K-Squared Ramblings

Links, from the Astronomical to the Surreal

The Value of Space Exploration, via Phil Plait’s response.

Neil Gaiman on The Fairy Feller’s Master Stroke, a painting by a madman that’s inspired its share of stories.

And from Comics Worth Reading, our WTF entry for the day: Paradise by the GoPhone Light. It’s a commercial done in the style of a music video, featuring Meat Loaf and Tiffany as the parents of a kid who wants a GoPhone. Completely surreal, especially once the random explosions start.

It’s just occurred to me that, aside from it being some sort of cell phone, I have no idea what a GoPhone is. [/me types "gophone" into Google] Ah, OK. Pre-paid cellphone. Meh. (And now I’m imagining how much spam is going to get posted to this thread. *sigh* )

Conventions and Distance

You may have noticed I’ve been thinking about fan conventions lately.

It started after last year’s Comic-Con, when I decided I wanted to go to something a bit less…intense. Last year’s Wizard World LA was nice, but a bit sparse, so I went looking for more comic and general sci-fi/fantasy cons within driving distance of the LA/OC area. Surprisingly, I didn’t find much. Gaming conventions, costuming conventions, Anime Expo, sure, but sci-fi? Pretty much just Loscon, which we both gave up on after 2002 (and from what I’ve heard, hasn’t picked up again). I asked around a bit on some forums, and someone on either Comic Bloc or Newsarama suggested WonderCon, and suggested considering the city as a vacation destination, not just a place to find a hotel for the con.

Since WonderCon worked out so well, I’m looking at what else might be fun. That’s part of why I did my price comparison last month, and Kevin Standlee’s comments got me looking at WorldCons and the like again. Not for this year, but maybe a few years out.

Looking at all these cons, I realized that beyond a certain threshold, distance doesn’t matter. Only the destination. If it’s far enough away that you have to fly, the only thing that distance impacts is the cost of your plane ticket. Whether your flight is 5 hours or 10 hours*, it’s still going to take up most of a day or night when you factor in dealing with the airports. Everything else, from hotel prices to whether you need a passport, a phrasebook, or currency exchange, is a factor of the destination.

WonderCon, I think, was at the boundary of driving distance from here. We could make the trip out in one day, but it was a lot more fun to break it into stages and make it a road trip. San Diego is at the boundary of commuting distance. We could drive out there in the morning and drive back at night (and I did that with my parents for over a decade), but it’s not practical to do for more than one day. Whereas if I wanted to, I could easily commute to Wizard World Los Angeles 2 or even 3 days. (As it was, we only went for Saturday.)

With two cons in Q1, and San Diego coming up in July, any traveling we do later this year is probably not going to be convention-related. As it is, we’ve talked seriously about three possible non-con vacation spots. But it might be worth casting a wider net for cons in 2009 or 2010.

*Katie and I were talking about this, and realized that it’s probably different if you have kids. In that case, a 5-hour flight probably would be significantly harder to manage than a 3-hour flight.

The Born Queen

We’ve both finished reading The Born Queen, the conclusion to Greg Keyes’ The Kingdoms of Thorn and Bone. Yesterday we spent the day reading in tandem on the couch: I read book 3, Katie read book 4, and finished within an hour of each other. Determined to catch up, I read 100 pages last night and spent this morning and afternoon reading the final book.

It was well worth the wait.

The series is set two millennia after humans, led by Virginia Dare (explaining where the lost Roanoke colonists went), overthrew the demonic race that had kept them as slaves for generations. Virginia had discovered how to harness the sedos power, essentially magic. The last of humanity’s oppressors warned them that the sedos would eventually destroy their world. Of course, no one believed him.

2200 years later, this corner of the world is not unlike Europe in the early Renaissance. Except that the church is based on the sedos, in the person of saints, and its priests walk the paths to harness the sedos powers.

