• DVDs: Angel Seasons 1-5 (individual season boxed sets)
• CDs: Tori Amos “A Piano” boxed set (massive 5-disc archive of hits, rarities, alternate mixes, etc.)
• T-Shirt: Star Trek (XL) from the new J.J. Abrams movie. Handed out at San Diego Comic-Con in 2007, still has the original 12-25-08 release date on the back. It’s never been worn.

Here’s the link to all the auctions. Most of them run through Sunday, May 24.

This may be the most recognized image from Buffy the Vampire Slayer, and I just could not believe that the cover designer would copy the layout so closely.

Okay, I get that you don’t like the Scrappy… but shouting “Shut up!” when she’s spilling the beans about Willow & Tara’s fight? That sorta implies that you don’t want Tara to find out that Willow has been altering her memories. That’s psychological abuse by any standard. Is it better for Tara to stay in an abusive relationship than for Dawn to be the one to open her eyes?

Or how about when she mentions to Sweet that her sister is the Slayer? That sets the rest of the story in motion — in fact, it sets the rest of the season in motion. Not only does it make it possible for them to “beat the bad guy,” but it sets up that Buffy/Spike relationship, and I’d bet 90% of the people booing Dawn just lurve “Spuffy” to death. (Excuse me while I gag.)

It’s hate for the sake of hating the character, even when she does things you like — or things that are necessary.

Personally? I couldn’t stand her through most of 5th season. I’m not sure what turned me around, but it was during the last episode, “The Gift,” that I decided, y’know, she’s okay. Katie, who has a younger sister, found Dawn to be the best characterization of a younger sister on television…and couldn’t hate her for that reason.

Perhaps it was the realism of that sister relationship, seen through Buffy’s eyes, that made so many viewers dislike her. Well, that and the Scrappy effect.

(20-Things post found via Blog@Newsarama)

Now, I know these are separate DC characters, but my first thought was “But Dawn is the Key!”

Once you start down the Buffy path…

First step: Mile High Comics. I figured it was a long shot, since they’re the most well-known comic store on the internet, but I wasn’t in a hurry to read it, and it would save me the trouble of driving around the county. Naturally, they didn’t have it.

So I started calling stores I knew. As I was about to start, I noticed an email on SuperHeroNews saying, “Mile High Comics in LA, burned down last night, more information as we get it.” The first store on my list was Netherworld Comics, which used to be a Mile High store, but is in Garden Grove, not Los Angeles. Their phone isn’t picking up. And they’re still listed as an affiliate on Mile High’s website. And there aren’t any other Mile High stores in southern California. This doesn’t look good for Netherworld. Edit Sep. 7: Yes, it was them [archive.org]. Figures. I’d only been in there a couple of times, but it was a nice store.

Okaaay… Next step: Diamond’s Comic Shop Locator. Unfortunately it only lets you search by ZIP code, and only shows the nearest three. Since I’d already been to two of the stores, I only got one phone number out of it. No luck there.

Time to do it the old-fashioned way: the phone book. (Katie remarked, “There’s nothing wrong with being old-fashioned, especially about a book called Old Times.”) There are surprisingly few comic stores in central Orange County. I only got three more numbers out of it, and one of them specializes in vintage comics. Not surprisingly, none of them had any copies either. (One offered to order it for me, but I simply declined rather than pointing out that it was already sold out at both the publisher and distributor.)

Next stop: eBay…

If they weren’t publishing alternate covers, there’s no way they would have used a fully-painted picture of the puppet Angel. Update: Scan added.

The guy at the comic store said, “of all the people who had it on their pull list, I figured you’d appreciate this one the most.” Good call!

Writer Jeff Mariotte reports that Joss Whedon and Fox have approved a second Angel comic book miniseries to come out late this year, which may interest fans of the show who want to know what happened after the final episode:

While The Curse is strictly an Angel solo story with the other characters just showing up in flashback, this one will include most of the gang (those who survived NFA, anyway)—although some of them in unexpected ways. More than that I will not say. It’s the only approved, official continuation of the TV series, though

Meanwhile, Peter David has confirmed that the new artist on Fallen Angel is J.K. Woodward, and posted this sample of his art style. This isn’t just a cover—this is what the interior art will look like!

So it really shouldn’t surprise me that Spike: Old Times will feature a full-page ad for the new Fallen Angel series.

Angel: The Curse

In this first issue of a new Angel tale, Angel has survived the conclusion of his TV show and finds himself in a mysterious Romanian forest. There, his search for the Gypsy tribe that cursed him years ago takes a turn for the worse.

I suspect we’ll get a “once out of the pit…” explanation (i.e. no explanation at all) and the cliffhanger’s resolution will remain open for Joss to deal with in a movie-of-the-week or something.

But what galls me is that the book is supposed to have four covers. OK, one variant every once in a while is nice, and I can even go for Dark Horse’s early efforts to have one drawn cover and one photo cover to get the newsstand audience (is there such a thing anymore?)… but the only reason to do four covers for one book is to get collectors to buy four copies. It was an insulting gimmick in the early 1990s, and it annoys me that the practice never quite went away. Worse, TV Guide took it mainstream. I guess we’ll know we’re in trouble when Time or National Geographic starts doing multiple collectors’ covers.

