K-Squared Ramblings

Techno-weird Links

Lisa the Barbarian: A woman poses with a viking helmet and a sword…and an Opera Browser T-shirt. (via Espenao’s Opera the Barbarian)

CNET UK presents The 30 dumbest videogame titles ever, including “Spanky’s Quest,” “Ninjabread Man,” “How to Be a Complete Bastard,” “Touch Dic” and “Attack of the Mutant Camels.” (via Slashdot).

Cowboy Bebop at His Computer — examples of media articles (especially about pop culture) in which the reporters (and editors) clearly didn’t do their research. The title comes from a caption on a still from Cowboy Bebop. That’s not the character’s name, and the character in question is female. It probably is her computer, though.

Archeophone Records: Actionable Offenses: Indecent Phonograph Recordings from the 1890s. Comedians telling bawdy stories, recorded on wax cylinders. The write-up is PG, though the track list looks to be at least PG-13. Looked up after reading NY Times’ article on voice recordings from 1860 (recorded with ink on paper), which is also worth a read. (via Slashdot)

Edit: Forgot to list the (temporary?) resurrection of 1994-era home.mcom.com, the website of what was then Mosaic Communications Corporation and would soon be renamed Netscape. Subsequently picked up by Boing Boing and Slashdot. For more old web browsers, check out the Browser Archive at evolt.org. (via Justin Mason)

Stringy Clouds at Sunset

Sunset on Tuesday, March 25th, with feathery cirrus clouds and contrails. A faint sundog is visible as a slight brightening at the level of the sun, about 2/3 of the way across the picture.

No Time for the End of the World

Well, my copy of The Born Queen has arrived via UPS, and I’m nowhere near finished re-reading the first three books of Greg Keyes’ The Kingdoms of Thorn and Bone. I’d hoped to start at the beginning of March, but I was in the middle of the Trade Pact books and wanted to finish that trilogy. Then I figured I could read one book each week like last time and be ready at the point that book 4 arrived…and I promptly got swamped with stuff to do at both work and home, so I found myself reading mainly at lunch (and half the time I ended up eating at my desk instead) and in 20-minute chunks. Now I’ve got the concluding novel, but I only just finished book 1 last night, and I’ve gotten only a handful of chapters into book 2.

I’ve enjoyed re-reading them, though, and while I remembered The Briar King quite well, it’s clear I’ve forgotten enough of books 2 and 3 that it will be well-worth having them fresh in my mind.

Now that I’ve got the final volume here, I think I’ll look for more of those 20-minute chunks of time.

Upgraded to WordPress 2.5

I’ve upgraded to the just-released WordPress 2.5. The new admin interface is very nice, especially the ability to upload more than one image at a time (though I think they might want to test uploading a single picture a bit more [edit: Maybe it's specific to Firefox 3 beta 4---on uploading one image, it shows the control panel three times instead of just once.] [edit2: Maybe it's on the Firefox beta, but the Linux version of Flash Player. It works just fine on the same version of Firefox on the Mac.] [edit3: It's definitely the Linux Flash Player; I tried it with Opera on Linux and had the same problem.]).

I’ve adapted my theme to use new built-in support for Gravatar and optimal titles instead of the plugins I was using before.

All the stuff you’ll see appears to be working just fine so far. A couple of minor glitches with some admin plugins (WP-Amazon takes two clicks to show or hide instead of just one), but no biggie.

There was one issue during the upgrade. I’ve been using XCache for WordPress to improve site performance. I was asked for the XCache admin login & password during the database upgrade. I couldn’t remember them, so I renamed object-cache.php and hit “cancel” on the password prompt, but it seems to have upgraded everything fine.

The one really annoying thing is that the Bad Behavior anti-spam plugin conflicts with the new media uploader (it’s already on the WordPress 2.5 Plugin Compatibility list). There are two issues. First, “Shockwave Flash” is apparently used by spambots, so it was listed in blacklist.php (code 17f4e8c8). Second, it seems Flash is mixing and matching HTTP 1.0 and HTTP 1.1. If I remove it from the blacklist, it trips condition a0105122, which indicates an Expect header appearing in an HTTP 1.0 request. Removing that test allows it to upload, but the test catches a lot of spam…

Edit: I tried out the visual editor again, as it was billed as “it doesn’t mess with your code anymore.” Sadly, it does mess with your code. It disappeared an image in one post, and it still replaces semantically-neutral <i> tags with <em> tags, even when you’ve entered them manually. <em> is for emphasis. When you italicize a book title, you are not emphasizing it. By replacing one tag with the other, it adds inaccurate semantic meaning. This is just as incorrect as using <h5> to get small text instead of using it for a level-5 heading.