The world is also beginning to rot. Things of nature are dying, human alliances are crumbling, and terrible creatures thought to be myth are walking the earth. There are several factions who claim that they want to save it, but their true goals are suspect, and their methods differ greatly. The various viewpoint characters are thrust into the middle of things without any real sense of what’s going on: a holter, a princess, a novice priest, a knight, a swordsman, a composer and a queen.

One of the things I find so fascinating about this series (as I mentioned when I first read The Blood Knight) is the fact that everyone is acting on partial information. This makes them screw up, sometimes mildly, sometimes horrifically. And there’s a curveball that comes about 1/3 of the way into The Born Queen that turns everything on its head.

I don’t think it’ll give too much away to say that one of the key struggles in this book is for control of the sedos. Even 100 pages from the end, I wasn’t sure which faction would give the world a better chance of surviving.

Music also figures importantly, starting with the second book, where it’s learned that certain combinations of sound can have a profound effect on the human psyche. I found myself wondering whether Keyes had someone set any of the songs to music.

By the end of The Born Queen, most of the major questions about what’s really going on have been answered. Of course, they’re answered in pieces, by different characters with different agendas. The major characters’ arcs reach (mostly) satisfying conclusions, with some finding what they want, some finding what they need, some doing what needs to be done, and some getting what they deserve.

It’s weird to finally be done with the series, which started around the same time as this blog. The first post that I made that wasn’t “Hey, look! I have a blog!” was a review of The Waterborn and The Blackgod, Greg Keyes’ first novel and its sequel. In it, I mentioned looking forward to The Briar King when it came out.

The Race for Eslen

After working my way through The Briar King in bits here and there, I made time for The Charnel Prince.  I finished the second book Tuesday evening, and I’m currently 100 pages into The Blood Knight.

Meanwhile, I’ve been talking about the books* a lot, trying not to drop spoilers in case Katie might read them at some point in the future.  The night I finished book two, I had come home to find her on the couch, reading the first book.  Since she not only reads faster than I do, but has more time on her hands these days, she’s caught up.

It’s nice to really be able to talk about the books, especially since I remember so little of the one we’re both currently reading.

The funny thing is, at this rate, she’ll probably finish the series before I do!

*Greg Keyes’ The Kingdoms of Thorn and Bone

No Time for the End of the World

Well, my copy of The Born Queen has arrived via UPS, and I’m nowhere near finished re-reading the first three books of Greg Keyes’ The Kingdoms of Thorn and Bone. I’d hoped to start at the beginning of March, but I was in the middle of the Trade Pact books and wanted to finish that trilogy. Then I figured I could read one book each week like last time and be ready at the point that book 4 arrived…and I promptly got swamped with stuff to do at both work and home, so I found myself reading mainly at lunch (and half the time I ended up eating at my desk instead) and in 20-minute chunks. Now I’ve got the concluding novel, but I only just finished book 1 last night, and I’ve gotten only a handful of chapters into book 2.

I’ve enjoyed re-reading them, though, and while I remembered The Briar King quite well, it’s clear I’ve forgotten enough of books 2 and 3 that it will be well-worth having them fresh in my mind.

Now that I’ve got the final volume here, I think I’ll look for more of those 20-minute chunks of time.

Cataloging Worlds

After reading the “Who cares what Earth this takes place on!” intro to the Justice League: New Frontier tie-in comic, I started thinking about the whole Earth-1, Earth-616, etc. thing. The confusion over Earth-1 vs. New Earth in DC (something which overshadowed discussion of the actual story in the first issue of Tangent: Superman’s Reign) highlights the question: just how important is it to label these fictional universes, anyway?

And once you’ve decided to catalog them, how do you label them?

A few multiverses that come to mind are DC’s, Marvel’s, and Michael Moorcock’s.

The multiverse of Moorcock’s Eternal Champion cycle is extremely fluid, with details changing whenever he wants to tell a different story. Just looking at the Elric stories, there are three or four origins for Stormbringer, and as many for the Melnibonéans and their pact with Arioch. There are several versions of the 20th-century Count Ulrich Von Bek (depending on whether you include Count Zodiac). Worlds are less like parallel lines and more like streams that can run together, mingle, and separate again (kind of like the briefly-used Hypertimeas used by DC).