*grumble*

We’ve all seen shows that kept going long after, by any rights, they should have been cancelled. Is there any doubt that Voyager only lasted 7 years because it was Star Trek, on a studio-owned network, and the previous two Treks had also run that long? “The Far Side” and “Calvin and Hobbes” ended while the artists were at the top of their form. Compare that to “Peanuts,” whose last 20 years were hardly worth reading, or the new “Opus” from Berkeley Breathed (although it does have its moments.)

Most arc-driven TV shows work on a season-by-season basis, since TV shows are usually renewed one year at a time. Unfortunately, they also tend to like using cliffhangers to make sure the viewers come back. This works fine when you know you’re coming back, but there have been many cases — Blake’s 7, VR.5, and Farscape, to name a few — where the expected continuation never happened.

I don’t mind it nearly so much when a good episodic show ends. Like “Calvin and Hobbes,” it can at least have a good send-off. (”Live fast, die young…”) As much as I’d like to see more, it’s better than watching it slide downhill. It’s with the arc-driven ones, particularly those that still have more story to tell, that it’s especially annoying.

VR.5 and Crusade are good examples of this. Both were shows that made it through maybe half a season and were building up interesting storylines. The final episode of VR.5 answered some questions, but took an “everything you know is wrong” approach to one of the central mysteries of the series. Suddenly Sydney and her family were players in a much larger game, and it was no longer clear what the sides were.

Crusade, similarly, was working up to its actual story. Internet postings by series creator JMS and, later, two unproduced scripts that he posted to a fiction site (no longer available), made it clear that the original premise — finding a cure to the plague that threatened to wipe out Earth — was only a reason to get the crew out there. Unlike VR.5, it wasn’t ratings that killed Crusade, but studio politics. It was cancelled before it even aired.

At the point I heard about Angel’s cancellation, I wasn’t terribly disappointed. Maybe it was the fallout from Illyria, maybe it was just that I knew they’d have time to at least wrap things up. Unfortunately the last few episodes were sub-par. It was clear they were rushing to tie up every loose end they could think of, and I really wasn’t happy with the ending. (One more episode, just %$#! one more.)

In retrospect, I now realize that Farscape was very lucky to have been cancelled when it was, and not at some other time: they had completely finished filming their season finale (unfortunately a cliffhanger, but they were acting under the assumption that their two-year renewal really was for two years and not just one), which meant that they couldn’t hack up the scripts and compress things. Like Angel, they were told during a hiatus, but the run had left off with an absolutely top-notch episode, “Unrealized Reality.” Fans were energized, not demoralized, and a year-long fan campaign nailed Henson the funding for a miniseries. (Imagine if they’d left off one week earlier, with “Coup by Clam!”)

More when I’m coherent again. *snivel*whimper*

…the cast, crew, writers and producers of Angel deserve to be able to wrap up the series in a way befitting a classic television series and that is why we went to Joss to let him know that this would be the last year of the series on The WB

At least the WB had the decency to let them know in time to do some sort of wrap-up, unlike the way certain other shows were treated by channels that shall not be named.

Unfortunately we live in a world where the offbeat has to make way for the mainstream. I don’t care if the WB puts up some new “reality” show, as long as I can find the kind of shows I like to watch. With so many hundreds of cable and satellite stations available, you’d think there’d be room for shows like VR.5 and Crusade.

Still, Angel managed five years, which is pretty damn respectable – especially in the modern era of cancelling shows without even airing half a season.

Joss Whedon sums up the perils of producing anything that strays too far from the beaten path:

“Two roads diverged in a wood,
and I took the road less traveled by
and they CANCELLED MY FRIKKIN’ SHOW.
I totally shoulda took the road
that had all those people on it.
Damn.”

Normal law firms probably don’t have much of a premium. Evil law firms, however, might see a big increase. For this reason, I think they’re probably self-insured. That, and they can keep all medical treatment and administration entirely in-house (especially given that their “house” has locations on several worlds and lots of unofficial ties in this one), along with as much defense litigation as possible. I’d imagine they don’t incur many penalties either, since it’s likely they can turn back time to avoid late payments. And if an employee wants to argue that anything they’ve gotten is less than they deserve, I’d imagine the second phase of their employment isn’t long in starting.

Sample injured worker: Lindsey. Definitely injured on the job, so the injury is fully compensable. According to the California permanent disability rating guidelines, loss of the dominant hand between wrist and elbow, inclusive, where a prosthesis is possible, has a standard PD rating of 60%, meaning 60% of the jobs available wouldn’t hire you with that disability. When you adjust for age (assuming he’s just shy of 30) and occupation, both of which lower the rating, it ends up at 53%. This is, of course, not counting in psychiatric effects, which would probably raise the rating. So, if he settled his claim, which W&H would probably “encourage” him to do, he’d be entitled to at least $49,342.50 in compensation. And they’d have been in something of a bind later if he did settle, since he’d have ended up with minimal PD and they couldn’t legally recoup their money.

Way too much time on my (evil) hands.