Cataloging Worlds

After reading the “Who cares what Earth this takes place on!” intro to the Justice League: New Frontier tie-in comic, I started thinking about the whole Earth-1, Earth-616, etc. thing. The confusion over Earth-1 vs. New Earth in DC (something which overshadowed discussion of the actual story in the first issue of Tangent: Superman’s Reign) highlights the question: just how important is it to label these fictional universes, anyway?

And once you’ve decided to catalog them, how do you label them?

A few multiverses that come to mind are DC’s, Marvel’s, and Michael Moorcock’s.

The multiverse of Moorcock’s Eternal Champion cycle is extremely fluid, with details changing whenever he wants to tell a different story. Just looking at the Elric stories, there are three or four origins for Stormbringer, and as many for the Melnibonéans and their pact with Arioch. There are several versions of the 20th-century Count Ulrich Von Bek (depending on whether you include Count Zodiac). Worlds are less like parallel lines and more like streams that can run together, mingle, and separate again (kind of like the briefly-used Hypertimeas used by DC).

DC and Marvel, on the other hand, favor a discrete structure in which each universe can be precisely identified. This may have something to do with the focus on continuity as a key element of comic-book storytelling, and would explain why, for instance, Marvel has made an effort to number what seems to be every single alternate reality they’ve ever published.

Approaches to numbering:

• Sequential. DC started out like this, with Earth-1, Earth-2, Earth-3, etc.
• Random. Current DC multiverse, except for the first few we saw at the end of 52 which were based on worlds from the original DC multiverse (Earth-2, Earth-3, Earth-5 from Earth-S, Earth-10 from Earth-X). Marvel’s main continuity, Earth-616, was reportedly picked at random (though there is some disagreement on this point).
• Referential. Things like choosing Earth-S for the worlds of Shazam or Squadron Supreme, or Earth-C for Captain Carrot. Earth-97 for Tangent (which appeared in 1997) and Earth-96 for Kingdom Come (which appeared in 1996) would also fall into this category (but see the next point).
• Systematic. Taking referential labels a step further, using a consistent scheme. Marvel derives most of its designations from publication dates.

Personally, I prefer to just name them. “The Tangent Universe” or “New Frontier” or “Supremeverse” gets the idea across more directly than, say, Earth-9.

Opera on Acid3: 100% (and now WebKit too!)

We may soon have a winner! It looked like WebKit was going to be the first to pass the Acid3 test, passing 98 of 100 sub-tests earlier today, but internal builds of Opera pulled ahead, and have just reached 100/100!

This doesn’t constitute passing the full test, as the resulting page needs to look exactly like the reference image, but it means they’re very close.

These fixes won’t appear in the upcoming Opera 9.5, since it’s in the stabilization phase as it approaches release (just like any new Acid3-related changes in Firefox won’t make it into Firefox 3), but will probably find their way into the next major version.

We’re in the home stretch. Opera’s nearly there, but WebKit is close behind. WebKit could still catch up while Opera polishes off the rendering issues, in which case Safari would be the first browser to pass both Acid2 and Acid3.

Congratulations to the Opera team, and best of luck in the final lap of the race!

Update: Just a few hours later, and WebKit has caught up, also passing 100/100. And as they point out, it’s a public build, one you can download and try out yourself! The race to pass is going to be very close. Though at this point, it’s almost certain that WebKit will be the first to be publicly accessible.

(via CSS3.info. More at OperaWatch and The Good Life.)

Sylar Industries

Up in Napa, we found this sign at the entrance to Syar Industries.

Being Heroes fans, we couldn’t resist. Not only was the name just one letter off of the show’s popular villain, but the elongated S in the logo was just begging for a trio of crosspieces to turn it into the helix symbol that appears everywhere in the show. A bit of photo-manipulation later:

Apple Software Update: a Simple Solution

I appreciate the fact that Apple provides a single updater for all their Windows software. It’s nice to consolidate things a bit with the profusion of updaters for what seems like each and every application (sort of like how every mobile device seems to need its own charger). But it has its flaws. I’ve mentioned some broken UI design, but the most annoying thing is that it tries to install new software instead of just updating what you have.