DC and Marvel, on the other hand, favor a discrete structure in which each universe can be precisely identified. This may have something to do with the focus on continuity as a key element of comic-book storytelling, and would explain why, for instance, Marvel has made an effort to number what seems to be every single alternate reality they’ve ever published.

Approaches to numbering:

• Sequential. DC started out like this, with Earth-1, Earth-2, Earth-3, etc.
• Random. Current DC multiverse, except for the first few we saw at the end of 52 which were based on worlds from the original DC multiverse (Earth-2, Earth-3, Earth-5 from Earth-S, Earth-10 from Earth-X). Marvel’s main continuity, Earth-616, was reportedly picked at random (though there is some disagreement on this point).
• Referential. Things like choosing Earth-S for the worlds of Shazam or Squadron Supreme, or Earth-C for Captain Carrot. Earth-97 for Tangent (which appeared in 1997) and Earth-96 for Kingdom Come (which appeared in 1996) would also fall into this category (but see the next point).
• Systematic. Taking referential labels a step further, using a consistent scheme. Marvel derives most of its designations from publication dates.

Personally, I prefer to just name them. “The Tangent Universe” or “New Frontier” or “Supremeverse” gets the idea across more directly than, say, Earth-9.

Sylar Industries

Up in Napa, we found this sign at the entrance to Syar Industries.

Being Heroes fans, we couldn’t resist. Not only was the name just one letter off of the show’s popular villain, but the elongated S in the logo was just begging for a trio of crosspieces to turn it into the helix symbol that appears everywhere in the show. A bit of photo-manipulation later:

Hazards of Q&A Sessions

I think anyone who’s been to a panel at a con in the past few years will appreciate Mark Evanier’s remarks on opening the floor to questions.

An open mike at a public event has increasingly become a magnet for people who should not be allowed near open mikes at public events. Audiences have begun to dread that portion of the program and to regard it as the signal that the event they came to see has come to an end. Thereafter, they can either leave (many do at that point) or sit there and cringe as control passes from the person they wanted to hear and goes to some stranger who, but for this opportunity, would never be speaking in front of a real audience and/or to someone of importance.

He goes on to mention the warning signs, like “On behalf of everyone here…” The people who, instead of just asking a question, need to turn it into the longest. public. statement. of. support. evar, as they pontificate about how this show changed their life, or that show inspired their writing, and can you please answer this stats question about my home-made Star Trek Role-Playing game after I read you a poem I wrote aaaaaall by myself?

No, really. I am not making this up.

As an example, at the Serenity panel at the 2005 San Diego Comic-Con, one “fan” took the floor to make a long rambling comment on behalf of fans who lived in Norway, London, England (“Both London and England?” “He’s got multiple personality disorder.”) etc. and explained that they thought Joss Whedon was “the best thing to happen to television since aerosol cheese.” Then he asked some question about the end of Angel and how they should handle some issue with the RPG. Joss tactfully handed it off to another panelist rather than tell the guy flat-out that it was a dumb (or at least inappropriate) question. (We’ve collected some more quotes from that panel.)

But this sort of thing happens all the time.

(via The Beat)

Wizard World LA 2008 - Con Report

Wizard World Los Angeles turned out to be a surprisingly good con. Originally I was planning to go on my own, but when they announced the addition of Milo Ventimiglia (Peter Petrelli) to the Heroes panel, Katie decided to go as well. So we drove into LA Saturday morning, and arrived at the con around 11:00 AM. I was expecting a much sparser crowd based on my experience last year, but that had been a Sunday. This Saturday was a full-fledged con.

Update: The photo gallery is up!

The Floor

I spent most of the time on the main floor, hunting down back-issues, bargains and autographs. A lot of dealers had brought their bargain bins (some of them, thankfully, alphabetized!), and a lot of them had trades and hardcovers for half-off or close to it. There were also the booths selling high-grade Silver-Age and Golden-Age books, toys and collectibles, and at least two booths selling swords. Yes, swords.

