K-Squared Ramblings

TV of the Future

TV Guide has a list of when TV shows are coming back now that the writers’ strike is over. (via ***Dave)

So, what’s happening to the shows we watch?

Battlestar Galactica

Returns April 4 with first half of 20-episode final season. Production on second half could start as early as March. Airdate for those TBD.

Seeing as how we don’t currently get the Sci-Fi Channel (we discovered BSG through DVDs), this means it’s time to figure out whether to mess with cable/satellite, watch it at someone else’s place, or hope that they’ll continue offering episodes online through iTunes or something.

Heroes

No new episodes expected until fall.

Pretty much expected that, given the way they were talking at the end of the “fall season.”

Journeyman

No new episodes expected. Ever.

And I continue my history of discovering interesting TV shows after they’ve already been canceled. (Actually, I have an even longer history of this with comic books. The first comic I ever bought, back in 1984, was issue #19 of Captain Carrot and his Amazing Zoo Crew, which lasted 20 issues.)

Lost

Six pre-strike episodes remain. Expected to shoot five additional episodes to air in April/May.

TV Guide interviewed Carlton Cuse on this recently (via aeryncrichton). They’d already shot 8 episodes of the 16-episode season, and plan to condense the second half of the season into 5—presumably because that’s how many they can actually finish during this production season.

This could actually work out well for them. One of the reasons season 4 of Babylon 5 was so good (aside from paying off on 4 years of setup) was that JMS shifted up his timetable so that he could wrap up the foreground plotlines by the end of the season he knew he had, instead of ending with a cliffhanger and hoping he could wrap them up in the first third of a season 5 that looked increasingly unlikely. The result was an extremely intense season that is widely regarded as the best year of the show.

And let’s be honest, Lost hasn’t exactly been known for compressed storytelling.

On the other hand, there’s the last few episodes of Angel to consider as a counter-example.

Pushing Daisies

No new episodes until fall.

On the plus side, this means it’s actually been renewed! This had “Too good to last” written all over it!

Terminator: The Sarah Connor Chronicles

Four pre-strike episodes remain. Future beyond that TBD.

I’m honestly not sure how I feel about this one. I enjoy it while I’m watching it, and it’s much, much better than Terminator 3, but I don’t find myself looking forward to it between episodes. Even if it does have Summer Glau beating people up.

ABC=Doofs

Went to a lot of effort to get the TV on for the Lost season premiere at 8pm…only to discover that it’s actually a &*^@$# clip show.

If we’d known we had until 9, this would’ve been a much less stressful evening.

Edit: The rest of the evening went much better, and the actual episode was good. Most interesting bit: switching from flashbacks to flash-forwards really does change the dynamic of the show. (But I was seriously annoyed with the network for promoting the heck out of the “2-hour Lost Event!” and have it turn out that there was really only 1 hour of show.)

Lost finale

That makes two very good season finales this week. Lost was more plot-focused, while Heroes was more character-focused.

And we learned some very interesting things about the fate of the islanders.

Spoilers follow. Read the rest of this entry »

Lost renewed (and thoughts on TV season structure)

Here’s a surprise: Lost has been renewed for a three-season deal… but each season is only 16 episodes long. The writers are glad that they have an endpoint, because now they know how long they have to tell the rest of the story they have in mind. (Call me credulous, but I’m inclined to believe that they do have at least some of their plans worked out ahead of time.)

Though I have to say, I hope they’ve checked their contract for loopholes. Farscape thought they had a two-season deal, so they took their characters and story to some really dark places in Season 4, figuring they had another year to dig them out. Instead they got canceled, and it took a fan campaign and the sale of the Jim Henson company to get even a four-hour miniseries to wrap things up.

As for the structure, this is actually probably better than two 24-episode seasons. It makes it easier to show an entire season through without interruptions. This season’s schedule, with just 6 episodes at the beginning followed by months of reruns, was terrible. Of course, once they came back from hiatus, it was much better than the sporadic episodes they showed in Season 2.

Arc vs. Scheduling

This brings up a problem with trying to run a TV series with an arc to it: Scheduling can seriously mess it up.

Babylon 5 suffered from PTEN’s decision to hold the last four episodes of each season until fall, followed immediately by the following season. It undermined the season-ending cliffhangers, and broke the narrative in the middle. Eventually they started anticipating it: JMS would write a mini-cliffhanger five episodes before the end of the season, and in one case even wrote a recap into the script for episode 19.

Veronica Mars and Heroes have done a good job this year of breaking the season into mini-arcs that match the schedule. Veronica Mars had a 9-part mystery, followed by a 6-part mystery, followed by a series of one-shots at the end of the season, and each arc was shown without interruption.

Heroes told the initial “Save the Cheerleader, Save the World” storyline, followed it up with some backstory, and finished the first run with a teaser for the main arc for the rest of the season. (Heroeswiki breaks it down further, by tagline.) The second arc deepened the plot, and brought everything to a high point: the revelation of Linderman’s and Bennett’s agendas, plus cliffhangers in Hiro’s and Peter’s journeys. Now we’re in the home stretch. As the tagline says, “It’s time to save the world.”