At work, I have QuickTime and Safari for development purposes. I don’t have iTunes. I don’t need it. I don’t even have speakers hooked up to the computer. But every time a new version gets released, it shows up in the Apple Software Update list, and I have to tell it to ignore it until the next time they update iTunes.

Now that Safari for Windows is out of beta, it’s doing the same with Safari*. And people are complaining. People like John Lilly, CEO of Mozilla, who sees it as an anti-competitive measure that dilutes users’ trust in software updaters.

Personally, I think there is a problem, but I hardly expected it to turn into the firestorm it has, with Asa Dotzler, c|net, digg, Techmeme, [edit] and now Slashdot, [edit 2] Daring Fireball and Wired (it just keeps going!), and dozens hundreds of commenters entering the fray.

There’s a simple solution, and it’s one of those rare cases where Microsoft gets something right in their software that Apple gets wrong.

1. Create a separate section for software that isn’t already installed, and label it clearly. It can be in the same list, as long as there’s a separation and a heading.
2. Leave the new stuff unchecked by default.
3. Added: If set to check automatically, don’t pop up a notice more than once for each piece of not-installed software.

That’s it. Done. Apple still gets to leverage their installer to make people aware of their other apps, but there’s no chance of someone accidentally installing Safari (or iTunes) by accident because they didn’t read the list too closely. Take a look at Microsoft Update and how they (currently) offer Silverlight. It’s in a list of optional software, and it’s not checked until you choose it.

That’s all this really comes down to: sensible defaults and proper labeling.

*I have to admit getting a kick out of the title, “Apple pushes Safari on Windows via iTunes updater,” because my problem is that they’re pushing iTunes on Windows via their Safari updater. It’s a matter of perspective.

Raising the Dead

Well, when you come down to it, that’s what Easter is about. But when you put it that way, it just sounds like the stuff that most churches rail against

This Truck is Too Tired

Spotted this driving back from LA on Saturday, after Wizard World.

Well, I guess they don’t need to worry about finding the spare!

We both just sort of stared at it for a second or two. Was that really what we thought it was? Then I grabbed for the camera, snapped a shot that didn’t come out well, and handed it to Katie, who had a better view from the passenger seat.

Fortunately the traffic was terrible (now there’s something you don’t say very often) and we were able to get a shot instead of zooming past.

Sunset

View from the office parking lot earlier this evening:

Hazards of Q&A Sessions

I think anyone who’s been to a panel at a con in the past few years will appreciate Mark Evanier’s remarks on opening the floor to questions.

An open mike at a public event has increasingly become a magnet for people who should not be allowed near open mikes at public events. Audiences have begun to dread that portion of the program and to regard it as the signal that the event they came to see has come to an end. Thereafter, they can either leave (many do at that point) or sit there and cringe as control passes from the person they wanted to hear and goes to some stranger who, but for this opportunity, would never be speaking in front of a real audience and/or to someone of importance.

He goes on to mention the warning signs, like “On behalf of everyone here…” The people who, instead of just asking a question, need to turn it into the longest. public. statement. of. support. evar, as they pontificate about how this show changed their life, or that show inspired their writing, and can you please answer this stats question about my home-made Star Trek Role-Playing game after I read you a poem I wrote aaaaaall by myself?

No, really. I am not making this up.

As an example, at the Serenity panel at the 2005 San Diego Comic-Con, one “fan” took the floor to make a long rambling comment on behalf of fans who lived in Norway, London, England (“Both London and England?” “He’s got multiple personality disorder.”) etc. and explained that they thought Joss Whedon was “the best thing to happen to television since aerosol cheese.” Then he asked some question about the end of Angel and how they should handle some issue with the RPG. Joss tactfully handed it off to another panelist rather than tell the guy flat-out that it was a dumb (or at least inappropriate) question. (We’ve collected some more quotes from that panel.)

But this sort of thing happens all the time.

(via The Beat)

Acid(2) Stare

After looking at how Safari 3.1 handles the Acid2 test, and finding that under some circumstances/platforms it fails the test, I realized: that one line, with the eyes, has been the cause of most regressions in browsers that previously passed the test.

