Ladies and…Sarah McLachlan?), and we picked up her debut album, Flutterby. She’s been playing a lot of music, but this will be her second album. (A few weeks ago she posted a note about how she was finally free of her record contract, which meant she could finally release the album she finished two years ago.)

Cross-posted at Speed Force