That seems to be the way to go: If you don’t have the clout to change the schedule (like 24), find some way to work within it. Plowing straight through without regard to when the episodes are going to be shown, like Lost did with Season 2, is just going to frustrate your audience.

(Thanks to aeryncrichton for the news!)

Lost on Avenue Q

So, did anyone else have the song “Mix Tape” pop into their heads in connection with tonight’s Lost?

Incidentally, on the question that so vexed Hurley and Charlie—namely, who would win in a race, the Flash or Superman… it’s the Flash. That’s not just a fan reaction, I have documented evidence.

Locke’s Office?

Here’s one for the Lost fans out there: a box company in Tustin, California!

Okay, actually, they’re a moving company, but check out this sign:

This is in a business/light industrial area on Walnut Ave.

Sci-fi mommy

I can’t believe nobody’s made this comparison yet……it looks like the producers of “Lost” picked the wrong SF TV-show lead to be Alex’s mom:

Of course, it’s entirely possible that they might be able to land Claudia for a recurring guest spot as her “mother” (flashbacks maybe?), and thus call into question through visuals alone whether Danielle is even as right in the head as she seems to be.

Lost on the Internet

CNET has an article on various websites related to Lost. Among them are official sites for Oceanic Airlines and The Hanso Foundation and fan sites for Mega Lotto Jackpot and Charile’s band, Drive Shaft.

I’d seen the Drive Shaft site last year (or at least a Drive Shaft site), though it seems to have exceeded its bandwidth for this month.

The official sites don’t have much detail, but they do have easter eggs…

Lost: The Revolving Door of Death takes a holiday?

They gone and done it. They killed off the mainish character they were promising, and somehow they managed to make it someone that most people are only going to mourn for the loss of a cute guy. Heck, I’ve noticed a huge amount of anti-Boone sentiment since the series started, so there’s probably joy in a lot of Mudvilles now.

But that’s not what this post is about.

I’m for calling Claire’s baby D’Argo until we find out what she names him. D’Argo Boone Charles Littleton, because you have to cover all your bases.

But that’s not what this post is about.

I’m all about the preview at the moment, because I think that for once, they might have been showing some real truth. If you’re a believer in the Shore Leave Theory, that is.

We see Locke get shot. This could be a flashback to the long-awaited How I Got My Wheelchair explanation, but I don’t buy that since he had present-day hair (or lack thereof) and it seems more in line with the head-hitting tendencies of the writers to have him get old after whatever-it-is takes him down. I think Read the rest of this entry »

Lost: Buck knives of the mind

I read the TV Guide poll on “What’s really happening on Lost?” a while ago and even then was sorely disappointed with their answers. It was obvious that the survey staff had chosen the responses themselves and then had participants choose, because people in the fandom have come up with much better explanations than “they’re all dead.”

So today, while looking for translations of the Korean parts of the script, I happened upon a bunch of message boards with posts containing riffs on the “Shore Leave” theory. And they got me thinking about not just polar bears, but also a lot of other things that don’t fit on the island. As I see it, the things we need to explain are: the survival of the castaways, the existence of Ethan and Company, the locked door, the power source, what made the French expedition crazy and/or dead, and the monster (which I call the Beastie). Here we go, and comment me if I don’t make sense….. Read the rest of this entry »

Lost, Green Lantern, and Will

First of all, Lost has a really annoying tendency to place huge cliffhangers right before the series goes into reruns.

Okay, that out of the way, I have some interesting thoughts about Walt, and the possible significance of his comic book. Spoilers follow: Read the rest of this entry »

“Lost” linguistics

As a linguist, I’m highly disappointed in the castaways of “Lost.” In the time they’ve been on the island, not one of them has truly attempted to either 1) learn a few words of Korean or 2) see if Sun or Jin is open to being taught a few words of English. Instead, in painfully true-to-life (but rapidly aging) fashion, they’re relying on the highly effective (*snort*) method of talking really loudly and slowly. Mostly we see this with the English speakers, but last episode it was great to see Jin doing it right back in Korean.

What really disappointed me was that, from what I’ve seen, last week’s episode should have included less crosstalking comedy and more communication, simply due to Jin’s counterpart being Hurley. He’s not a linguist as far as we know, but he is the Guy Who Gets Things Done ™. He has a hefty dose of common sense and “aha” ability, and the wherewithal to act on what he perceives. If any of the major characters were to try to compile some sort of papyrus dictionary, it would be him. And considering that the need to communicate with the Koreans has actually been articulated, unlike the need to take a census or build a golf course, if this weren’t TV, by now he’d probably have either been doing it or found someone else to. Admittedly, though, if he had, we may not have gotten to see that, on the island, the Talk Really Loud method of intercultural communication is universal. Which is comforting, in an odd way: we may not understand each other, but there’s at least something in our communication mechanisms that’s the same.

The Lost Compass

We re-watched Pirates of the Caribbean a few nights ago, and noticed that Jack Sparrow also has a compass that doesn’t point north, just like Locke on Lost.

Clearly, Locke’s compass points to the Isla de Muerta! It’s in the wrong ocean, but they were off-course…