Rows 4-5 test fallback behavior for objects. The idea is that if a page tries to load an external resource, but can’t—the file is missing, the server’s down, the network’s slow, the browser doesn’t have the right plugin, etc.—the page can provide alternate content. And it can be nested, so you can try, say, a video clip that falls back to an SVG image that falls back to a PNG that falls back to text. Read the rest of this entry »

Safari 3.1 – Quick Thoughts

Grabbed the new Safari 3.1 this morning, both at work (WinXP) and on the laptop at home (Leopard). Noticed that the website no longer says “Beta” for the Windows version.

Oddly enough, there doesn’t seem to be much chatter from the browser community about it, at least not on sites I follow from work. There may be 25 posts on my RSS reader at home, for all I know.

I wish Apple would make the release notes easier to find. I clicked on the “more info” link in Software Update at home, but didn’t have time to really read it. I wanted to check the list at work, but there’s no menu item, it’s not visible on Apple’s website, and their search engine hasn’t indexed it yet. I had to search Google, and found it from some random person’s Twitter post. (Oh, and Apple? As long as I’m giving you advice, you’re running your site on Apache. Apache has a feature called mod_speling [sic] that will automatically correct a single-error typo when someone hits your site. I highly recommend that you look into it instead of handing out a 404 error whenever someone’s finger slips.)

User interface seems mostly the same as 3.0.

Not sure if it’s new or I just never noticed it, but the history menu has an option to reopen all windows from the previous session. It isn’t the automatic recovery offered by Firefox or Opera, but it’s the next best thing—and quite handy for cases when, for instance, Norton Antivirus has just updated itself and popped up a “will reboot in X seconds” warning, which you didn’t see because you had too many windows open. *ahem*

I believe this is the first browser released that supports embedding TrueType fonts. (IE has been able to embed fonts for years, but you had to convert them first, which may be why you don’t see too many these days.) When WebKit first added the feature last fall, I tested it out on my Les Mis page.

I really like the new developer tools (Prefs→Advanced→Show Develop menu), especially the network timeline. This, combined with YSlow on Firefox (itself an extension to Firebug), will be extremely useful for optimizing site performance.

It gets 77/100 on the Acid3 test, much better than Safari 3.0, which only scored 39/100. WebKit looks like it’s on track to be the first engine to pass again, having hit 93/100 yesterday. Oddly enough, the Acid2 regression is still present on XP (need to compare to the Mac version it displays correctly on the Mac), with an orange band covering the eyes and the border to the right of that band red instead of black.

Another odd thing: when it’s really busy, it seems to revert to a standard window frame instead of its own skin.

Who wants to bet that .Mac will be one of the first webapps to really make use of offline storage?

Wizard World LA 2008 – Con Report

Wizard World Los Angeles turned out to be a surprisingly good con. Originally I was planning to go on my own, but when they announced the addition of Milo Ventimiglia (Peter Petrelli) to the Heroes panel, Katie decided to go as well. So we drove into LA Saturday morning, and arrived at the con around 11:00 AM. I was expecting a much sparser crowd based on my experience last year, but that had been a Sunday. This Saturday was a full-fledged con.

Update: The photo gallery is up!

The Floor

I spent most of the time on the main floor, hunting down back-issues, bargains and autographs. A lot of dealers had brought their bargain bins (some of them, thankfully, alphabetized!), and a lot of them had trades and hardcovers for half-off or close to it. There were also the booths selling high-grade Silver-Age and Golden-Age books, toys and collectibles, and at least two booths selling swords. Yes, swords.

At one point, I overheard two comic-book dealers discussing whether the show was worth it. One of them said that people here tended to be looking for bargains, so it was hard to sell anything else. They agreed San Diego was a better bet.

I’ve been joking that the logo design for this year’s con (see above) was inspired by the gigantic auto show that shared the convention center witl last year’s con. So I was surprised to find a mini-auto show here: Marvel-themed cars, including Iron Man and Punisher SUVs.

There was a stage set up for Guitar Hero. At one point, I noticed the music was Metallica’s “Enter Sandman.” It seemed appropriate.

Costuming

There weren’t quite as many people in costume as I saw at WonderCon last month (also a Saturday). But there was a large contingent of people in Jedi costumes, some of whom seemed to be sparring with lightsabers every time I walked down the right edge of the dealers’ room. And there were Imperial Stormtroopers directing traffic, making sure people could find the one large panel room that was half-way to the other end of the convention center.

Read the rest of this entry »