At one point, I overheard two comic-book dealers discussing whether the show was worth it. One of them said that people here tended to be looking for bargains, so it was hard to sell anything else. They agreed San Diego was a better bet.

I’ve been joking that the logo design for this year’s con (see above) was inspired by the gigantic auto show that shared the convention center witl last year’s con. So I was surprised to find a mini-auto show here: Marvel-themed cars, including Iron Man and Punisher SUVs.

There was a stage set up for Guitar Hero. At one point, I noticed the music was Metallica’s “Enter Sandman.” It seemed appropriate.

Costuming

There weren’t quite as many people in costume as I saw at WonderCon last month (also a Saturday). But there was a large contingent of people in Jedi costumes, some of whom seemed to be sparring with lightsabers every time I walked down the right edge of the dealers’ room. And there were Imperial Stormtroopers directing traffic, making sure people could find the one large panel room that was half-way to the other end of the convention center.

Read the rest of this entry »

Completing the Series

Yesterday I finally had time to finish reading To Trade the Stars, the final book in Julie E. Czerneda’s “Trade Pact Universe” trilogy. Now I’m ready to pick up The Briar King again, since the final book of Greg Keyes’ fantasy quartet, Kingdoms of Thorn and Bone, comes out at the end of the month. When the second book came out, I didn’t reread the first. But when the third book came out, I found it extremely helpful to reread the first two books.

I was hoping to time things so that I’d be done with The Blood Knight just in time to pick up The Born Queen, but I was in the middle of the Trade Pact books and didn’t want to break up the trilogy. Then there was the trip to San Francisco, WonderCon, and New Frontier, and I’ve spent the last 2 weeks trying to post things while they’re still current.

On a related note, I stumbled across Ringworld’s Children in Borders the other day. I read a lot of Larry Niven in college, mostly the classics plus a few from the 1990s, but after The Burning City bored me to tears—I never finished it, which is rare for me—I stopped following his new releases. I’m going to have to return to Ringworld at some point, though.

Geeky Links

Another Geek Hierarchy. This one, instead of focusing on how geeks of all stripes rank themselves, portrays the way “mainstream society” ranks geeks. I appreciate that it includes sports geeks. I’ve never understood why it’s considered acceptable to paint yourself blue, wear cheese on your head and giant foam gloves for a sports team, but wearing a Star Trek uniform makes you an outcast. (via sclerotic_rings)

And several links found during a recent Wikipedia binge:

Diagram of video resolutions, many of which I had no idea had actual names.

Next time we go to the Bay Area, I want to check out the Computer History Museum.

The Hello World Collection. Sample programs in hundreds of computer programming languages.

Comic Book Convention Prices Compared

I’ve been trying to decide whether to go to Wizard World Los Angeles this year. On one hand, it’s close. On the other hand, I just went to WonderCon last month. The astonishing thing is that a one-day ticket for WWLA costs almost as much as a 3-day membership to WonderCon. This got me thinking about comparing convention prices.

So I looked up the comic conventions in the area, plus the other two Wizard World cons that have prices up.

And to compare to some non-comic-focused conventions, some nearby, some just big:

It’s interesting to note that WonderCon (San Francisco) and ConDor (San Diego) are extremely cheap if you sign up far enough in advance. Also, when you expand to more general cons, San Diego Comic-Con is right in the middle of the range, with several conventions being more expensive. I’d guess that the more volunteer-based cons like Westercon and Worldcon probably don’t bring in as much money from exhibitors, so they’d be more dependent on memberships to keep afloat.

In compiling this, I discovered that this year, Comic-Con International isn’t going to be selling any memberships on-site. It’s going to be pre-registration only.

I guess they’re expecting it to sell out again like last year, and don’t want people to count on something they won’t be able to deliver. Plus I’m sure it’ll simplify matters for the con, since they won’t need to deal with taking money for registration.

Update: Added Loscon for nostalgia’s sake. Also fixed some links; GenCon rearranged their website sometime in the last 4 days, and I somehow typed in the wrong domain name for ConDor.

Note: These are the 2008 prices, except for the ConDor advance price, which is for 2009. All prices were obtained from the events’ websites except for the way-advance price for San Diego Comic-Con, which is simply the price I paid last summer for this year’s con. For shows with multiple membership packages, such as Wizard World, I selected the most basic package that lets you walk in the door.

*CCI always has a booth selling pre-registration for the following year’s convention at an even lower price.

Free Neil Gaiman Book!

For the month of March, Neil Gaiman’s novel American Gods will be available to read online, free of charge. This is part of a promotion by Harper Collins where they’re putting a bunch of books online, figuring that reading them will get people interested in buying more of the authors’ works.

Yeah, it’s sort of a “first hit is free” take on reading. But considering how finishing the first books of two different Julie Czerneda series had me running around the county to find the rest of each trilogy, there may be something to it.

(via Neil Gaiman, with a follow-up on the nature of free)

TV of the Future

TV Guide has a list of when TV shows are coming back now that the writers’ strike is over. (via ***Dave)

So, what’s happening to the shows we watch?

Battlestar Galactica

Returns April 4 with first half of 20-episode final season. Production on second half could start as early as March. Airdate for those TBD.

Seeing as how we don’t currently get the Sci-Fi Channel (we discovered BSG through DVDs), this means it’s time to figure out whether to mess with cable/satellite, watch it at someone else’s place, or hope that they’ll continue offering episodes online through iTunes or something.

Heroes

No new episodes expected until fall.

Pretty much expected that, given the way they were talking at the end of the “fall season.”

Journeyman

No new episodes expected. Ever.

And I continue my history of discovering interesting TV shows after they’ve already been canceled. (Actually, I have an even longer history of this with comic books. The first comic I ever bought, back in 1984, was issue #19 of Captain Carrot and his Amazing Zoo Crew, which lasted 20 issues.)

Lost

Six pre-strike episodes remain. Expected to shoot five additional episodes to air in April/May.

TV Guide interviewed Carlton Cuse on this recently (via aeryncrichton). They’d already shot 8 episodes of the 16-episode season, and plan to condense the second half of the season into 5—presumably because that’s how many they can actually finish during this production season.

This could actually work out well for them. One of the reasons season 4 of Babylon 5 was so good (aside from paying off on 4 years of setup) was that JMS shifted up his timetable so that he could wrap up the foreground plotlines by the end of the season he knew he had, instead of ending with a cliffhanger and hoping he could wrap them up in the first third of a season 5 that looked increasingly unlikely. The result was an extremely intense season that is widely regarded as the best year of the show.

And let’s be honest, Lost hasn’t exactly been known for compressed storytelling.

On the other hand, there’s the last few episodes of Angel to consider as a counter-example.

Pushing Daisies

No new episodes until fall.

On the plus side, this means it’s actually been renewed! This had “Too good to last” written all over it!

Terminator: The Sarah Connor Chronicles

Four pre-strike episodes remain. Future beyond that TBD.

I’m honestly not sure how I feel about this one. I enjoy it while I’m watching it, and it’s much, much better than Terminator 3, but I don’t find myself looking forward to it between episodes. Even if it does have Summer Glau beating people up.

Skiffy Links

The Beat has a couple of follow-up posts on the San Diego Comic-Con hotel issue: first, a wrap-up of the experience, then a post that puts San Diego into perspective, what makes it different from cities like New York or Los Angeles, and why just moving to Las Vegas won’t solve everything.

GTD In Space: Seven Habits of Highly Effective Spaceship Captains ranging from James T. Kirk to Malcolm Reynolds. (via ***Dave)

And, for the WTF-worthy, there’s Computer Love Day. As Mandriva puts it in their mailing:

Valentine’s Day is nearly here… February 14th, 2008. But think about it, who do you hang out with, who shares the good times and the bad ones, who drives you crazy but keeps your life together?………..Your computer, and it’s time to say it out loud: I love my computer!